eBooks de Psicoanálisis, página 25 de 60

"Nada de tour pelo Sul este ano; além do mais, a companheira de viagem está em falta — por causa da doença de Minna, Martha também se encontra inamovível. Vida cotidiana verá a luz do público por ess

With contributions from Ozcan Alper, Damir Arsenijevic, Friederike Bassenge, Alen Drljevic, Andreas Hamburger, Camellia Hancheva, Dzenana Husremovic, Lars Kraume, Dijana Jelaca, Ajna Jusic, Cem Kaptanoglu, Stephan Komandarev, Maida Koso-Drljevic, Nadia Kozhouharova, Gamze Ozcurumez, Tatjana Petzer, Vivian Pramataroff-Hamburger, Goran Radovanovic, Biljana Stankovic, Svetlozar Vassilev, and Jasmila zbanic. In the last decade, the concept of trauma has experienced a surprising boom in sociological and media debates. In a culture of outrage, blanket narratives of victimhood often overshadow the concrete, known social violations and their observable real economic and psychological consequences. The aim of this volume is to reflect on this shift in discourse and to compare it with the concrete historical backgrounds and psychosocial constitutions of countries that have been haunted by social trauma in different ways. In discussing feature films from Germany and four Balkan countries, the book presents the distinct social-traumatic histories, how they are negotiated in different societies, and the motifs cinema uses to narrate them. The award-winning films featured are Sadilishteto [The Judgement], Grbavica [Esmas Secret - Grbavica], Muskarci ne placu [Men Dont Cry], Enklava [Enclave], Der Staat gegen Fritz Bauer [The People vs. Fritz Bauer], and Sonbahar [Autumn]. The individual film analyses are each accompanied by interviews with the filmmakers and introduced by overarching themes, the role of cinema as a place of social understanding in a post-traumatic society, and the methodology of film analysis. With contributions from the worlds of film, psychoanalysis, activism, psychiatry, film studies, literary and cultural studies, psychology, trauma studies, philosophy, psychotherapy, and human relations, this book has a broad appeal. It is a must-read for those looking for a deeper insight into social trauma and the impact of sociocultural factors, shown so clearly through the filmmakers lens.

With contributions from Ozcan Alper, Damir Arsenijevic, Friederike Bassenge, Alen Drljevic, Andreas Hamburger, Camellia Hancheva, Dzenana Husremovic, Lars Kraume, Dijana Jelaca, Ajna Jusic, Cem Kaptanoglu, Stephan Komandarev, Maida Koso-Drljevic, Nadia Kozhouharova, Gamze Ozcurumez, Tatjana Petzer, Vivian Pramataroff-Hamburger, Goran Radovanovic, Biljana Stankovic, Svetlozar Vassilev, and Jasmila zbanic. In the last decade, the concept of trauma has experienced a surprising boom in sociological and media debates. In a culture of outrage, blanket narratives of victimhood often overshadow the concrete, known social violations and their observable real economic and psychological consequences. The aim of this volume is to reflect on this shift in discourse and to compare it with the concrete historical backgrounds and psychosocial constitutions of countries that have been haunted by social trauma in different ways. In discussing feature films from Germany and four Balkan countries, the book presents the distinct social-traumatic histories, how they are negotiated in different societies, and the motifs cinema uses to narrate them. The award-winning films featured are Sadilishteto [The Judgement], Grbavica [Esmas Secret - Grbavica], Muskarci ne placu [Men Dont Cry], Enklava [Enclave], Der Staat gegen Fritz Bauer [The People vs. Fritz Bauer], and Sonbahar [Autumn]. The individual film analyses are each accompanied by interviews with the filmmakers and introduced by overarching themes, the role of cinema as a place of social understanding in a post-traumatic society, and the methodology of film analysis. With contributions from the worlds of film, psychoanalysis, activism, psychiatry, film studies, literary and cultural studies, psychology, trauma studies, philosophy, psychotherapy, and human relations, this book has a broad appeal. It is a must-read for those looking for a deeper insight into social trauma and the impact of sociocultural factors, shown so clearly through the filmmakers lens.

We are each a part of many different groups, teams, and organisations in our lives - this is unavoidable. Groups are powerful - we want to belong, and yet there is something dangerous about becoming too enmeshed with groups. We have painful historical examples to draw from, such as the Holocaust or the Salem Witch Trials. In todays Western culture, we are experiencing unprecedented groupthink, political radicalisation, and polarisation between groups. If we can learn to understand the currents and hidden dynamics within group life, we stand to benefit immensely. Not only might we gain on a personal level (better relationships, more effective leadership), but we may also become more influential in service to a better world. Gods, Heroes, and Groups helps readers conceptualise group dynamics in a deeper way and builds the creative muscle required for generating insight into how their groups operate. The methodology is somewhat novel, synthesising post-Jungian ideas about myth with modern theories of group psychology. Myths carry deep archetypal meaning that can decode the unconscious elements in groups, which is especially powerful when combined with modern psychological frameworks. This type of thinking is a useful skill for executive coaches, facilitators, and therapists who work with groups or family systems, and for anyone looking to understand the effects of groups on the individual.

We are each a part of many different groups, teams, and organisations in our lives - this is unavoidable. Groups are powerful - we want to belong, and yet there is something dangerous about becoming too enmeshed with groups. We have painful historical examples to draw from, such as the Holocaust or the Salem Witch Trials. In todays Western culture, we are experiencing unprecedented groupthink, political radicalisation, and polarisation between groups. If we can learn to understand the currents and hidden dynamics within group life, we stand to benefit immensely. Not only might we gain on a personal level (better relationships, more effective leadership), but we may also become more influential in service to a better world. Gods, Heroes, and Groups helps readers conceptualise group dynamics in a deeper way and builds the creative muscle required for generating insight into how their groups operate. The methodology is somewhat novel, synthesising post-Jungian ideas about myth with modern theories of group psychology. Myths carry deep archetypal meaning that can decode the unconscious elements in groups, which is especially powerful when combined with modern psychological frameworks. This type of thinking is a useful skill for executive coaches, facilitators, and therapists who work with groups or family systems, and for anyone looking to understand the effects of groups on the individual.

Alexander Lowen conceitua a estrutura de caráter como um padrão organizado e repetitivo de pensamentos, sentimentos e comportamentos que caracterizam uma pessoa. Essa estrutura não é estática, mas se

Retratos do corpo: uma abordagem clínica aborda as manifestações do corpo originadas de diferentes transtornos psicológicos que aparecem em nossos consultórios. O livro é constituído por uma coletâne

Se você quiser saber o que é o tempo, abra este livro e verá como, segundo Santo Agostinho, proponho uma escrita lógica que une suas três instâncias: o presente do passado, o presente do futuro e o p

Nesta obra, exploram-se os estudos sobre gênero e sexualidade sob a perspectiva da psicanálise, com foco na constituição da identidade de gênero e sexuada. Através de uma análise teórica, o livro abo

Neste livro, como o leitor apreciará, Flávio Ferraz atravessa cuidadosamente as produções freudianas, destacando aquelas que, autonomeadas ou não, permitem entender como a psicanálise contribui para

Harry Potter, Marvel, Star Wars, Senhor dos Anéis, Matrix... A representação do herói nos mitos clássicos dos filmes modernos exerce uma influência marcante no imaginário coletivo, entretendo e inspi

A pesquisa de Maria Cecília Pereira da Silva sobre a construção da parentalidade em mães adolescentes, com o objetivo de evitar os transtornos do desenvolvimento e favorecer o vínculo mãe-bebê, tem u

O discurso de ódio e o perdão são temas que, embora frequentemente abordados de forma separada, encontram-se profundamente entrelaçados no que diz respeito à compreensão das relações humanas e dos co

Usando a máxima de Antônio Candido de que "o tempo é o tecido da vida", a autora traz por meio de crônicas e textos, a dimensão transitória da existência e nos convida a pensar sobre como utilizamos

Este livro captura a memória do período transcorrido entre 2020 e 2024, um tempo marcado pelo impacto inevitável da transição para o trabalho remoto na formação psicanalítica, resultado da crise pand

Conexão Fepal foi desenvolvido pela Diretoria de Publicações (gestão 2022 – 2024) como um projeto editorial virtual, com base em um boletim informativo já existente e com o mesmo nome, que decidimos

Este livro é o resultado de cinco anos consecutivos de trabalho na Fepal no âmbito do grupo de estudos Psicanalistas na Comunidade. A marca desse grupo é a paixão pelo trabalho na e com a comunidade.

Visão geral:- Este livro aborda a teoria psicanalítica sob a perspectiva da decolonialidade, refletindo sobre o racismo estrutural e suas implicações subjetivas.- Os aspectos do racismo, subjetividad

Os trabalhos que compõem este livro representam diversas perspectivas teóricas e clínicas do trabalho psicanalítico com casais e famílias na América Latina, abrindo a oportunidade de pensar o íntimo

A sociedade de angústia é tratada a partir de uma reflexão sobre valores e comportamentos como liberdade, felicidade, narcisismo, consumismo, segurança, objetivando compreender os sintomas presentes