eBooks de Historia y estudios de Bellas Artes, página 8 de 19

Dentro das páginas de O Barão dos Barões , você será levado a uma jornada extraordinária através da vida de um homem que desafiou as convenções, ecoou sua voz através do teatro e da poesia, e incendi

Story of Water and Fire is a captivating account of the joint life of two prominent figures in the Iraqi art scene, poet and art critic May Muzaffar and artist Rafa Nasiri. This book offers a glimpse into the social and artistic milieu of Baghdad from the 1960s to the 1990s, as well as the couples travels during this period and their years of exile in Amman and Manama. Through vivid descriptions and rarely seen photographs, May Muzaffar provides insights into their position in the Arab and international art scenes. The book serves as a guide to the archival material that al Mawrid Arab Center for the Study of Art at NYU Abu Dhabi has digitized and made available for researchers, creating an expanded space for exploration and understanding of the remarkable work of this generation.MAY MUZAFFAR (*1940, Baghdad) is a poet, short story writer, art critic, and translator. Having graduated in English literature from Baghdad University in 1961, she has published seven collections of poetry and five collections of short stories in Baghdad, Beirut, and Amman. She authored books on art and artists, and has also edited several books on Rafa Nasiris art. She is the sponsor of Rafa Nasiris art heritage and organizes an annual award for graphic arts in his name, since 2014.

Milkyways is a collection of essays by artist Camille Henrot, exploring the ambivalence of motherhood and the process of creation in both art-making and life. Each chapter delivers a cosmos of references in literature, cartoons, art history, psychoanalysis, and morefrom ancient maternity myths to modern maternity wards; from Marcel Proust to Maggie Nelson to Helene Cixous. Alongside illustrations of the artists work in painting, drawing, and sculpture, Henrots perspectives in writing oscillate freely between the personal and the societal, the obvious and the more complex, the visceral and the utterly mundane.Milkyways was originally conceived for Republik magazine on invitation by Antje Stahl. Written with Jacob Bromberg, Antje Stahl, and Lea Trudel.CAMILLE HENROT (*1978, Paris) is one of the most influential voices in contemporary art today, with a practice encompassing drawing, painting, sculpture, installation and film. Inspired by references from literature, psychoanalysis, cultural anthropology and the banality of everyday life, she questions what it means to be both a private individual and a global subject in an increasingly connected and over-stimulated world. Henrot has had numerous solo exhibitions worldwide in venues including Middelheim Museum, Antwerp; Palais de Tokyo, Paris; National Gallery of Victoria, Melbourne; New Museum, New York; and Art Sonje Center, Seoul. She lives and works in New York City.

Milkyways is a collection of essays by artist Camille Henrot, exploring the ambivalence of motherhood and the process of creation in both art-making and life. Each chapter delivers a cosmos of references in literature, cartoons, art history, psychoanalysis, and morefrom ancient maternity myths to modern maternity wards; from Marcel Proust to Maggie Nelson to Helene Cixous. Alongside illustrations of the artists work in painting, drawing, and sculpture, Henrots perspectives in writing oscillate freely between the personal and the societal, the obvious and the more complex, the visceral and the utterly mundane.Milkyways was originally conceived for Republik magazine on invitation by Antje Stahl. Written with Jacob Bromberg, Antje Stahl, and Lea Trudel.CAMILLE HENROT (*1978, Paris) is one of the most influential voices in contemporary art today, with a practice encompassing drawing, painting, sculpture, installation and film. Inspired by references from literature, psychoanalysis, cultural anthropology and the banality of everyday life, she questions what it means to be both a private individual and a global subject in an increasingly connected and over-stimulated world. Henrot has had numerous solo exhibitions worldwide in venues including Middelheim Museum, Antwerp; Palais de Tokyo, Paris; National Gallery of Victoria, Melbourne; New Museum, New York; and Art Sonje Center, Seoul. She lives and works in New York City.

Story of Water and Fire is a captivating account of the joint life of two prominent figures in the Iraqi art scene, poet and art critic May Muzaffar and artist Rafa Nasiri. This book offers a glimpse into the social and artistic milieu of Baghdad from the 1960s to the 1990s, as well as the couples travels during this period and their years of exile in Amman and Manama. Through vivid descriptions and rarely seen photographs, May Muzaffar provides insights into their position in the Arab and international art scenes. The book serves as a guide to the archival material that al Mawrid Arab Center for the Study of Art at NYU Abu Dhabi has digitized and made available for researchers, creating an expanded space for exploration and understanding of the remarkable work of this generation.MAY MUZAFFAR (*1940, Baghdad) is a poet, short story writer, art critic, and translator. Having graduated in English literature from Baghdad University in 1961, she has published seven collections of poetry and five collections of short stories in Baghdad, Beirut, and Amman. She authored books on art and artists, and has also edited several books on Rafa Nasiris art. She is the sponsor of Rafa Nasiris art heritage and organizes an annual award for graphic arts in his name, since 2014.

Deixo aqui meus pensamentos soltos , alguns sussuros outros gritos e outros apenas para identificação.

Luzia adora escrever poesias. Desde seus 16 anos, retrata suas lembranças de uma forma admirável e bela. Neste livro, ela apresenta suas primeiras obras Vozes da Primavera , A Casa Antiga , A Chuva Cai e muitas outras que mergulham o leitor em um ambiente agradavel e puro.

What makes a person an artist? How do works of art and their very own, extraordinary style come into being? And how does the prominent painter view his own work? The world-famous painter Sean Scully met with the philosopher David Carrier for several in-depth interview sessions. Their conversations explore these and many more questions about Scullys life, work, and ideas. The result is a rich manuscript that very closely approaches the status of a valid autobiography. Scully provides personal insights into his life and the important sources of inspiration for his career. He discusses his own view of his entire oeuvre, of art history and his position within it. Thus, this text becomes a literal eye-opener for Scullys art, which can be (re)discovered through his words.SEAN SCULLY (*1945, Dublin) is one of the most famous artists of his generation. In addition to numerous exhibitions worldwide, he has been honored with important awards such as the Guggenheim Fellowship and Harckness Fellowship.DAVID CARRIER (*1944) is a philosopher and art critic. His contributions to art appear in ArtForum and ArtUS, among others. With this interview tape, he takes up an interest of his teacher Arthur C. Danto, whose texts on Scully were published by Hatje Cantz in 2015.

"The Secrets Truths About the Universe" is an awe-inspiring exploration into the enigmatic depths of our cosmic existence. This captivating title beckons readers on an intellectual journey that delves into the mysteries and revelations concealed within the vast expanse of the universe.Within the pages of this remarkable work, the reader embarks upon a voyage of discovery, guided by the profound insights and revelations that await. As the veil of uncertainty is lifted, a wealth of hidden knowledge is unveiled, offering a glimpse into the intricate workings of the cosmos.From the grandeur of celestial bodies to the microscopic wonders that shape our existence, this literary masterpiece reveals the universes secrets like never before. It unravels the enigmas surrounding the birth of galaxies, the nature of dark matter and energy, the origins of life, and the potential for extraterrestrial civilizations.The authors eloquent prose intertwines scientific theories, philosophical musings, and the collective wisdom of generations, resulting in a harmonious blend of intellect and imagination. The narrative captivates the readers mind, invoking a sense of wonder and curiosity that propels them forward, seeking answers to age-old questions."The Secrets Truths About the Universe" transcends the boundaries of conventional knowledge, challenging readers to question their preconceptions and embrace the boundless possibilities that lie beyond. It serves as a beacon of enlightenment, illuminating the uncharted territories of the universe and inspiring a deep appreciation for the intricacies of our cosmic existence.Whether you are a seasoned astrophysicist, an avid science enthusiast, or simply an inquisitive soul yearning for intellectual stimulation, this extraordinary literary endeavor will leave an indelible mark on your mind, forever altering your perception of the universe and our place within it. Prepare to embark on an extraordinary odyssey that will unlock the secrets truths about the universe, allowing you to glimpse the profound interconnectedness of all things.

Je venais de traverser la Perse, du Caucase au golfe Persique, de la Gédrosie à la Susiane, lorsque je pris, à Bouchyr, le bateau qui devait me rapatrier. Les hautes montagnes du Fars sévanouissaient

Proprietary algorithms, secret data troves, and inscrutable systems rule the day. How is this registered in art? In Poetics of Encryption Nadim Samman explores works that highlight the hidden dimensions of our technological landscape. Running counter to erroneous claims regarding a new culture of transparency and openness, such artworks address black sites, black boxes, and black holesall the while, toggling between enlightened concern and occult dreaming.NADIM SAMMAN is Curator for the Digital Sphere at KW Institute for Contemporary Art, Berlin. He read Philosophy at University College London before receiving his PhD from the Courtauld Institute of Art. Widely published, in 2019 he was First Prize recipient of the International Award for Art Criticism (IAAC). Major curatorial projects included the 4th Marrakech Biennale (2012), the 5th Moscow Biennale for Young Art (2015) and the 1st Antarctic Biennale (2017).

Proprietary algorithms, secret data troves, and inscrutable systems rule the day. How is this registered in art? In Poetics of Encryption Nadim Samman explores works that highlight the hidden dimensions of our technological landscape. Running counter to erroneous claims regarding a new culture of transparency and openness, such artworks address black sites, black boxes, and black holesall the while, toggling between enlightened concern and occult dreaming.NADIM SAMMAN is Curator for the Digital Sphere at KW Institute for Contemporary Art, Berlin. He read Philosophy at University College London before receiving his PhD from the Courtauld Institute of Art. Widely published, in 2019 he was First Prize recipient of the International Award for Art Criticism (IAAC). Major curatorial projects included the 4th Marrakech Biennale (2012), the 5th Moscow Biennale for Young Art (2015) and the 1st Antarctic Biennale (2017).

The Bijlmer Spinoza-Festival is an artwork, a sculpture, created by Swiss artist Thomas Hirschhorn in a peripheral borough of Amsterdams south-east known as the Bijlmer in 2009. This book recounts the event through the eyes of its "Ambassador", art historian Vittoria Martini, who was invited by the artist to be an eyewitness to the existence of this "precarious" work. A term Hirschhorn sees as positive and creative: a means of asserting the importance of the moment and of the place, of asserting the Here and Now to touch eternity and universality. Appreciating the art historians presence as a central element of his sculpture, Hirschhorn consciously challenged the certainties of the profession by empowering and activating the role, thus leading Martini to find a new working methodology that she calls "precarious art history". Accompanying the readers through her experience of the physical existence of The Bijlmer Spinoza-Festival, Martinis commentary leads to the profound understanding of how a work that no longer exists physically, can live on in the mindelsewhere, at some other timebecause in the meantime it has become universal.Paris-based artist THOMAS HIRSCHHORN (*1957, Bern) is best known for his sculptures in public spacemonuments, kiosks, and altars. Questioning the autonomy, the authorship, and resistance of a work of art, he asserts the power of art to touch and transform the other. He represented Switzerland at the 54th Venice Biennale in 2011 and received numerous awards, including the Prix Marcel Duchamp and the Joseph Beuys Stiftung Prize.VITTORIA MARTINI (*1975, Kinshasa) is an independent art historian living in Italy. She has a doctorate from Universita Ca Foscari/Universita Iuav di Venezia. Since 2013 she teaches History of exhibitions and curatorial practices and holds the Art Writing workshop at CAMPO Program of curatorial studies and practices established by the Fondazione Sandretto Re Rebaudengo (Turin, Italy). Her research focuses mainly on the institutional structures that produce exhibitions.

Il libro intitolato "#Un po di me Come la Musica ha cambiato la mia vita" Non e solamente un racconto autobiografico in cui lautore Piero Fidelfatti, personaggio a tutti noto, racconta fatti che nessuno conosce raccolti in oltre 50 anni di carriera. Denominato come il "MAESTRO" per le sue Scuole, Corsi e Workshop in tutta Italia. Non tralasciando la sua attivita come Autore e Compositore, le sue produzioni discografiche hanno fatto ballare tutto il mondo. Un libro ricco di immagini che attesta la sua professionalita, un libro che non puo mancare nella vostra biblioteca.

Tommaso Donini, detto il Caravaggino (1601-1637) e un personaggio minore ma non del tutto irrilevante nella complessa sfera artistica romana dei primi anni del Seicento. Senzaltro ha risentito degli influssi degli artisti quali il Lanfranco, Cecco del Caravaggio, il Saraceni. E evidentemente assodato come, con la presenza sul finire del Cinquecento a Roma di Caravaggio (fu costretto a fuggire nel 1606), numerosi pittori, ne sentirono linfluenza. Questi seguivano la sua maniera di dipingere, soprattutto il suo nuovo modo di illuminare le scene con un raggio di luce forte e diretta per far emergere dal fondo scuro le singole figure e creare forti contrasti chiaroscurali. Il taglio compositivo risulta piu ravvicinato e piu coinvolgente per gli spettatori. I soggetti rappresentati sono resi sempre a grandezza naturale ripresi cosi direttamente dalla realta. Poi vi fu la seconda generazione dei seguaci di Caravaggio che e formata appunto dai pittori nati, come il Donini, intorno al 1585-1600, ma attivi a partire dal secondo decennio del Seicento, che non ebbero una specifica formazione tardomanieristica e non conobbero direttamente Caravaggio. Questi si formarono sulle sue opere assimilandone i dati esteriori e lo spirito, apportandovi delle peculiarita diverse. Uno dei piu famosi caposcuola di questa seconda generazione fu Manfredi. Le opere del pittore, Tommaso Donini, sono state molto spesso confuse con quelle del bolognese Emilio Savonanzi (1580-1660). Cosi, attraverso il presente lavoro, Sonia Testa, basandosi sulla fondamentale ricerca condotta da F. DAmico, vuole sottolineare nuovamente la paternita dellopera, presa in esame, presente allinterno dellAbbazia di Valvisciolo (Sermoneta, Lt) al suo legittimo esecutore.

Poesias de uma vida que se remonta a cada caco juntado!

Marés é o aprofundamento da experiência de mergulhar no universo poético embalado pelo conjunto de sensações singulares que a vivência litorânea me estimulou a construir.

Con questo libro lautore completa la trilogia che copre un arco di tempo che va dal secondo conflitto mondiale ai primissimi anni dopo la Liberazione. Se Il giorno che accecai il duce racconta episodi di cronaca spicciola di Viterbo e dintorni, e Fuori le donne da palazzo dei Priori le prime iniziative adottate dallamministrazione comunale nella difficile opera di ricostruzione della citta, O Dio con noi o tutti in cenere vuole essere una piccola testimonianza del sistema mediatico del tempo. Cioe come giornali, libri, manifesti hanno raccontato la difficile e pur vitalissima realta di quegli anni.

Lestablishment globalista sta utilizzando i nuovi media per cancellare i valori fondanti della Civilta Occidentale e sostituirli con i dettami dellideologia woke. Attivita certificata dai documenti rivelati da Elon Musk nei Twitter Files, che infatti sono stati censurati dai maggiori media di tutto il mondo e che nel libro sono riportati integralmente.Contesto che obbliga le forze di ispirazione conservatrice a confrontarsi con sfide epocali come lIntelligenza Artificiale, la Sovranita digitale e il Metaverso, che lAutore affronta utilizzando la formula agile del glossario.Ognuno di noi e il messaggio. Linsieme delle azioni che compiamo determina il livello della nostra autorevolezza e credibilita, a maggior ragione nellera dominata dai media digitali. Partendo da questo presupposto occorre analizzare il contesto attuale, nel quale la sinistra sta tentando di imporre il proprio modello culturale basato sui dettami del politicamente corretto.Lo scorso 25 settembre Giorgia Meloni ha dimostrato di essere il messaggio piu credibile e per questo efficace, creando le condizioni affinche il pensiero conservatore possa essere la bussola per orientare lazione di governo. Quale Italia possiamo aspettarci da qui ai prossimi 5 anni? Partendo dal pensiero conservatore, Tu sei il messaggio affronta molti dei grandi temi con cui le forze politiche di governo si dovranno confrontare per giocarsi al meglio questa occasione storica.

Questo secondo numero del 2023 e particolarmente ricco e interessante. Apriamo con un servizio sulla presenza arbereshe in Calabria. Il professore Giuseppe De Bartolo, da par suo, ci propone una riflessione sulla lenta ma costante decrescita della popolazione arbereshe in Calabria, mentre il presidente della Federazione Associazioni Arbereshe (FAA), Damiano Guagliardi, ci spiega abbastanza dettagliatamente cosa si sta facendo e cosa si potrebbe fare per non perdere una cosi importante presenza non solo fisica, ma soprattutto culturale, in Calabria. È un articolo scritto molto bene, da non perdere. Chiudiamo il servizio con un pezzo del professor Gennaro De Cicco sulla manifestazione di Tirana sul libro arbereshe. Alla realizzazione del servizio ha dato un contributo determinante, Francesco Meringolo.Segue una meravigliosa e colta esposizione sulle opere del grande Mattia Preti, il Cavalier Calabrese, scritta da Gabriello Grandinetti che fa riflettere il lettore sullimportanza universale di un pittore che noi calabresi valorizziamo in maniera adeguata.Poi un pezzo di Bruno Gemelli sul Politeama di Catanzaro, ci fa conoscere tante cose dellistituzione catanzarese che ne fanno unopera di altissimo livello.Infine un pezzo di Anita De Franco, ricercatrice presso il Politecnico di Milano che ci richiama alla concretezza su Cosenza Vecchia e, per chiudere, la presidente dellassociazione Civicamica, Gilda De Caro, ci parla del dramma che sta vivendo la Cultura cosentina con la chiusura della Biblioteca Civica che e una istituzione culturale che custodisce tesori di grande valore e di grande importanza.In allegato a questo numero di Dedizioni trovate unaltra rivista, Focus Economia. Allinterno Saverio Di Giorno ci spiega come la mafia sia una delle piu rilevanti cause dellinefficienza della Pubblica amministrazione, Matteo Olivieri ci parla del suo libro "I Banchieri di Cosenza nel Rinascimento" in uscita a fine aprile e Gianfranco De Franco, in chiusura, ci rivela il paradosso di come i Bitcoin, un prodotto virtuale, riesca a inquinare lambiente.