eBooks de Biblioteconomía, página 36 de 169

In "Prices of Books," Henry B. Wheatley offers a meticulous examination of book pricing throughout history, intertwining economic theory with bibliographic scholarship. This work, written in a lucid yet scholarly style, provides deep insights into the factors influencing book prices, from the costs of production to market demands. Wheatley meticulously catalogs various pricing trends while employing a historical lens to explore how societal changes and technological advancements have reshaped the book market. This critical analysis serves not only as a reflection of the literary marketplace but also as a depiction of the evolving relationship between literature and commerce. Henry B. Wheatley, a prominent bibliographer and historian, was known for his deep interest in the printing trade and its societal implications. His expertise in bibliographical studies, combined with a passion for literature, propelled him to undertake this comprehensive survey of book pricing. WheatleyAos background as an editor and scholar in the Victorian era reflects a broader cultural appreciation for books, underscoring the significance of understanding their economic aspects, particularly in an age marked by rapid technological change. "Prices of Books" is an essential read for bibliophiles, economic historians, and literary scholars alike. Wheatleys analytical approach provides invaluable context for the contemporary book market, encouraging readers to reflect on the historical dynamics that continue to shape literary value today. For anyone interested in the intersection of literature and economics, this book is both enlightening and thought-provoking.

In "Manual of Library Cataloguing," John Henry Quinn presents a comprehensive exploration of cataloguing principles and practices that serve as foundational pillars for library science. Written with a meticulous attention to detail, this seminal work balances theoretical frameworks with practical applications, offering readers a clear understanding of classification systems, metadata standards, and the evolution of cataloguing practices in the face of digital transformation. Quinns accessible yet erudite literary style reflects both pedagogic clarity and scholarly rigor, placing the manual firmly within the broader context of 20th-century library science texts that emphasize the importance of organization and accessibility in information management. John Henry Quinn, a noted librarian and educator with over two decades of experience in the field, has been passionately involved in advancing library education and cataloguing standards. His firsthand experience in diverse library settings, coupled with his academic background in information science, has equipped him with unique insights into both the challenges and opportunities faced by contemporary librarians. His commitment to enhancing users access to information underpins this work, reflecting a deep awareness of the social responsibilities inherent in library practices. For librarians, library students, and information science professionals, "Manual of Library Cataloguing" is an essential resource that offers crucial guidance in navigating the complexities of cataloguing in both physical and digital realms. QuinnAos work resonates not only as an instructional guide but also as a thoughtful commentary on the evolving role of libraries in society, making it an indispensable addition to any library science curriculum or practitionerAos bookshelf.

In "Adventures in American Bookshops, Antique Stores and Auction Rooms," Guido Bruno embarks on a captivating exploration of the hidden treasures found within the eclectic realms of American antiquarian culture. With a narrative that deftly blends personal anecdotes with vivid descriptions, Bruno adopts a lyrical yet informative style, seamlessly intertwining the past with the present. Each chapter serves as both a travelogue and a memoir, shedding light on the myriad of unique characters and artifacts that populate the rich tapestry of American bookshops and auction venues, while also addressing the broader literary context of collecting and conservation within the changing dynamics of American society. Guido Bruno, known for his profound love of books and antiquities, draws inspiration from his own experiences as a collector and bibliophile. His extensive travels across the United States reflect a deep-seated appreciation for the stories behind each item he encounters, illuminating the often-overlooked significance of preserving cultural history. This background enriches the narrative, allowing readers to grasp the emotional resonance and historical weight of the seemingly mundane. For enthusiasts of literature, history, and the art of collecting, "Adventures in American Bookshops, Antique Stores and Auction Rooms" is an essential read. Brunos eloquent prose invites readers to journey alongside him, igniting a sense of wonder and curiosity about the treasures that lie in the nooks and crannies of AmericaAos cultural landscape.

In "The Confessions of a Collector," William Carew Hazlitt offers a captivating exploration of the world of book collecting, art, and antiquities through a series of reflective essays. With his lucid prose and a keenly analytical lens, Hazlitt deftly navigates the intricate motivations and emotional investments associated with the act of collecting. Set against the backdrop of 19th-century England, this work illuminates the intersection of personal identity and cultural heritage, evoking the eras burgeoning interest in literary and artistic treasures. The fluidity of his narrative, interspersed with anecdotes and insightful critiques, showcases both the joys and sorrows that accompany the collectors journey, embedding the publication firmly within the context of literary and social history of the time. William Carew Hazlitt, a recognized bibliophile and literary critic, was deeply influenced by his familys rich literary heritage, including his father, the renowned essayist William Hazlitt. This familial backdrop fueled his passion for literature and antiquities, leading him to produce a work that transcends mere cataloging. Hazlitts engaged contemplation reflects a life spent immersed in the world of books, marking him as a significant figure in the study of literary collection and the broader cultural discourse surrounding it. For readersAibe they avid collectors, bibliophiles, or those intrigued by the relationship between identity and material cultureAi"The Confessions of a Collector" proves to be an indispensable text. Hazlitts insights resonate with anyone seeking a deeper understanding of the motivations behind collecting, as well as the interplay between personal passion and the broader cultural narrative. This work serves as both an informative guide and a philosophical meditation, making it a must-read in the realms of literary criticism and cultural history.

In "Royal English Bookbindings," Cyril Davenport presents a meticulous exploration of the opulent art of bookbinding within the context of English royalty. This richly illustrated volume encapsulates the historical significance and aesthetic merit of bookbindings fashioned for the monarchy, highlighting techniques such as gold tooling and the exquisite use of materials that define the genre. Davenports erudite prose reflects the elegance of the bindings themselves, and he deftly navigates the intersection of artistry, craftsmanship, and the cultural milieu of the royal courts, making this work a critical resource for bibliophiles and historians alike. Cyril Davenport, a distinguished book historian and bibliophile, served as the librarian of the Royal Library at Windsor Castle, granting him unparalleled access to the regal collections he ardently cataloged and studied. His intimate familiarity with the subject matter and engagement with the royal patronage of bookbinding practices led to this focused inquiry, illustrating not only the aesthetic grandeur of these artifacts but also their significance as historical documents reflecting the tastes and preferences of EnglandAos elite. For scholars, collectors, and admirers of fine arts, "Royal English Bookbindings" is an essential study that transcends mere cataloging; it invites readers to appreciate the handmade beauty and intricate history of bookbinding as an integral part of EnglandAos literary heritage. This book not only educates but also inspires a reverence for the book as a work of art.

In The Great Book-Collectors, the Eltons curate an enlightening journey through the intricate world of bibliophilia. This anthology delves into the fervent passion for book collecting, spanning from ancient civilizations to more modern times. The collection is a testament to the transformative power of literature, offering an exquisite array of historical narratives, cultural reflections, and socio-economic commentaries. Each work within the collection stands as both a tribute to the book as an artifact and a window into the diverse motivations that have driven individuals across centuries to amass these precious reserves of knowledge. Mary Augusta Elton and Charles Isaac Elton, esteemed guardians of literary scholarship, assemble voices that encapsulate the dedication to preserving written works. Their selection reflects a tapestry woven with strands of the Renaissance, the Enlightenment, and beyond, characterized by varied cultural backgrounds and motivations. These editors excel in drawing out the subtleties of each eras contributions to the art of book collecting, offering insights into a world where books serve not only as vessels of knowledge but as symbols of prestige and power. The anthology aligns itself with scholarly movements advocating for cultural preservation and offers a unique avenue for examining the social catalysts that inspired generations of collectors. This collection is an indispensable gateway for readers eager to explore the expansive field of book collecting through a singular lens. The Great Book-Collectors enriches the readers perception of historical and literary heritage, delivering an unparalleled educational experience. The breadth of perspectives presented provides a robust platform for intellectual discourse and reflection on the continuum of literary preservation across cultural epochs. Readers will find themselves captivated by this anthologyAos ability to weave together diverse narratives, each contributing to a broader appreciation of the invaluable role collectors have played in shaping our literary legacy.

The 2003 CIA World Factbook is an authoritative reference that compiles a wealth of information about global nations, touching on demographics, geography, government, economy, and various social indicators. It employs a concise, yet informative style characteristic of institutional documentation, offering readers not just statistics but also contextual analyses of geopolitical developments. This edition is particularly notable for the insights it provides into post-9/11 international relations and the emerging global landscape, reflecting the CIAs mission to inform policy through nuanced understandings of world affairs. The Central Intelligence Agency, established in 1947, has always strived to provide accurate and timely information for decision-making at the highest levels of government. The 2003 Factbook reflects the agencys comprehensive approach to analyzing global trends and strategic environments, shaped by historical events such as the Gulf War and the War on Terror. The authorship of this work by the CIA underscores a commitment to presenting a balanced, data-driven perspective, crucial for policy makers, researchers, and scholars in a rapidly changing world. This book is indispensable for anyone seeking a deeper understanding of the geopolitical dynamics shaping our world. Scholars, students, and those working in international relations will find the 2003 CIA World Factbook an invaluable resource for reference and analysis, providing critical insights that are as relevant today as they were at publication.

The 2006 CIA World Factbook serves as a comprehensive resource, detailing the geography, people, government, economy, and infrastructure of over 200 countries and territories. Written in an accessible yet informative style, the book presents data and insights that reflect the geopolitical landscape of the early 21st century. Each entry combines analytical descriptions with statistical data, allowing readers to glean a multifaceted understanding of global dynamics, making it an indispensable reference for scholars, policymakers, and students alike. The 2006 edition also offers valuable context regarding international relations, economic trends, and social development amid a post-9/11 world. Produced by the Central Intelligence Agency, the compendium is a product of the agencyAos expertise in gathering, analyzing, and disseminating information. The CIAs mission to provide national security intelligence and inform governmental decision-making underscores the significance of this work. The inclusion of rigorous data and the commitment to accuracy showcase the agencys ongoing adaptation to the complexities of global politics and the importance of informed citizenship. For anyone interested in a profound understanding of the worlds nations, The 2006 CIA World Factbook is an essential read. Its reliable data and clear presentation make it a vital tool for educators, researchers, and anyone seeking clarity in the often convoluted narrative of global affairs, ensuring its relevance across disciplines.

In "The Book-Collector," William Carew Hazlitt presents a fascinating exploration of the joys and tribulations associated with book collecting. Through a blend of personal anecdotes and critical reflection, Hazlitt delves into the aesthetic and intellectual pleasures offered by books, while also addressing the socioeconomic dynamics that influence the collectors journey. His literary style is characterized by an engaging mix of eloquence and wit, akin to the works of his contemporaries, yet marked by a distinct introspective quality that invites readers to reflect on their own literary encounters. Set against the backdrop of 19th-century England, the narrative situates book collecting within a broader cultural discourse on value, taste, and identity. William Carew Hazlitt, a notable figure in literary circles, was deeply influenced by his familys background in the arts and literature, notably being the son of the famed essayist William Hazlitt. His lifelong passion for literature, paired with the decline of traditional book ownership in an increasingly mass-produced literary landscape, prompted him to articulate his thoughts on the interplay between ownership and intellectual enrichment. His previous engagements as a bibliophile illuminate the depths of his understanding and appreciation for rare texts, making him an authoritative voice in this domain. I highly recommend "The Book-Collector" to bibliophiles, scholars, and casual readers alike, as it not only offers a heartfelt examination of the collectors psyche but also poses profound questions about the value we assign to books in an ever-evolving world. Hazlitts insights resonate well beyond his era, making this work a timeless reflection on the significance of literature and the enduring quest for knowledge.

In "Fine Books," Alfred W. Pollard delves into the enchanting world of bibliophilia, meticulously exploring the intricacies of book collecting and the historical significance of fine editions. Through a blend of scholarly research and personal anecdotes, Pollard captures the essence of rare books, detailing their aesthetic beauty and cultural impact. The work is situated within the larger context of early 20th-century bibliographical scholarship, reflecting contemporary trends while contributing a unique perspective to the understanding of literary artifacts. Pollards rich prose is complemented by an appreciation for the craftsmanship of books, making this a notable examination of both the physical book and its literary merit. Alfred W. Pollard, a distinguished bibliographer and critic, was deeply immersed in the literary and artistic movements of his time. His extensive background in English literature and intimate knowledge of book production informed his passion for cataloging and celebrating the life cycle of books. Pollards appreciation for both the aesthetics and the history behind fine editions drove him to create this insightful text, which serves as both a guide and a homage to the craft of bookmaking. "Fine Books" invites readers, collectors, and literary enthusiasts alike to embark on a journey through the fascinating aspects of bibliophilic pursuits. Whether you are a seasoned collector or a curious novice, Pollards illuminating insights will enrich your understanding of fine books and inspire a deeper appreciation for the print medium.

In "1000 Mythological Characters Briefly Described," Edward Sylvester Ellis provides an exhaustive compendium of mythological figures from diverse cultures, encapsulating their narratives and significance in a format that is accessible yet intellectually stimulating. The literary style reflects an encyclopedic approach, combining clarity with scholarly rigor, making it an invaluable resource for students and enthusiasts of mythology. Ellis contextualizes characters within their respective mythos, illustrating their impact on cultural narratives and illustrating themes such as heroism, creation, and morality.

Ao lado de Cervantes e Shakespeare, Dostoiévski é considerado um dos maiores escritores da literatura mundial. Nascido em Moscou em 1821, ficou órfão de mãe e, em seguida, de pai, ainda adolescente.

Ao lado de Cervantes e Shakespeare, Dostoiévski é considerado um dos maiores escritores da literatura mundial. Nascido em Moscou em 1821, ficou órfão de mãe e, em seguida, de pai, ainda adolescente.

Ao lado de Cervantes e Shakespeare, Dostoiévski é considerado um dos maiores escritores da literatura mundial. Nascido em Moscou em 1821, ficou órfão de mãe e, em seguida, de pai, ainda adolescente.

Como ensinar adultos sem se tornar maçante. Este é o assunto deste livro: o desafio de continuar sendo um discípulo, sempre no caminho da aprendizagem, mesmo sendo um docente. Um dos maiores desafios de nosso tempo e a comunicaço. Falar e esperar que o outro entenda exatamente o que penso e uma ardua tarefa. Comunicar envolve o pensamento, a emoço e os sentidos. O professor que no aprende a comunicar com sua audiencia, deixou de ser mestre. Ele fala, mas no ensina. Ele discursa, mas no comunica. Todo educador precisa efetivamente comunicar-se, porque tem o privilegio e a responsabilidade de transmitir seus conhecimentos para influenciar pessoas. Este livro foi escrito pensando em voce, que pretende transmitir alguma mensagem ao publico adulto, pois, ao entender como adultos aprendem, encontrara meios para desenvolver habilidades que facilitaro sua comunicaço e a transmisso da sua mensagem. A intenço dele e otimizar o potencial que ha dentro de cada lider atraves de informaçes e dicas importantes para enriquecer aulas ou palestras. Saia do comum. Decida ser diferente e surpreenda seus alunos!

Ao lado de Cervantes e Shakespeare, Dostoiévski é considerado um dos maiores escritores da literatura mundial. Nascido em Moscou em 1821, ficou órfão de mãe e, em seguida, de pai, ainda adolescente.

Se você quisesse manter seu ouro longe dos olhos de cobiça alheios, para quem rezaria? Se você fosse uma grande dama da sociedade e estivesse viúva e em decadência social e monetária, o que faria? S

Atividade Física e Alimentação Saudável na Escola relata uma empolgante e bem-sucedida experiência com a aplicação de ações empreendidas em uma cidade do interior da Bahia com base no Programa de Edu

Em Império, mito e miopia: Moçambique como invenção literária, da série Ciências e Artes", Francisco Noa, professor moçambicano de Literatura, e ex-Reitor da Universidade Lúrio (UniLúrio), em Moçambi

É uma coletânea de textos sobre a literatura moçambicana no contexto da literatura mundial, produzidos pelo professor e crítico literário moçambicano Francisco Noa, entre 2008 a 2012. São ensaios, pr