'I seem to have banged on this year rather more than usual. I make no apology for that, nor am I nervous that it will it make a jot of difference. I shall still be thought to be kindly, cosy and essentially harmless. I am in the pigeon-hole marked 'no threat' and did I stab Judi Dench with a pitchfork I should still be a teddy bear.' Alan Bennett's third collection of prose Keeping On Keeping On follows in the footsteps of the phenomenally successful Writing Home and Untold Stories, each published ten years apart. This latest collection contains Bennett's peerless diaries 2005 to 2015, reflecting on a decade that saw four premieres at the National Theatre (The Habit of Art, People, Hymn and Cocktail Sticks), a West End double-bill transfer, and the films of The History Boys and The Lady in the Van. There's a provocative sermon on private education given before the University at King's College Chapel, Cambridge, and 'Baffled at a Bookcase' offers a passionate defence of the public library. The book includes Denmark Hill, a darkly comic radio play set in suburban south London, as well as Bennett's reflections on a quarter of a century's collaboration with Nicholas Hytner. This is an engaging, humane, sharp, funny and unforgettable record of life according to the inimitable Alan Bennett.
Ficha técnica
Editorial: Profile Books
ISBN: 9781781256497
Idioma: Inglés
Número de páginas: 736
Tiempo de lectura:
15h 18m
Encuadernación: Tapa dura
Fecha de lanzamiento: 17/10/2016
Año de edición: 2016
Alto: 24.0 cm
Especificaciones del producto
Escrito por Alan Bennett
Alan Bennett es autor de muchas obras teatrales como Habeas Corpus, Forty One Years On, Kafka’s Dick o The Madness of George III (adaptada después al cine), guiones cinematográficos como Prick Up Your Ears (basado en la vida de Joe Orton), y piezas televisivas como Talking Heads y An Englishman Abroad, que lo han convertido en uno de los autores británicos más queridos, o la selección de sus diarios Writing Home. Asimismo es muy apreciado como actor. En 2003 recibió el British Book Award por la obra de una vida y fue calificado como «nuestro Tesoro Nacional», aunque naturalmente Bennett detesta esta frase.