ALFREDO JAAR

Alfredo Jaar's immersive site-specific installation in the Chilean pavilion at the 55th Venice Biennale, "Venezia Venezia" is a call to examine how today's culture, composed of increasingly complex global networks, can be adequately represented on a world stage.This publication features essays by 18 prominent, international authors from different fields of work and thought, including political and philosophical thinkers, critics, theorists, art historians and curators. Their contributions consider Venezia Venezia in its critical context, as well d recent global developments and the volatile conditions of contemporary art practice.

Alfredo Jaar's immersive site-specific installation in the Chilean pavilion at the 55th Venice Biennale, "Venezia Venezia" is a call to examine how today's culture, composed of increasingly complex global networks, can be adequately represented on a world stage.This publication features essays by 18 prominent, international authors from different fields of work and thought, including political and philosophical thinkers, critics, theorists, art historians and curators. Their contributions consider Venezia Venezia in its critical context, as well d recent global developments and the volatile conditions of contemporary art practice.

Conceived from Alfredo Jaar's own installation Emergency, this is a series of ideas on the current situation in Africa. The artist invited 18 African writers and 7 essayists from different fields of knowledge to write a personal essay on the problems of contemporary reality across the continent.

Conceived from Alfredo Jaars own installation emergency, this is a series of ideas on the current situation in africa. The artist invited 18 african writers and 7 essayists from different fields of knowledge to write a personal essay on the problems of contemporary reality across the continent.

En el museo de Bellas Artes de Lausanne, Suiza, se exhibió entre junio y septiembre de 2007 la muestra "La politique des images", del artista chileno Alfredo Jaar. Se editó entonces, en versión bilingue frances-ingles, un libro-catalogo con el mismo titulo, que incluia ensayos de Georges Didi-Huberman, Griselda Pollock, Jacques Ranciere y la curadora Nicole Schweizer. El presente libro recoge las traducciones de esos ensayos al castellano.