Émile Zola, página 5 de 36

BEFORE perusing this work, it is as well that the reader should understand M. Zolas aim in writing it, and his viewsas distinct from those of his charactersupon Lourdes, its Grotto, and its cures. A short time before the book appeared M. Zola was interviewed upon the subject by his friend and biographer, Mr. Robert H. Sherard, to whom he spoke as follows:"Lourdes came to be written by mere accident. In 1891 I happened to be travelling for my pleasure, with my wife, in the Basque country and by the Pyrenees, and being in the neighbourhood of Lourdes, included it in my tour. I spent fifteen days there, and was greatly struck by what I saw, and it then occurred to me that there was material here for just the sort of novel that I like to writea novel in which great masses of men can be shown in motionun grand mouvement de foulea novel the subject of which stirred up my philosophical ideas...

This e-book presents the works of this famous and brilliant writer: - Theresa Raquin - Works Of Emile Zola - Four Short Stories - LAssommoir - His Masterpiece - Ventre de Paris - La Fortune des Rougon - Doctor Pascal - La debacle - The Three Cities Trilogy, Paris, Rome, Lourdes , - A Love Episode - The Dream - LAssommoir - The Flood - La faute de lAbbe Mouret. - Fecondite - The Fete At Coqueville - Nana - The Millers Daughter - Captain Burle - The Death of Olivier Becaille - etc.

Germinal es la decimotercera novela de los veinte volúmenes que Émile Zola escribió dentro de la serie Les Rougon-Macquart. Se suele considerar que es una de las mejores novelas jamás escritas en fra

Nana, The Millers Daughter, Captain Burle, The Death of Olivier BecailleNana tells the story of Nana Coupeaus rise from streetwalker to high-class prostitute during the last three years of the French Second Empire. Nana first appeared near the end of Zolas earlier novel Rougon-Macquart series, LAssommoir (1877), where she is the daughter of an abusive drunk. At the conclusion of that novel, she is living in the streets and just beginning a life of prostitution.

BEFORE perusing this work, it is as well that the reader should understand M. Zolas aim in writing it, and his viewsas distinct from those of his charactersupon Lourdes, its Grotto, and its cures. A short time before the book appeared M. Zola was interviewed upon the subject by his friend and biographer, Mr. Robert H. Sherard, to whom he spoke as follows:"Lourdes came to be written by mere accident. In 1891 I happened to be travelling for my pleasure, with my wife, in the Basque country and by the Pyrenees, and being in the neighbourhood of Lourdes, included it in my tour. I spent fifteen days there, and was greatly struck by what I saw, and it then occurred to me that there was material here for just the sort of novel that I like to writea novel in which great masses of men can be shown in motionun grand mouvement de foulea novel the subject of which stirred up my philosophical ideas."It was too late then to study the question, for I had visited Lourdes late in September, and so had missed seeing the best pilgrimage, which takes place in August, under the direction of the Peres de la Misericorde, of the Rue de lAssomption in Paristhe National Pilgrimage, as it is called. These Fathers are very active, enterprising men, and have made a great success of this annual national pilgrimage. Under their direction thirty thousand pilgrims are transported to Lourdes, including over a thousand sick persons."So in the following year I went in August, and saw a national pilgrimage, and followed it during the three days which it lasts, in addition to the two days given to travelling. After its departure, I stayed on ten or twelve days, working up the subject in every detail. My book is the story of such a national pilgrimage, and is, accordingly, the story of five days. It is divided into five parts, each of which parts is limited to one day.

WITH the present work M. Zola completes the "Trilogy of the Three Cities," which he began with "Lourdes" and continued with "Rome"; and thus the adventures and experiences of Abbe Pierre Froment, the doubting Catholic priest who failed to find faith at the miraculous grotto by the Cave, and hope amidst the crumbling theocracy of the Vatican, are here brought to what, from M. Zolas point of view, is their logical conclusion. From the first pages of "Lourdes," many readers will have divined that Abbe Froment was bound to finish as he does, for, frankly, no other finish was possible from a writer of M. Zolas opinions.Taking the Trilogy as a whole, one will find that it is essentially symbolical. Abbe Froment is Man, and his struggles are the struggles between Religion, as personified by the Roman Catholic Church, on the one hand, and Reason and Life on the other. In the Abbes case the victory ultimately rests with the latter; and we may take it as being M. Zolas opinion that the same will eventually be the case with the great bulk of mankind. English writers are often accused of treating subjects from an insular point of view, and certainly there may be good ground for such a charge. But they are not the only writers guilty of the practice. The purview of French authors is often quite as limited: ...

La Débâcle is a novel by Émile Zola published in 1892, the penultimate in les Rougon-Macquart series. The story is set against the background of the political and military events that ended the reign

Literatura y dinero, de Émile Zola, sigue manteniendo su relevancia para cualquier aproximación que se pretenda hacer a la hora de investigar e interpretar el complejo mundo de las relaciones entre el escribir y sus circunstancias, entre la creacion literaria y la economia, entre lo que llamamos literatura y la industria editorial, entre la escritura y el mercado, entre la cultura y el dinero.

En el siglo XVII, el amor en Francia es un gran señor empenachado, engalanado magníficamente, que se adentra en los salones seguido por una música grave. En el siglo XVIII, el amor es un granuja desalmado. Ama como rie, por el placer de amar y de reir, almuerza con una rubia, cena con una morena, trata a las mujeres como diosas buenas cuyas manos abiertas distribuyen el placer a todos sus devotos. En el siglo XIX, el amor es un joven educado, correcto como notario, que cobra rentas al estado. Se mueve por el mundo, o vende algun objeto en una boutique. Se dedica a la politica y los negocios le toman todo el dia, de nueve de la mañana a seis de la tarde. En lo que respecta a sus noches, se las dedica al vicio practico, a una amante que el paga o a una mujer legitima que le paga. De esta manera, el amor heroico del siglo XVII, el amor sensual del siglo XVIII, se convirtio en el amor positivo que se frangolla, como un mercado en la bolsa.

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Hijo de Gervaise Macquart et de su amante Lantier, el joven Étienne Lantier es despedido de su trabajo por haberle dado una bofetada a su patrón. Desempleado, se va al norte de la Francia en busca de trabajo. Es contratado en las minas de Montsou en donde vive condiciones de trabajo sumamente precarias.

La figura de Émile Zola (1840-1902) ha pasado a la historia de la literatura no sólo como fundador y teórico del naturalismo, sino también como vigoroso narrador del ambiente social y político de su epoca. En la extensisima serie denominada Los Rougon-Macquart recrea el clima historico y social del Segundo Imperio frances de Napoleon III, utilizando como hilo conductor las vidas de los diferentes miembros de dos ramas familiares, determinados por los rasgos fisiologicos de un linaje comun. Cuarta entrega de esta serie tras La fortuna de los Rougon, La jauria y El vientre de Paris, La conquista de Plassansque, al igual que las demas, mantiene el caracter de obra autonoma gira en torno a la poderosa figura del padre Faujas, quien, destinado por los bonapartistas a Plassans trasunto de Aix-en-Provence, se sirve de su capacidad de manipulacion, asi como del oscurantismo religioso, para hacerse virtualmente el dueño de la ciudad, si bien paradojicamente con sus manejos acabara engendrando asimismo su desastrado fin.