Frances Hodgson Burnett, página 2 de 13

Romanzo di formazione, nel quale la viziata Mary Lennox compira una graduale maturazione alla scoperta dei piccoli valori e le gioie della vita nella brughiera dello Yorkshire tanto da renderla capace di ridare coraggio ed un senso alla vita del cuginetto Colin e riportando la pace nellanimo dellenigmatico zio. Libro in lingua originale inglese con traduzione in italiano.

Romanzo che narra di Cedric Errol, un ragazzo di 7 anni, che divenuto improvvisamente erede universale delle fortune della famiglia, e costretto a lasciare lamata New York per essere educato allaristocrazia in Inghilterra presso il burbero nonno. Attraverso linfinita bonta del proprio animo riuscira a fare breccia nellindurito cuore del nonno. Libro in lingua originale inglese con traduzione in italiano.

In "Le Monsieur de la Petite Dame," Frances Hodgson Burnett crafts a poignant narrative that weaves together themes of love, loss, and societal expectations in early 20th-century France. The novella is distinct in its delicate prose, featuring playful dialogue and rich characterizations that resonate with Burnetts characteristic empathy. Set against a backdrop of social dynamics and the intricate relationships that underpin them, the story offers a glimpse into the complexities of human emotions, showcasing Burnetts ability to blend realism with a touch of romance, capturing the essence of her characters struggles and aspirations. Frances Hodgson Burnett, celebrated for her timeless childrens classics such as "The Secret Garden" and "A Little Princess," was deeply influenced by her own experiences of hardship and social mobility. These factors undoubtedly influenced her exploration of human relationships and emotional depth in this work. Her keen observation of social nuances and the strength of the human spirit come to life through her characters, making the novella a reflective piece on personal and societal transformation. I recommend "Le Monsieur de la Petite Dame" to readers who appreciate finely crafted narratives that delve into the human psyche. This enchanting novella not only highlights Burnetts literary prowess but also invites readers to explore the intricate tapestry of life, encouraging them to reflect on their own experiences of love and belonging.

Frances Hodgson Burnetts "Theo" presents a rich tapestry of human emotion and social commentary as it unravels the interconnected lives of its characters in late 19th-century England. Through her signature blend of detailed character development and atmospheric settings, Burnett captures the essence of familial bonds, societal expectations, and the perennial quest for love and acceptance. The novel stands out for its intricate psychological exploration, echoing the literary movements of realism and naturalism, which sought to expose the intricacies of everyday life in a rapidly modernizing world. Burnett, a prominent author in Victorian literature, drew from her own experiences of hardship and resilience while crafting "Theo." Her personal history as the daughter of a widowed mother and her own migration from England to America undoubtedly influenced the themes of isolation, empathy, and familial struggle that permeate the narrative. Alongside her celebrated works like "The Secret Garden," this novel reflects her keen insight into the complexities of human relationships and emotional landscapes. Readers are encouraged to delve into "Theo," as it not only entertains but also offers profound reflections on love, resilience, and the societal confines of its time. Burnetts elegant prose and poignant observations make this novel a compelling and thought-provoking read that resonates with both contemporary and classic themes.

In Esmeralda, Frances Hodgson Burnett weaves a poignant narrative that explores themes of love, loss, and the pursuit of identity through the enchanting lens of a young girls life. Set against a backdrop of Victorian-era England, the novel employs rich, evocative prose that captures the emotional struggles of its characters, drawing readers into a world where innocence meets the harsh realities of society. The literary style combines elements of realism and romanticism, creating a vivid portrayal of both the inner and outer lives of its protagonists, ultimately reflecting the complexities of human relationships in a rapidly changing world. Frances Hodgson Burnett, renowned for her classic works such as The Secret Garden and Little Lord Fauntleroy, crafted Esmeralda during a period marked by her own experiences of personal transformation and social observation. Her keen insights into the struggles of childhood and the aspirations of youth stem from her own formative years, including her immigrant background and the challenges she faced as a woman writer in the late 19th century. Burnetts rich tapestry of emotional depth and compelling character development is drawn from her firsthand understanding of societal constraints and individual resilience. Readers seeking a captivating exploration of childhoods joys and heartaches will find Esmeralda a timeless and enriching read. Burnetts ability to breathe life into her characters and draw relatable connections to the complexities of love and belonging offers an invitation for reflection and empathy. This novel is a must-read for anyone interested in the intricate interplay between innocence and experience, making it an invaluable addition to the canon of childrens literature.

In "A Lady of Quality," Frances Hodgson Burnett weaves a rich tapestry of love, ambition, and societal constraints through the life of its strong-willed protagonist, Claire. Set against the backdrop of the late 17th-century English court, the narrative explores themes of femininity, power dynamics, and the pursuit of ones desires. Burnett employs a vivid literary style characterized by lush descriptions and dynamic character development, bringing to life the complexities of Claires journey from a spirited child to a formidable woman of influence, all while navigating the intricate social fabric of her era. Frances Hodgson Burnett, renowned for her contributions to childrens literature with classics like "The Secret Garden," drew inspiration from her own experiences of resilience and transformation. Her personal history, marked by early struggles and later successes, lends a profound authenticity to Claires character. The authors journey reflects a deep understanding of societal roles and the inherent strength within women, which informs the rich characterizations and plot dynamics in this compelling narrative. This novel is highly recommended for readers who appreciate a blend of historical context with complex character exploration. "A Lady of Quality" not only captivates with its engaging storyline and well-crafted prose but also invites reflection on the historical struggles of women, making it a timeless piece that resonates with contemporary audiences.

In this classic work of historical fiction, Frances Hodgson Burnett, most famous for writing The Secret Garden and A Little Princess, turns her hand to much darker themes than ever before. Set in late seventeenth-century England, amidst the ribbons and romance of courtship A Lady of Quality tackles violence and manipulation, blackmail and even murder. When Clorinda is born, the odds seem stacked against her. First and foremost, she is a girl like all her sisters before her and her father wants only a son. Furthermore, her mother dies in childbirth, and her father, considering all his daughters worthless, refuses contact. Despite this, Clorinda Wildairs manages not only to survive, but to grow up into a very remarkable and strong-willed child. Thus when father and daughter happen to meet for the first time, he is astonished and amused in equal measure to learn that this little six-year-old girl, who is lecturing and scolding him freely, is in fact his youngest child and so develops a close bond between them. The hot-headed young girl grows up to be a beautiful young woman with a sharp tongue and a will of iron. But being able to have anything you want can be dangerous, and surely Clorindas good fortune cannot last forever. When the dark side of her personality causes her to lash out in anger and violence at someone she loves, she may be forced not only into a dramatic whirlwind of events, but also into reassessing what it means to be a Lady of Quality.

Ysobel e una ragazzina timida e minuta che non ha mai conosciuto i genitori e vive, assieme ai tutori Jean Braidfute e Angus Macayre, in un castello dallaspetto austero immerso nella desolata brughiera scozzese. Fin dallinfanzia, la bambina mostra di essere dotata di un particolare dono che la rende diversa da tutti gli altri bambini; ella ha il potere di vedere oltre le cose e di entrare in contatto con le anime dei defunti, ormai libere dalle sofferenze e dalle paure dellesistenza. Le anime bianche (The White People nella versione originale) e un romanzo breve in cui la celebre autrice dei ben piu conosciuti Il piccolo Lord (1886) e Il giardino segreto (1911) presenta, attraverso gli occhi della propria protagonista, le sue personali considerazioni circa cio che attende luomo dopo la morte. Si tratta di un racconto carico di motivi gotici, di verita e saggezza, in cui emergono non soltanto il talento narrativo dellautrice ma anche alcuni dettagli che rimandano al personale rapporto con il suo primogenito e con la religione.

An exciting childrens tale of espionage and revolution from the author of The Secret Garden and A Little Princess. From the author of A Little Princess and The Secret Garden comes a masterful adventure that will capture the imagination: a tale of destiny, revolution, family and friendship. Twelve-year-old Marco and his father, Stefan, are exiled citizens of the impoverished Eastern European nation of Samavia. They live in London, where Stefan often receives mysterious visitors and where Marco befriends a street urchin known only as Rat. Stefan decides to send the pair on a secret mission in Europe, carrying a coded message to fellow Samavian patriots across the continent. On their arrival in Europe, it quickly becomes clear that Marco and Rat might not know the whole story; everywhere they go, Samavian exiles show Marco particular attention, but it is not until their return to London that the magnitude of the secret hidden within him becomes clear. Burnetts evocation of early twentieth-century Europe is masterful, and her imaginative tale of political intrigue and family destiny will appeal to readers of all ages.

When Mary Lennox was sent to Misselthwaite Manor to live with her uncle everybody said she was the most disagreeable-looking child ever seen. It was true, too. She had a little thin face and a little thin body, thin light hair and a sour expression. Her hair was yellow, and her face was yellow because she had been born in India and had always been ill in one way or another. Her father had held a position under the English Government and had always been busy and ill himself, and her mother had been a great beauty who cared only to go to parties and amuse herself with gay people. She had not wanted a little girl at all, and when Mary was born she handed her over to the care of an Ayah, who was made to understand that if she wished to please the Mem Sahib she must keep the child out of sight as much as possible. So when she was a sickly, fretful, ugly little baby she was kept out of the way, and when she became a sickly, fretful, toddling thing she was kept out of the way also.

The new life in the Yorkshire moors, allows the young and spoiled Mary Lennox to accomplish a gradual maturation and discover the small values and joys of life. Will be able to give courage and a meaning to life of the little cousin Colin and restore peace in the soul of the enigmatic uncle.

When orphaned Mary Lennox comes to live at her uncles great house on the Yorkshire Moors, she finds it full of secrets. Left to make her own entertainment, Mary stumbles upon a garden, overgrown and locked for years. A forbidden garden.Finding her way inside, with the help of a friendly robin, Mary begins to feel a connection to the house and its inhabitants. Then, one night, in one of the houses many rooms, she hears the sound of cryingFrances Hodgson Burnetts delightful and enduring tale celebrates the power of transformation and healing through nature. Elizabeth Newmans magical adaptation was premiered at Pitlochry Festival Theatres open-air amphitheatre in 2023, where Newman is Artistic Director.This version will appeal to other professional and amateur companies looking for a much-loved classic that can be easily staged in theatres, outdoor venues and gardens.An enriching, affirmative show, steeped in gentle wonder The StageA near-perfect summer theatre experience for children The Secret Garden is fast emerging as a key childrens story for our time: a profound legend about how human beings need the natural world and its energy to survive and thrive Newmans adaptation glows from its opening moments with love for, and understanding of, the basic dynamics of Hodgson Burnetts bold narrative a beautiful show The ScotsmanEnrapturing a tremendous fervour of pace simply gorgeous a thing of beauty Reviews HubRetains all the essentials of the original novel but brings in the whole thing at around 90 minutes, including an interval. Its appealingly crisp, which is helpful for the younger members of the audience, and it doesnt shun the novels all-important use of Yorkshire dialect a play that retains its own distinctive sense of charm WhatsOnStageThe perfect show for all the family delights at every turn a salve to the soul for grown ups in these troubled times and even better, the children in the audience clearly loved it Broadway Baby

The sun had set, and the shadows were deepening in the big barn. The last red glowthe very last bit which reached the corner the children called the Straw Parlorhad died away, and Meg drew her knees up higher, so as to bring the pages of her book nearer to her eyes as the twilight deepened, and it became harder to read. It was her bitterest grievance that this was what always happened when she became most interested and excitedthe light began to fade away, and the shadows to fill all the corners and close in about her.She frowned as it happened nowa fierce little frown which knitted her childish black brows as she pored over her book, devouring the page, with the determination to seize on as much as was possible. It was like running a desperate race with the darkness.

There was once a fat little, nice little, round little boy and his name was Tim. As soon as people looked at him they began to laugh and he began to laugh too. He had dimples on his knees and dimples on his hands and dimples all round his mouth. That was because Fairies liked him and used to kiss him whenever they flew past him, and they kissed him so much that they made dimples. He had a lot of curly hair which made a lovely mop. In fact he was lovesome all over and no one ever denied it. But when he played about and he never stopped playing the wind blew his curly mop into tangles, and when he stood on his head on his bed or the grass or the nursery floor, that rubbed it into tangles; and when he was asleep and cuddled down into his pillows and dreamed delightful things, that ruffled it into tangles. So after he was dressed in the morning his mamma was obliged to brush them all out and comb out all the knots and make him look soft and fluffy and lovesome for the rest of...

In the first place, Miss Minchin lived in London. Her home was a large, dull, tall one, in a large, dull square, where all the houses were alike, and all the sparrows were alike, and where all the do

Sir Nigel Anstruthers comes to New York in search of an heiress, as he no longer has enough money to keep up his estate, Stornham Court. He marries the pretty and cosseted Rosalie Vanderpoel, the daughter of an American millionaire. But on their return to England, Nigel and his mother control and isolate Rosalie from her family. Many years later, Rosalies now-grown up sister Bettina, who has spent a decade wondering why Rosy has lost contact with the family, arrives at Stornham Court to investigate. She discovers Rosalie and her son Ughtred, physically and emotionally fragile, living in the ruined estate. Bettina, who is both beautiful and made of considerably stronger stuff than her sister, begins to restore both Rosalies health and spirits and the building and grounds of Stornham Court in Nigels absence. Bettina, as an attractive heiress, attracts the attention of the local gentry and re-integrates her sister into society, while also gaining the respect of the villagers by her insistence that repairs be done by local workers.Bettina also makes the acquaintance of another impoverished English nobleman, Lord Mount Dunstan, who has considerably more pride and spirit than Sir Nigel and has no intention of marrying an American heiress to restore his estate, but who is not well-respected in the neighbourhood due to his disreputable late father and brother. Mount Dunstan regains the respect of the neighbourhood due to a chance encounter with an American typewriter salesman on holiday, G. Seldon, and because he opens his estate to workers afflicted by typhoid fever. When Sir Nigel returns home to discover Rosalie and Ughtred in improved health and spirits, the estate nearly restored, and Betty responsible for it all, he tries to conceal his ill-will but has never been particularly good at self-control.

There are always two ways of looking at a thing, frequently there are six or seven; but two ways of looking at a London fog are quite enough. When it is thick and yellow in the streets and stings a mans throat and lungs as he breathes it, an awakening in the early morning is either an unearthly and grewsome, or a mysteriously enclosing, secluding, and comfortable thing. If one awakens in a healthy body, and with a clear brain rested by normal sleep and retaining memories of a normally agreeable yesterday, one may lie watching the housemaid building the fire; and after she has swept the hearth and put things in order, lie watching the flames of the blazing and crackling wood catch the coals and set them blazing also, and dancing merrily and filling corners with a glow; and in so lying and realizing that leaping light and warmth and a soft bed are good things, one may turn over on ones back, stretching arms and legs luxuriously, drawing deep breaths and smiling at a knowledge of the fog outside which makes half-past eight oclock on a December morning as dark as twelve oclock on a December night. Under such conditions the soft, thick, yellow gloom has its picturesque and even humorous aspect. One feels enclosed by it at once fantastically and cosily, and is inclined to revel in imaginings of the picture outside, its Rembrandt lights and orange yellows, the halos about the street-lamps, the illumination of shop-windows, the flare of torches stuck up over coster barrows and coffee-stands, the shadows on the faces of the men and women selling and buying beside them. Refreshed by sleep and comfort and surrounded by light, warmth, and good cheer, it is easy to face the day, to confront going out into the fog and feeling a sort of pleasure in its mysteries. This is one way of looking at it, but only one.