Moorish architecture and decorative art in all its thousand and one variationsSpain owes her special historical position in Europe very largely to her intensive encounter with the Orient. In the summer of 710, a small force under the command of a Berber named Tarîf ibn Mâlik landed to the west of Gibraltar. The Islamic armies that followed in its wake succeeded in conquering large areas of Spain within a short span of years. The conquerors gave the country the name of al-andalus.Thus began a period of cultural permeation that was to last for almost 800 years. In spite of intolerance and animosity, there developed between Muslims, Christians and Jews a shared cultural environment that proved the basis for great achievements.Moorish-Andalusian art and architecture combine elements of various traditions into a new, autonomous style. Among the outstanding architectural witnesses to this achievement are the Great Mosque in Cordova and the Alhambra in Granada, recognized and admired as part of the world´s heitage right up to the present day. They are described in detail in this book. The main centres of Hispano-Islamic art and architecture, the cities of Cordova, Seville and Granada, are discussed within the chronological framework of developments, both political and cultural, from 710 to 1492.The author traces the changes in architectural forms over the centuries, and concludes with an attempt to identify those enduring characteristics which run like a thread through Hispano-Islamic architecture, for all the different influences to which it was subject. Alongside mosques, castle ruins and splendid palaces, the reader will find detailed photographs of Moorish decorative art in all its thousand and one variations.
Edición trilingüe Inglés / Francés / AlemánThis is a collection of the best 19th century images from Erotica Universalis Volumes I and II. From Courbet to Gauguin and lots of others in between (known
Entre el fauvismo y el cubismo, antes de fundar el movimiento Suprematista, el pintor y escultor Kasimir Malevich (1878-1935) fue una líder de la avant-garde y un pionero del estilo no objetivo.
