G.K. Chesterton, página 9 de 39

This book is meant to be a companion to "Heretics," and to put the positive side in addition to the negative. Many critics complained of the book called "Heretics" because it merely criticised current philosophies without offering any alternative philosophy. This book is an attempt to answer the challenge. It is unavoidably affirmative and therefore unavoidably autobiographical. The writer has been driven back upon somewhat the same difficulty as that which beset Newman in writing his Apologia; he has been forced to be egotistical only in order to be sincere. While everything else may be different the motive in both cases is the same. It is the purpose of the writer to attempt an explanation, not of whether the Christian Faith can be believed, but of how he personally has come to believe it. The book is therefore arranged upon the positive principle of a riddle and its answer. It deals first with all the writers own solitary and sincere speculations and then with all the startling style in which they were all suddenly satisfied by the Christian Theology. The writer regards it as amounting to a convincing creed. But if it is not that it is at least a repeated and surprising coincidence.

Todos los cuentos tiene un denominador común, y su estructura es muy similar: el rechazo de explicaciones sobrenaturales e impulsivas, y el predominio del método racional ante las situaciones más adversas: maldiciones relacionadas con hallazgos arqueologicos, familias malditas (al estilo de los Baskerville) o fantasmas que no son tales.

A Heretics, G. K. Chesterton dibuixa una crítica personalíssima a les opinions religioses del nostre temps. Dirigit al sentit comú de l’home comú, singular no tant per l’estricta originalitat de les

El mundo está amargado no por un exceso de crítica sino por la ausencia de autocrítica». En este libro, Chesterton, consciente de la precariedad y de la mutabilidad de la posición del crítico, empren

This hilarious extravaganza presumes the existence of a secret society of revolutionaries sworn to destroy the world. There are seven members of the Central Anarchist Council, who, for reasons of security, call themselves by the names of the days of the week - Sunday, Monday and so on. But events soon cast a doubt upon their real identities, for Thursday is not the passionate young poet he appears to be but a Scotland Yard detective. Who and what are the others? Chesterton unravels the fantasy in his own inventive and exuberant way and then uses this nightmare of paradox and surprise to probe the mysteries of human behaviour and belief.

An invisible killer, a family curse, a voodoo cult, a murdered prince, and a stolen salad dressing. Strange events call for a detective like no other, and Father Brown has a tendency to see to the heart of things. G. K. Chestertons famous priest-detective shines in this crime anthology, packed with mystery and paradox. From The Absence of Mr. Glass to The Head of Caesar, Father Brown and his thief-turned-detective sidekick, Flambeau, return for a series of adventures that range from philosophical quibbles to the most fundamental matters of morality. This collection of crime short stories will tickle fans of Sherlock Holmes and Dirk Gently alike with satirical wit and enticingly clever cases.

In "The Flying Inn," G. K. Chesterton presents a dystopian narrative steeped in his characteristic wit and incisive social commentary. Set in a future Britain transformed by the sweeping tide of authoritarianism, the novel explores themes of nationalism, freedom, and the erosion of cultural identity through the whimsical adventures of its protagonists: an innkeeper and a sailor. Chestertons prose deftly combines humor with philosophical musings, revealing the absurdity of a society that prioritizes control over individual liberties. Rich with allegorical undertones, this work significantly reflects the authors apprehension toward the burgeoning modernist trends of his time. G. K. Chesterton, a prolific English writer and social critic, was known for his deep-rooted convictions regarding faith, liberty, and the value of tradition. His experiences as a journalist and a fervent defender of the underdog led him to create a rich tapestry of characters and scenarios that challenge the status quo. The political landscape of early 20th-century England, marked by rising socialism and restrictive agendas, clearly influenced his writing, empowering him to craft a satirical yet cautionary tale about the loss of civil liberties. "The Flying Inn" is a compelling read for those interested in the interplay of humor and philosophical inquiry in literature. Chestertons blend of fantasy and reality offers a thought-provoking lens on contemporary societal issues, urging readers to consider the price of complacency. Ideal for fans of dystopian fiction and readers seeking an engaging yet critical exploration of human nature, this novel is a timeless reflection on the enduring struggle for freedom.

Lo que impide todo progreso hoy en día es el sutil escepticismo que susurra en un millón de oídos que las cosas no son lo suficientemente buenas como para que valga la pena mejorarlas. Si el mundo es bueno somos revolucionarios, si el mundo es maligno somos conservadores. Estos ensayos, por inutiles que sean como literatura seria, son eticamente sinceros, porque buscan recordar a los hombres que las cosas deben amarse primero y mejorarse despues.

El Club de los Negocios Raros está compuesto por seis narraciones que ejemplifican todos los méritos que hicieron destacar la figura de Chesterton y todas ellas giran alrededor de un oscuro y pintoresco Club, para pertenecer al cual es necesario haber inventado una profesion o industria absolutamente nueva. Sobre esta base aparentemente trivial, Chesterton combina el misterio con la paradoja y el humor y consigue mantener al lector en estado de suspension permanente, haciendole caminar de sorpresa en sorpresa por los senderos de sus ingeniosas tramas e invenciones. Chesterton, que tuvo el buen gusto de prodigarse en el relato, deberia figurar como miembro de honor de su incomparable Club, por haber inventado la rara industria de complacer al lector.