Hanif Kureishi, página 2 de 6

My name is Karim Amir, and I am an Englishman born and bred, almost.As the teenage hero of Hanif Kureishis debut novel, Karim is desperate to escape suburban South London and experience the forbidden fruits which the 1970s seem to offer. When the unlikely opportunity of a life in the theatre announces itself, he starts to win the sort of attention he has been craving, albeit with some rude and raucous results.

One night, when I am old, sick, right out of semen, and dont need things to get any worse, I hear the noises growing louder. I am sure they are making love in Zenabs bedroom which is next to mine.Waldo, a feted filmmaker, is confined by old age and ill health to his London apartment. Frail and frustrated, he is cared for by his lovely younger wife, Zee. But when he suspects that Zee is beginning an affair with Eddie, more than an acquaintance and less than a friend for over thirty years, Waldo is pressed to action: determined to expose the couple, he sets himself first to prove his suspicions correct - and then to enact his revenge.Written with characteristic black humour and with an acute eye for detail, Kureishis eagerly awaited novella will have his readers dazzled once again by a brilliant mind at work.

The protagonist of Hanif Kureishis delightful novel is Gabriel, a fifteen-year-old North London schoolboy trying to come to terms with a new life, after the equilibrium of his family home has been shattered by the ousting of his father.Fending for himself, as well as providing emotional support to his confused (and confusing) parents, Gabriel is forced to grow up quickly. The only support he can draw upon is from his remembered twin brother, Archie, and from his own gift, which is accompanied by sensations that urge him into areas of life requiring the utmost courage and faith. A chance visit to seventies rock star Lester Jones crystallizes the turbulent emotions inside Gabriel, and helps him to recognize and engage with his gift . . .A charming, light-textured fable about talent, about how single-minded creativity might embrace and even be buoyed by the heartbreaking muddle of everyday life.Observer

Over the course of the last 12 years, Hanif Kureishi has written short fiction. The stories are, by turns, provocative, erotic, tender, funny and charming as they deal with the complexities of relationships as well as the joys of children.This collection contains his controversial story Weddings and Beheadings, a well as his prophetic My Son the Fanatic, which exposes the religious tensions within the muslim family unit. As with his novels and screenplays, Kureishi has his finger on the pulse of the political tensions in society and how they affect peoples everyday lives.

Shortlisted for the Bollinger Everyman Wodehouse PrizeMamoon is an eminent Indian-born writer who has made a career in England - but now, in his early 70s, his reputation is fading, sales have dried up, and his new wife has expensive taste.Harry, a young writer, is commissioned to write a biography to revitalise both Mamoons career and his bank balance. Harry greatly admires Mamoons work and wants to uncover the truth of the artists life. Harrys publisher seeks a more naked truth, a salacious tale of sex and scandal that will generate headlines. Meanwhile Mamoon himself is mining a different vein of truth altogether.Harry and Mamoon find themselves in a battle of wills, but which of them will have the last word?The ensuing struggle for dominance raises issues of love and desire, loyalty and betrayal, and the frailties of age versus the recklessness of youth.Hanif Kureishi has created a tale brimming with youthful exuberance, as hilarious as it is touching, where words have the power to forge a world.

The stories in Midnight All Day show a contemporary master at the top of his form, acclaimed by one reviewer for his depiction of a lost generation of men: those shaped by the sixties, disoriented by the eighties and bereft of a personal and political map in the nineties.We are unerring in our choice of lovers, particularly when we require the wrong person. There is an instinct, magnet or aerial which seeks the unsuitable. The wrong person is, of course, right for something - to punish, bully, or humiliate us, let us down, leave us for dead,or, worst of all, give us the impression that they are not inappropriate, but almost right, thus hanging us in loves limbo. Not just anyone can do this.In this astonishing collection of stories, Hanif Kureishi confirms his reputation as Britains foremost chronicler of the loveless, the lost and the dispossessed. The characters in Midnight All Day are familiar to all of us: frustrated and intoxicated, melancholic and sensitive, yet capable of great cruelty, and, if necessary, willing to break the constraints of an old life to make way for the new.

Hate skews reality even more than love. In the story of a Pakistani woman who has begun a new life in Paris, an essay about the writing of Kureishi's acclaimed film Le Week-End, and an account of Kafka's relationship with his father, readers will find Kureishi also exploring the topics that he continues to make new, and make his own: growing up and growing old; betrayal and loyalty; imagination and repression; marriage and fatherhood. The collection ends with a bravura piece of very personal reportage about the conman who stole Kureishi's life savings - a man who provoked both admiration and disgust, obsession and revulsion, love and hate.

Hanif Kureishis cinematic storytelling embraces a wide spectrum of characters from all classes and nationalities, depicting them with compassion, humour and relish, though never fighting shy of controversy. This volume comprises four of Kureishis screenplays.My Beautiful Laundrette (1985) Omar is a restless young Asian man, caring for his alcoholic father in the hustling London of the mid-1980s. His uncle, a keen Thatcherite, offers Omar an entrepreneurial opportunity to revamp a dingy laundrette, and ambitious Omar rolls up his sleeves, enlisting the assistance of his old school-friend Johnny, who has since fallen in with a gang of neo-fascists. Omar and Johnny soon form an unlikely alliance that leads to business success, as well as other, more intimate surprises.Sammy and Rosie Get Laid (1987) 1980s London, and Sammy and Rosie share an open marriage, strings of lovers, and a bohemian existence amidst inner-city turmoil. Sammys father, Rafi, formerly a government minister in India, visits London as racial tensions rise with the death of a woman in a police raid. Rafi offers Sammy financial assistance if the couple will leave their war zone behind them and produce grandchildren. But Rafis own shady past threatens to haunt him.London Kills Me (1991) A weekend in the lives of homeless Clint and his pal Muffdiver, youthful veterans of the streets of London, whose chief source of income derives from selling drugs to the wealthier denizens of Notting Hill. But what Clint wants more than anything else is a proper job, and hes been promised a position as a waiter in a restaurant - on the condition that he can come up with a pair of sensible shoes.My Son the Fanatic (1997) Parvez is a Pakistani cab driver in a northern industrial town who chauffeurs young prostitute Bettina. Their gentle friendship grows more tender as Parvezs home life starts to crumble, his son Farid embracing a fundamentalist sect of Islam and rejecting his fathers values. When Farid then involves himself with a group committed to purging the town of corruption, Parvez is compelled to choose where his loyalties lie.

In Le Weekend, a couple - married for 30 years - spend their wedding anniversary in Paris. However, the romantic city soon becomes a backdrop to their increasingly bitter disputes about the state of their marriage - and their lives. But, as they gradually become part of the rhythm of the city - its cafes and monuments - the tension that has burdened them fades as they re-discover the playfulness and anarchy of their youth. Their melancholy dissolves in a sense of delight in irresponsibility, and gives them a new lease of life

Omar is a restless young Asian man, caring for his alcoholic father in the hustling London of the mid-1980s. His uncle, a keen Thatcherite, offers Omar an entrepreneurial opportunity to revamp a dingy laundrette, and ambitious Omar rolls up his sleeves, enlisting the assistance of his old school-friend Johnny, who has since fallen in with a gang of neo-fascists. Omar and Johnny soon form an unlikely alliance that leads to business success, as well as other, more intimate surprises.

No one else casts such a shrewd and gimlet eye on contemporary life. - William BoydComic, dark and insightful, What Happened? is Hanif Kureishis new collection of essays and fiction. No topic is too fringe or too mainstream for this insatiable-and much-loved-author. From social media to the ancient classics, from appraisals of David Bowie to Georges Simenon to Keith Jarrett, this is the latest literary event in a unique body of work that displays Kureishis characteristic boundless curiosity and wit. What Happened? is as much about the very fact of Kureishis catholic appetite for culture as his observations and insights themselves, and any new book in his oeuvre is a justification for celebration.

Jamal, psychanalyste d''une cinquantaine d''années, connaît un certain succès. Suivant le rythme de ses consultations, professionnelles et amicales, sa vie est marquée par la régularité et l''écoute.

The Buddha of Suburbia, Hanif Kureishi''s first novel, is a tour de force of comic invention, a bizarre, often hilarious, and totally original picture of the life of a young Pakistani growing up in 1970s Britain. Karim lives with his mum and dad in a suburb of South London and dreams of making his escape to the bright lights of the big city. But hsi father is no ordinary dad, he is ''the buddha of suburbia'', a strange and compelling figure whose powers of meditation hold a circle of would-be mystics spellbound with the fascinations of the East. Among his disciples in the glamorous and ambitious Eva, and when the ''buddha of suburbia'' runs off with her to a crumbling flat in Baron''s Court, Karim''s life becomes changed in ways that even he had never dreamed of ... Hanif Kureishi is the author of novels (including Something to Tell You, The Buddha of Suburbia, The Black Album and Intimacy), story collections (Love in a Blue Time, Midnight All Day, The Body), plays (including Outskirts, Borderline and Sleep With Me), and screenplays (including My Beautiful Laundrette, My Son the Fanatic and Venus).

Jamal is a successful psychoanalyst haunted by his first love and a brutal act of violence from which he can never escape. Looking back to his coming of age in the 1970s forms a vivid backdrop to the drama that develops thirty years later, as he and his friends face an encroaching middle age with the traumas of their youth still unresolved. Like "The Buddha of Suburbia", "Something to Tell You" is full-to-bursting with energy, at times comic, at times painfully tender. With unfailing deftness of touch Kureishi has created a memorable cast of recognisable individuals, all of whom wrestle with their own limits as human beings, haunted by the past until they find it within themselves to forgive.

Karim lives with his Mum and Dad in a suburb of south London and dreams of making his escape to the bright lights of the big city. But his father is no ordinary Dad, he is 'the buddha of suburbia', a strange and compelling figure whose powers of meditation hold a circle of would-be mystics spellbound with the fascinations of the East. Among his disciples is the glamorous and ambitious Eva, and when 'the buddha of suburbia' runs off with her to a crumbling flat in Barons Court, Karim's life becomes changed in ways that even he had never dreamed of.

Moving funny remarkable Richard Eyre From Hanif Kureishi author of The Buddha of Suburbia a memoir about the accident that left him paralysed A few days ago a bomb went off in my life but this bomb has also shattered the lives of those around me My partner my children my friends On Boxing Day 2022 in Rome Hanif Kureishi had a fall When he came to in a pool of blood he was horrified to realise he had lost the use of his limbs He could no longer walk write or wash himself He could do nothing without the help of others and required constant care in a hospital So began an odyssey of a year through the medical systems of Rome and Italy with the hope of somehow being able to return home to his house in London While confined to a series of hospital wards he felt compelled to write but being unable to type or to hold a pen he began to dictate to family members the words which formed in his head The result was an extraordinary series of dispatches from his hospital bed a diary of a life in pieces recorded with rare honesty clarity and courage As Hanif wrote early on A few days ago a bomb went off in my life but this bomb has also shattered the lives of those around me My partner my children my friends This book takes these hospital d