Jane Austen, página 18 de 83

The perfect tenses ¿ both present and past ¿ are explained and used prominently in most of these readers. Many introduce the passive voice, and most feature the future tense. Nearly all of them also include exercises to develop understanding of the first conditional, and some include instruction in all three conditional forms. More modal verbs and more complex verbal constructions ¿ using gerunds and infinitives ¿ are presented. There is a generally higher level of vocabulary, sometimes quite sophisticated.

Jane Austen's Emma (1816) tells the story of the coming of age of Emma Woodhouse, handsome, clever, and rich, who had lived nearly twenty-one years in the world with very little to distress or vex her. Typical for the novel's time, Emma's transition to womanhood is accomplished through courtship - both of those around her and, ultimately, her own. As in other Austen works, education and courtship go hand in hand, and Emma's process of learning to relinquish the power of having her own way is also a process of falling in love. However, in Emma this classic plot is both complicated by and reflective of a collection of contemporary issues, assumptions, and anxieties that highlight just how political even the most conventional of courtship plots can be. This Broadview edition includes a critical introduction and an extensive collection of historical documents relating to the composition and reception of the novel, the social implications of England's shift from a rural agrarian to an urban industrial economy, the role of women in provincial society, and the contemporary preoccupation with health and the treatment of illness.

A very nice story, of repressed emotions, shallow pretensions, and the tentative process of picking up a relationship after eight years of interruption. The heroine, Anne Elliott, is perhaps a little too flawless and downtrodden by her useless family, but she does manage to find her way to self-determination in the end. There were a couple of passages in the penultimate chapter that almost seemed to lurch into feminism. A good read.

Few novelists have conveyed the subtleties and nuances of their own social milieu with the wit and insight of Jane Austen. Here in one volume are her seven great novels: Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, Northanger Abbey, Persuasion, and Lady Susan. Through her vivacious and spirited heroines and their circle, Austen vividly portrays English middle-class life as the eighteenth century came to a close and the nineteenth century began. Each of the novels is a love story and a story about marriagemarriage for love, for financial security, for social status. But they are not romances; ironic, comic, and wise, they are masterly evocations of the society Jane Austen observed. This beautiful volume covers the literary career of one of England's finest prose stylists of any century.

Marianne Dashwood wears her heart on her sleeve, and when she falls in love with the dashing, but unsuitable John Willoughby, she ignores her sister Elinor's warning that her impulsive behaviour leaves her open to gossip and innuendo. Meanwhile Elinor, always sensitive to social convention, is struggling to conceal her own romantic disappointment, even from those closest to her. Through their parallel experience of love - and its threatened loss - the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love.

Beautiful, clever, rich - and single - Emma Woodhouse is perfectly content with her life and sees no need for either love or marriage. Nothing, however, delights her more than interfering in the romantic lives of others. But when she ignores the warnings of her good friend Mr Knightley and attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected. With its imperfect but charming heroine and its witty and subtle exploration of relationships, Emma is often seen as Jane Austen's most flawless work.

Fanny Price has always felt like an outsider. She was adopted by her uncle as a child and now lives in luxury at Mansfield Park, but doesn't fit in somehow. Shyer and much sweeter than the glamorous cousins she has grown up with, she feels she can only stand by and watch from the sidelines, never living her own life.Fanny won't admit - even to herself - who she really loves. Her uncle conducts the search for a husband as if it were a business deal, and when the time for Fanny to marry comes, will she be handed over on a handshake? Or will she have the strength to make her own mistakes - and finally find true happiness?

No one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine. Her situation in life, the character of her father and mother; her own person and disposition, were all equally against her. Her father was a clergyman, without being neglected, or poor, and a very respectable man, though his name was Richard - and he had never been handsome. He had a considerable independence, besides two good livings - and he was not in the least addicted to locking up his daughters. Her mother was a woman of useful plain sense, with a good temper, and, what is more remarkable, with a good constitution. She had three sons before Catherine was born; and instead of dying in bringing the latter into the world, as any body might expect, she still lived on - lived to have six children more - to see them growing up around her, and to enjoy excellent health herself. A family of ten children will be always called a fine family, where there are heads and arms and legs enough for the number; but the Morlands had little other right to the word, for they were in general very plain, and Catherine, for many years of her life, as plain as any. She had a thin awkward figure, a sallow skin without colour, dark lank hair, and strong features; - so much for her person; - and not less unpropitious for heroism seemed her mind. She was fond of all boys' plays, and greatly preferred cricket not merely to dolls, but to the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush. Indeed she had no taste for a garden; and if she gathered flowers at all, it was chiefly for the pleasure of mischief - at least so it was conjectured from her always preferring those which she was forbidden to take. - Such were her propensities - her abilities were quite as extraordinary.

La aparición en Longbourn, un pueblo de la campiña inglesa, de Charles Bingley, joven, soltero y rico, despierta las ambiciones de las familias del vecindario, que lo consideran un excelente partido para sus hijas. El y su amigo Fitzwilliam Darcy, tambien adinerado, tendran que luchar contra las intrigas con las que se tratara de poner trabas al amor que sienten por dos de las hermanas Bennet, pobres y modestas, antes de alcanzar un final feliz.

She's beautiful, rich and clever, and has decided she's perfectly happy with the single life. What Emma does love, however, is interfering in other people's business (and she is always convinced she's right). When she ignores the advice of her friend Mr Knightley and insists on matchmaking for her friend Harriet, her carefully laid plans go disastrously wrong. Is Emma so wrapped up in other people's love lives that she fails to spot happiness when it's right under her nose? Perhaps, when it comes to affairs of the heart, she can't control everything after all . . .

The story of the Bennet family and of Mrs Bennet's efforts to marry off her five daughters.

Marianne Dashwood wears her heart on her sleeve, and when she falls in love with the dashing but unsuitable John Willoughby she ignores her sister Elinor's warning that her behaviour leaves her open to gossip. Meanwhile, Elinor is struggling to conceal her own romantic disappointment.

Obra maestra de la narrativa del XIX y una de las grandes novelas de Jane Austen, Emma cuenta la historia de una inteligente y laboriosa joven empeñada en hacer de Celestina de todas sus amistades. Cuando su institutriz, amiga y confidente decide contraer matrimonio, Emma Woodhouse se queda sola con sus propios sentimientos y se enfrenta al vacio de su vida y a la penosa tarea de intentar que los demas lleven una vida tan perfecta como la suya. Todos sus trabajos de manipulacion sentimental crean a su alrededor una telaraña de enredos, malentendidos y confusiones que ponen a prueba su propia confianza en si misma. Novela exquisita y esplendido retrato de la Inglaterra de provincias de principios del siglo XIX, Emma es una obra imperecedera y su protagonista ocupa uno de los lugares de honor en la galeria de inolvidables heroinas de la literatura universal.

Jane Austen's famous novel about Elizabeth Bennet and Mr Darcy finding love against all the odds of misunderstanding, scandal and family interference is brought to life in a brand new adaptation comi

Emma Woodhouse dominates this novel as she believed herself to dominate her little world of Highbury. Her progress through the mismanagement of other people's affairs to the crisis and resolution of her own, is a whole comedy of self-deceit and self-discovery.