JOHN OSBORNE

Anyone whos never watched someone die is suffering from a pretty bad case of virginity. Look Back in Anger premiered at the Royal Court Theatre, London, in 1956. John Osborne didnt contribute to British theatre: he set off a landmine called Look Back in Anger and blew most of it up. Alan Sillitoe A story of youthful insecurity inflamed by lack of opportunity and the terrifying, destabilizing force of love . . . Jimmy Porter could fill an opera house with his bellowing hunger for a bigger, better life and a loyal love to share it with.New York Times Look Back in Anger presents post-war youth as it really is. To have done this at all would be a signal achievement; to have done it in a first play is a minor miracle. All the qualities are there, qualities one had despaired of ever seeing on the stage - the drift towards anarchy, the instinctive leftishness, the automatic rejection of "official" attitudes, the surrealist sense of humour, the casual promiscuity, the sense of lacking a crusade worth fighting for and, underlying all these, the determination that no one who dies shall go unmourned . . . I doubt if I could love anyone who did not wish to see Look Back in Anger. It is the best young play of its decade. Kenneth Tynan, ObserverHow bracing, and, yes, even shocking, its white-hot fury remains.The Times This edition includes an introduction by Michael Billington and an afterword by David Hare.

In 1956 John Osbornes Look Back in Anger changed the course of English theatre. This volume includes some of the early plays which launched his career along its startling trajectory, as well as his much later play, Dejavu, which brings us Look Back in Angers Jimmy Porter thirty-five years on, older and wiser, but no less indignantly eloquent.

I cant escape it. I cant forget it. And I cant begin again. Bill Maitland, a middle aged lawyer, struggles to avoid the harsh truths of his life. As those closest to him draw away, he puts himself on trial to fight for his sanity. John Osbornes poignant, witty and compelling portrait of loss, betrayal and defeat releases the authors characteristic display of soaring rhetorical venom to powerful effect. First performed at the Royal Court Theatre in 1964, Inadmissible Evidence received a major revival at the Donmar Warehouse, London, in October 2011.This is a work of stunning and intemperate power, a great bellow of rage and pain... there is a self-lacerating honesty about his writing that few other playwrights have come close to matching.Daily Telegraph

Focused on rivalry and legacy, The Gift of Friendship examines the bitter relationship between two writers revealed after one of them dies. It was first broadcast on ITV in September 1974.

This third collection of John Osbornes dramatic work includes three classic plays for the stage which confirm his reputation as one of the greatest British playwrights of the twentieth century. A Patriot for MeIt is a landmark play in its open treatment of homosexuality and in the breadth of its historical canvas... few post-war plays have dealt so brilliantly with the way the individual, in rejecting the ethos of his society, also uncannily reflects it.GuardianLutherThe language is urgent and sinewy, packed with images that derive from bone, blood and marrow; the prose, especially in Luthers sermons, throbs with a rhetorical zeal that has not been heard in English historical drama since the seventeenth century. Kenneth Tynan Inadmissible EvidenceThis is a work of stunning and intemperate power, a great bellow of rage and pain... there is a self-lacerating honesty about his writing that few other playwrights have come close to matching.Daily Telegraph

When John Osborne died at Christmas 1994, his obituaries cited his autobiographical writings as perfect examples of undiluted talent and acerbic wit. Now, Osbornes superb autobiographies, A Better Class of Person: 1929-1956 and Almost a Gentleman: 1955-1966 (winner of the J. R. Ackerley Prize), are available for the first time in one volume, Looking Back.A brilliant, funny, melancholy and acrimonious book of memoirs . . . Almost every page confirms that his powers as an elegist, definer of the Zeitgeist and master of unforgiving disgust remain undimmed.ObserverThis volume also contains Bad John, a review by Alan Bennett of A Better Class of Person, and David Hares eulogy for John Osborne at the memorial service for Osborne in 1995.

The Right Prospectus focuses on a middle-aged couple who attempt to inveigle their way into a public school as pupils. John Osborne was prompted to write the script by a dream in which he imagined himself to be back at school as an adult. It was first broadcast as a Play for Today on BBC1 in October 1970.Not merely the most distinguished original television play of the year, but one which will linger uneasily in my mind for years ahead.Daily Telegraph

Well-known playwright and acerbic wit, John Osborne was a man of trenchant opinions which he was unafraid to express. Ranging from his infamous 1961 letter to Tribune which provides the book with its title to columns written in the last decade of his life, the prose on offer here bear witness to the rage, fury - and great tenderness - that inspired so much of his work.

First broadcast on ITVs Playhouse in 1980, Youre Not Watching Me, Mummy focuses on the hollowness of an actors existence and was written as Osborne was separating from his then actress-wife. It is published here with Try a Little Tenderness which was written in 1978 but never produced.

Look back in anger + cassette

La ópera está considerada por muchos como el género más completo por sus posibilidades expresivas, ya que combina elementos tomados de las demás artes: teatro, música, canto, danza y escenografía.

This play about the life and work of a second-rate music hall comic (brilliantly created by Sir Laurence Olivier in the original production) and staged only eleven months after the opening of Look Back in Anger, secured John Osbornes reputation and has become a classic of 20th century drama.

Originally written in 1971, John Osbornes Very Like a Whale concerns a wealthy industrialist who becomes increasingly estranged from friends and family as he reaches the heights of success. It was

Six London friends, whose lives and work are overshadowed by a demanding film producer, flee the country for a weekend to escape his clutches. Safely ensconced in a hotel in Amsterdam, the uneasy equilibrium that has existed between them is joyously exposed as the alcohol starts to flow. John Osbornes funny and moving account of friendship won the Evening Standard Best Play of the Year Award in 1968. The play was revived by the Donmar Warehouse, London, in September 2003.