JOHN SINGER SARGENT

Nearly 100 watercolors by John Singer Sargent from two major museum collectionsJohn Singer Sargents approach to watercolor was unconventional. Going beyond turn-of-the-century standards for carefully delineated and composed landscapes filled with transparent washes, his confidently bold, dense strokes and loosely defined forms startled critics and fellow practitioners alike. One reviewer of an exhibition in London proclaimed him an eagle in a dove-cote; another called his work swagger watercolors. For Sargent, however, the watercolors were not so much about swagger as about a renewed and liberated approach to painting. In watercolor, his vision became more personal and his works more interconnected, as he considered the way one image--often of a friend or favorite place--enhanced another. Sargent held only two major watercolor exhibitions in the United States during his lifetime. The contents of the first, in 1909, were purchased in their entirety by the Brooklyn Museum of Art. The paintings exhibited in the other, in 1912, were scooped up by the Museum of Fine Arts, Boston. John Singer Sargent Watercolors reunites nearly 100 works from these collections for the first time, arranging them by themes and subjects: sunlight on stone, figures reclining on grass, patterns of light and shadow. Enhanced by biographical and technical essays, and lavishly illustrated with 175 color reproductions, this publication introduces readers to the full sweep of Sargents accomplishments in this medium, in works that delight the eye as well as challenge our understanding of this prodigiously gifted artist.

Pintor de talento extraordinario y gran éxito entre la alta burguesía europea y americana, John Singer Sargent fue también objeto de duras críticas, especialmente por parte de figuras como Roger Fry, uno de los principales criticos de arte britanicos.La controversia que generaron sus obras le llevo a compartir sus reflexiones sobre la pintura de su epoca, revelando una mirada intima sobre el arte, la tecnica y la recepcion estetica.