Samuel Beckett, página 2 de 8

Primera de las novelas de la gran trilogía que completan "Malone muere" y "El innombrable", publicadas también en esta colección, Molloy constituye el punto de arranque de la etapa en que, tras la Segunda Guerra Mundial, Samuel Beckett (1906-1989) abandona el ingles en favor del frances como lengua literaria y ahonda en la vision tragica del mundo contemporaneo a traves de imagenes en las que lo grotesco sirve para potenciar al maximo el patetismo y desolacion de la vida humana. La enajenacion, la soledad, la falta de identidad y el anonimato condenan a los personajes del novelista irlandes a una lucha sin sentido con su propia existencia, para la que ni siquiera la aniquilacion final de la muerte constituye ya una esperanza.Primera de las novelas de la gran trilogía que completan "Malone muere" y "El innombrable", publicadas también en esta colección, Molloy constituye el punto de arranque de la etapa en que, tras la Segunda Guerra Mundial, Samuel Beckett (1906-1989) abandona el ingles en favor del frances como lengua literaria y ahonda en la vision tragica del mundo contemporaneo a traves de imagenes en las que lo grotesco sirve para potenciar al maximo el patetismo y desolacion de la vida humana. La enajenacion, la soledad, la falta de identidad y el anonimato condenan a los personajes del novelista irlandes a una lucha sin sentido con su propia existencia, para la que ni siquiera la aniquilacion final de la muerte constituye ya una esperanza.

* Roman écrit en français en 1949. « De même que Dante chemine de cercle en cercle pour atteindre son Enfer ou son Paradis, de même Samuel Beckett situe-t-il, chacun dans un cercle bien distinct, les

Cuando en 1955 la editorial Minuit publicó los 'Relatos y Textos para nada', en su versión original en francés, Samuel Beckett ya había sorprendido al mundo con la originalidad y el ingenio de 'Esperando a Godot' (estrenada en 1953). La produccion de nuevas obras de teatro, todas ellas de gran calado existencial, haria que en las siguientes decadas el autor irlandes se convirtiera en el dramaturgo mas influyente del siglo XX.Sin embargo, su obra narrativa no es en absoluto desdeñable y, en la opinion de muchos criticos, la profundidad alcanzada en sus novelas y relatos es muy superior a lo conseguido en teatro. Los 'Relatos' de Samuel Beckett, por ejemplo, muestran a un Beckett en plena madurez creativa, presentando con toda crudeza a un tipo de personaje caracteristico de su universo literario: un ser desamparado que deambula por escenarios inhospitos y cuyas peripecias reflejan, parcialmente, las penalidades sufridas por el autor durante la Segunda Guerra Mundial.Los 'Textos para nada', por su parte, constan de 13 fragmentos en los que Beckett despoja a la literatura de todo artificio y se aproxima, en una busqueda obsesiva, como ningun escritor habia hecho antes, a lo que yace detras de las palabras, ya sea la verdad o el vacio.Fue el propio Beckett el que tradujo al ingles todas las secciones que conforman el libro hasta que se publico en esta lengua en 1967. Esta es la version que ha sido traducida por primera vez al castellano por Jose Francisco Fernandez para JPM ediciones.

It was as a poet that Samuel Beckett launched himself in the little reviews of 1930s Paris, and as a poet that he ended his career. This new selection, from Whoroscope (1930) to what is the word (1988), describes a lifetimes arc of writing. It was as a poet moreover that Beckett made his first breakthrough into writing in French, and the Selected Poems represents work in both languages, including the sequence of brief but highly crafted mirlitonnades, which did so much to usher in the style of his late prose, and come as close as anything he wrote to honouring the ambition to bore one hole after another in language, until what lurks behind it - be it something or nothing - begins to seep through. Also included are several of Becketts translations from contemporaries - Apollinaire, Eluard, Michaux, Montale - in versions which count among his own poetic achievements. Edited by David Wheatley

Echos Bones was intended by Samuel Beckett to form the recessional or end-piece of his early collection of interrelated stories, More Pricks Than Kicks, published in 1934. The story was written at the request of the publisher, but was held back from inclusion in the published volume. Echos Bones has remained unpublished to this day, and the present edition will situate the work in terms of its biographical context, its Joycean influences, and as a vital link in the evolution of Becketts early work.The editor, Mark Nixon, is director of the Beckett International Foundation at the University of Reading.

Published in French in 1961, and in English in 1964, How It Is is a novel in three parts, written in short paragraphs, which tell (abruptly, cajolingly, bleakly) of a narrator lying in the dark, in the mud, repeating his life as he hears it uttered - or remembered - by another voice. Told from within, from the dark, the story is tirelessly and intimately explicit about the feelings that pervade his world, but fragmentary and vague about all else therein or beyond.Together with Molloy, How It Is counts for many readers as Becketts greatest accomplishment in the novel form. It is also his most challenging narrative, both stylistically and for the pessimism of its vision, which continues the themes of reduced circumstance, of another life before the present, and the self-appraising search for an essential self, which were inaugurated in the great prose narratives of his earlier trilogy. she sits aloof ten yards fifteen yards she looks up looks at me says at last to herself all is well he is working my head where is my head it rests on the table my hand trembles on the table she sees I am not sleeping the wind blows tempestuous the little clouds drive before it the table glides from light to darkness darkness to lightEdited by Edouard Magessa OReilly

The present volume gathers all of Becketts texts for theatre, from 1955 to 1984. It includes both the major dramatic works and the short and more compressed texts for the stage and for radio.He belie

Well, thought Belacqua, it's a quick death, God help us all. It is not. 'Dante and the Lobster' is the first of the linked short stories in Samuel Beckett's first book, More Pricks Than Kicks. Published in 1934, its style was recognisably indebted to that of his mentor, James Joyce, and crammed with linguistic texture and allusion that Beckett later shed. The book baffled many critics and sold so few copies that several batches were pulped. Decades later, this story was hailed as the Nobel Prize-winner's earliest important work.

" Los días felices " es una pieza clave en el teatro de Beckett, que, continuando el proceso de depuración escénica de sus obras precedentes, presenta también características fundamentales de sus piezas posteriores. Winnie, torturada por una luz cegadora y semienterrada en un monticulo calcinado, se arropa en un ritual de gestos cotidianos y encuentra siempre motivos, por insignificantes que estos sean, para considerar sus dias felices.

In the first of these two plays, an old man records his comments as he listens to a tape recording of his own observations on how life felt when he was 39. In the second, a man walking along the seashore recalls his dead father while other familiar voices speak to him from the past.