Will Self

El heterodoxo psiquiatra Zack Busner llega en 1971 al Friern Hospital, un gigantesco manicomio victoriano situado en el norte de Londres, en medio de una tormenta profesional y matrimonial. Pretende evitar las polemicas, pero alli conoce a Audrey Dearth, una mujer de clase trabajadora que lleva decenios encerrada en Friern en estado de coma profundo, y decide intentar despertarla a la vida con un revolucionario tratamiento. Los recuerdos que conserva Audrey de un Londres anterior a 1918, el año en que cayo enferma, de sus amantes, su participacion en tempranos movimientos socialistas y feministas y, en especial, su trabajo en un taller de paraguas, se alternan con los intentos de Busner por tratar su enfermedad y llevar la luz a su mundo entre tinieblas. Ya retirado, en 2010, el doctor Busner recorre el norte de Londres en busca de las claves de aquel tumultuoso verano en el que logro despertar a sus pacientes afectados de postencefalitis con una nueva y poderosa droga.Un paraguas es un tour de force de uno de los escritores britanicos contemporaneos mas aplaudidos. Una obra rica, escrita con una destreza y un oficio asombrosos, y salpicada con el ingenio, el humor negro y la idiosincrasia estilistica que caracterizan a Self.

Shark turns upon an actual incident in WWII - mentioned in the film Jaws - when the ship which had delivered the fissile material to the south Pacific to be dropped on Hiroshima was subsequently sunk by a Japanese submarine with the loss of 900 men, including 200 killed in the largest shark attack ever recorded. When the Creep, an American resident in the 1970s at the therapeutic community in north London supervised by maverick psychiatrist Zack Busner, starts to tell rambling stories of thrashing about in the water while under attack from sharks, Busner has to decide whether they are schizoid delusions or some sort of reality.

Tom Brodzinski is a man who takes his own good intentions for granted. But when he finally decides to give up smoking, a moment's inattention to detail becomes his undoing. Flipping the butt of his final cigarette off the balcony of the holiday apartment he's renting with his family, Tom is appalled when it lands on the head of one his fellow countrymen, Reggie Lincoln. The elderly Lincoln is badly burnt, and since the cigarette butt passed through public space before hitting him, the local authorities are obliged to regard Tom's action as an assault, despite his benign intentions. Worse is to follow: Lincoln is married to a native from one of the rigorous, mystical tribes of the desert interior, and their customary law is incorporated into the civil statute. In order to make reparations to Mrs Lincoln's people, Tom will have to leave his family behind, and carry the appropriate goods and chattels deep into the arid heart of this strange, island continent. Any of this might be bearable, were it not for Tom's companion, forced on him by his enigmatic lawyer, the mixed-race Jethro Swai-Phillips.Brian Prentice, like Tom, has to make reparations and although there is a taboo that prevents either man from knowing the exact detail of the other's offence, Tom's almost 100% certain that he's a child-abuser. As they drive into the desert and encounter a violent counter-insurgency war that Tom has allowed himself to remain in ignorance of, the relationship between the two men becomes one of complicit guilt as well as seething mistrust. Refusing facile moral certitudes, Will Self's latest novel is set in a distorted world, in a country that is part Australia, part Iraq, part Greeneland and part the heart of a distinctively modern darkness.

What if a demented London cabbie called Dave Rudman wrote a book to his estranged son to give him some fatherly advice? What if that book was buried in Hampstead and hundreds of years later, when rising sea levels have put London underwater, spawned a religion? What if one man decided to question life according to Dave? And what if Dave had indeed made a mistake?

When Tom Brodzinski finally decides to give up smoking during a family holiday in a weird, unnamed land, a moment's inattention becomes his undoing. Flipping the butt of his last cigarette off the balcony of the holiday apartment, it lands on the head of the elderly Reggie Lincoln, and burns him. Despite Brodzinski's liberal attitudes and good intentions, the local authorities treat his action as an assault. Soon the full weight of the courts and tribal custom is brought to bear. What follows is a journey through a fantastically distorted world, a country that is part Australia, part Iraq and entirely the heart of distinctively modern darkness.

Shark turns upon an actual incident in WWII - mentioned in the film Jaws - when the ship which had delivered the fissile material to the south Pacific to be dropped on Hiroshima was subsequently sunk by a Japanese submarine with the loss of 900 men, including 200 killed in the largest shark attack ever recorded. When the Creep, an American resident in the 1970s at the therapeutic community in north London supervised by maverick psychiatrist Zack Busner, starts to tell rambling stories of thrashing about in the water while under attack from sharks, Busner has to decide whether they are schizoid delusions or some sort of reality.

Shiva Mukti is a hardworking and conscientious psychiatrist, who, in the inauspicious surroundings of St Mungo's - a central London hospital of more than average decrepitude - does his level best to staunch the flow of mental illness. But Mukti is not a happy man, beset by thwarted ambition and sexual frustration, he now finds himself in thrall to the more successful and urbane Dr Zack Busner, consultant psychiatrist at Heath Hospital, and an originator of the once modish Quantity Theory of Insanity. Why is it that Busner seems so intent on fostering a professional relationship with Mukti? Is it his way of putting his junior colleague in his place? Or is Busner - as Mukti begins to suspect - a member of a sinister cabal? And what about the schizophrenic patients Busner refers to Mukti for his opinion, are they merely sick people, or in fact human weapons in a bizarre psychological duel?

In the summer of 1981, aristocratic, drug-addicted Henry Wotton and Warhol-acolyte Baz Hallward meet Dorian Gray. Dorian is a golden Adonis - perfect, pure and (so far) deliciously uncorrupted. The subject of Baz's video installation, Cathode Narcissus, and the object of Henry's attentions, Dorian is launched on a hedonistic binge that spans the 80's and 90's. But as Baz and Henry succumb to the Aids epidemic, how is it that Dorian, despite all his sexual and narcotic debauchery, remains so unsullied - so vibrantly alive ?.

Henry Wotton est un dandy qui use et abuse de tous les plaisirs illicites : sexe, drogue, alcool, et bons mots. Dans le studio de son ami (et ex-amant) Basil Hallward, vidéaste très en vogue, il rencontre Dorian Gray, un jeune homme d'une grande beauté. Il se propose de l'initier à toute une vie de débauche. Dorian se laisse tenter, tout en faisant le v?u de garder la fraîcheur et l'innocence de la jeunesse. Mais il y a le sida et ses ravages. Dorian est Le Portrait de Dorian Gray d'Oscar Wilde transposé un siècle plus tard. Wilde racontait la déchéance du XIXe siècle finissant, Will Self, lui, raconte la lente dérive du Londres décadent des années 80 et 90. Dans ces variations sur un mythe, il dépeint, avec le cynisme et l'humour qu'on lui connaît, une fin de siècle désormais révolue.

A new novella and four new short stories from Will Self (his first since 1999's Tough, Tough Toys for Tough, Tough Boys), which see him return to the disturbing and ruckled terrain of his bestselling first collection. Dr Mukti and Other Tales of Woe is another warped window on the wibbly-wobbly world of fear and fun that Self - like some malevolent deity - has fashioned over the years.

In May 2005 Penguin will publish 70 unique titles to celebrate the company's 70th birthday. The titles in the Pocket Penguins series are emblematic of the renowned breadth of quality of the Penguin list and will hark back to Penguin founder Allen Lane's vision of 'good books for all'.Often characterised as the bad boy of English literature, Will Self has earned his reputation through a body of innovative, experimental and - to some - upsetting work. All his fiction is available in Penguin editions and the two stories collected in Design Faults in the Volvo 760 Turbo illustrate Self's gift for finding the extraordinary, the surreal and the downright absurd amidst the mundanities of modern life.

Souvent, Carol se promène nue dans l'appartement et se donne du plaisir, celui-là même que son mari est incapable de lui offrir. Mais voilà qu'un jour un sexe masculin apparaît dans son anatomie. Est-elle encore une femme, va-t-elle devenir un homme? Une chose est sûre - elle en a assez et elle entend le prouver à son mari. Bull, lui, est un grand rouquin sensible, passionné de rugby et de virées entre garçons. Quand un sexe féminin surgit au creux de son genou, il s'affole. Choquant, scabreux, dérangeant, doué d'une force comique dévastatrice, Vice-versa fut, en 1992, l'une des premières bombes lancée par la New Wave de l'ère post-thatchérienne.