Libros de Instrumentos, página 11 de 36

First Band Book es una colección de libros diseñados para aprender a tocar en un grupo musical o individualmente. A medida que avanza el libro, aparecen nuevos conceptos que se suman a los anteriore

This book contains nine pieces selected from ABRSM's Grade 2 Clarinet syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - ideal for both Practical and Performance Grade exams. -Classic repertoire and newly commissioned pieces and arrangements.-Audio performances of the nine pieces by expert musicians, plus accompaniment-only tracks for use when practising (download code included in the book).

Designed for those in the early stages of studying violin, this is part of a progressive series of ten handbooks, primarily intended for candidates considering taking the London College of Music examinations in violin playing. This handbook covers all the material needed for the Grade One examination, however, even if you do not intend to take an examination, the handbook's appealing content of musical repertoire and educational material provides a structured and comprehensive method of studying the violin. This handbook contains all the required pieces and technical work for the grade and also includes sections on musical knowledge, sight reading and aural ability - in fact, absolutely everything you need for this grade! There are 9 pieces including works by Mary Cohen, Walter Carroll and Kathy & David Blackwell. Piano accompaniments are included.

First Band Book es una colección de libros diseñados para aprender a tocar en un grupo musical o individualmente. A medida que avanza el libro, aparecen nuevos conceptos que se suman a los anteriore

First Band Book is a collections of books designed to learn how to play in a musical group or individually.As the book progresses, new concepts appear in order to add to the previous ones.The harmony is always the one that corresponds to the instrument, as well as the melody of the other voices of the last 12 songs. Thus, on the one hand, you can improvise taking into account the chords and, on the other hand, play the melody of the other voices of the polyphonic songs.Like harmony, polyphonic themes are transported to the key in which the transposing instrument is played in order to make it easier for the instrument to be played as well.The audios of each of the themes will be found in 3 different versions:OriginalSlow TempoMinus OneIn the songs with voices, you will also find a version with each voice alone.In all the songs, the A note is at 440Hz.

"Mi padre y yo decidimos hacer una guitarra eléctrica. Diseñé un instrumento de cero, con la intención de que tuviera una capacidad más allá de cualquier cosa disponible, más ajustable, con mayor rango de tonos y sonidos, con mejor tremolo, y con la capacidad de retroalimentarse a traves del aire de una manera "musical". - Brian MayBrian May y su padre, Harold, comenzaron a construir a mano una guitarra electrica en 1963. Brian soñaba con una guitarra que superaria a cualquier de las guitarras electricas de fabricacion comercial existentes; su padre tenia el conocimiento tecnico y las habilidades para ayuda a hacer el sueño realidad. Brian Ha tocado esta guitarra en cada album de Queen y en todos los shows en vivo de la banda alrededor del mundo. En este libro descubriras todo sobre este instrumento unico de Brian.Brian habla sobre todos los aspectos del Red Special, desde su diseño original hasta la fabricacion de sus propias herramientas, y desde el abastecimiento de materiales en

This step-by-step tutor can be used by beginners of all ages and is suitable for use either with a teacher or by self-learners, taking you from your very first lesson up to the standard required to begin Trinity College Londons Electronic Keyboard exams (Initial level).Each stage introduces a mixture of keyboard functions, playing techniques and music theory through a series of exercises that prepare you for performance pieces in which you can show off your new skills.Audio download included.

Classic and flamenco guitarists alike will benefit from these etudes as they bridge the gap between traditional mechanical studies and engaging practice and concert material. Although relatively short in duration, a few of these etudes could be combined in a medley to form an effective suite or set. In addition, fourteen of the twenty etudes are provided with chord accompaniment for harmonic analysis, improvisation, or performance with a teacher or second guitarist.The companion online audio for this book has been masterfully recorded by the author using a flamenco guitar to authentically render the typical picado, double-arpeggio, arpeggio-legato, and horquilla techniques as well as the quintuplet flamenco tremolo. Traditional classical elements like octave, interval and arpeggio studies are also thoroughly explored, with one piece in dropped-D tuning--all with a flamenco flavor.In addition to accomplishing its mission of offering a fresh regimen of appealing practice etudes, the truly unique feature of this book is that everything from basic technique to exotic harmony and modal scales has been aflamencado or "flamenco-ized". Towards that end, a comprehensive glossary of mostly flamenco terminology is provided along with standard notation and tablature for each piece. As a bonus for those new to the flamenco genre, or for the serious aficionado or audiophile, a generous "Recommended Listening" list is included. Practice-related quotations from prominent guitarists in various styles complete this exceptional collection.Includes access to online audio

(Guitar Educational). In recent years, looping has exploded in popularity, with countless players exploiting the newest technology to truly become "one-person bands." From the mostly guitar-based looping of Ed Sheeran, to the vocal-heavy layering of Reggie Watts or the multi-instrument sonic walls of sound from Jacob Collier, artists of disparate genres are turning the looping concept into an art form unto itself. In Looper Pedal Guitar Lessons, author Chad Johnson breaks down everything you need to know to successfully use a looper in your rig, which includes: * Equipment including different types of loop pedals and how to set up a live or studio looping rig * How a looper pedal works and what types of features are available * How to choose the best looper pedal for your needs * Basic techniques with a single-loop pedal * Advanced techniques possible with multi-track loopers * Using other effect pedals in conjunction with the looper * How to incorporate a mic looper to expand your possibilities further This valuable book also includes in-depth video demonstrations that give you quick tips on how to put the knowledge within this book into practice! Video is accessed online for download or streaming.

The unique advantage of bell sets is the fact that each note is created by an individual bell, and so the notes that are not used in a particular song can be removed and the student has a greater chance for success. A handbell orchestra acts as one instrument, with each musician responsible for their particular notes, sounding their assigned bells whenever those notes appear in the music.Give each participant one or two bells and ask them to join in a simple melody. Independently, whether the player has musical knowledge or not, the band will sound harmoniously with just a little bit of training. Most solfeggio teachers advise that it's better to begin not with a piano, but with a simpler and more accessible instrument.

(Berklee Guide). Learn to improvise fluently over common jazz progressions. Learn to use simple source material, such as four-note "cells," and characteristic bebop motifs to help you make fast progress towards "making the changes" while developing creative, flowing, balanced solos, in the bebop and post-bop styles exemplified by artists such as Charlie Parker, Joe Pass, and John Coltrane. You will explore many improvisation strategies, such as fingering guidelines, articulation (picking/legato, etc.), practice approaches, and more, and apply them to exercises and etudes.

(Ukulele). This simple beginner's guide to music theory is geared toward the ukulele so that you're able to apply the theoretical concepts directly to this fun instrument. Featuring hands-on activities like quizzes, assignments, ear training and audio examples, this workbook teaching system is designed to reinforce each musical concept through application and practice. The book includes access to demonstration audio tracks online for download or streaming.

This book contains nine pieces selected from ABRSM's Grade 2 Saxophone syllabus from 2022. Key features: Nine pieces in a range of styles, chosen from Lists A, B and C - ideal for both Practical and Performance Grade exams. -Classic repertoire and newly commissioned pieces and arrangements. -Piano accompaniments for both E- and B- instruments included.-Audio performances of the nine pieces on alto saxophone and piano by expert musicians, plus accompaniment-onlytracks for both E- and B- instruments for use when practising (download code included in the book). Contents:Bourree (second movement from Music for the Royal Fireworks, HWV 351) [George Frideric Handel]In Sherwood livde stout Robin Hood (from Fourth Booke of Ayres) [Robert Jones]Spiritoso [Nilia Velazquez]Jupiter (from The Planets, Op. 32) [Gustav Holst]Abendsegen (from Hansel und Gretel) [Engelbert Humperdinck]Xhosa Fantasy [Bongani Ndodana-Breen]Horseshoe Shuffle [Beverley Calland]The Bare Necessities (from 'The Jungle Book') [Terry Gillykson]Flying High (No. 2 from Rhythm & Rag for Saxophone) [Alan Haughton]

Siendo director de la sección de música antigua de la Institución Fernando el Católico, de la Diputación de Zaragoza, don Pedro Calahorra Martínez, le invité a participar en el II Curso de Canto Coral en Aragon, celebrado en Borja, a lo que gustosamente acepto con sumo agrado, y desarrollo ante un numeroso grupo de alumnos, exponiendo sus ricos conocimientos sobre diversos aspectos mu...

En la actualidad, apenas existen publicaciones sobre la pedagogía y la didáctica histórica del fagot que puedan contribuir a mejorar o desarrollar el actual sistema de enseñanza-aprendizaje que se aplica al fagot moderno, y que de igual forma pudieran ayu

Aquest llibre posa l´èmfasi en els instruments tradicionals, aquells que hem triat com a identitat de la nostra cultura, però també en d´altres de molt populars, que no sempre s´han considerat dignes

Us presentem un recull de seixanta-cinc melodies escrites per lautor per a ser interpretades amb dolçaina a una o dues veus i per a ser tocades en les manifestacions festives de la ciutat de Morella: retaules, cercaviles, etc. Han estat escrites entre 1980 i el maig de 2020. La pandemia i el subseguent confinament, que, a mes del patiment i la preocupacio, ens van regalar bona cosa de temps lliure, han servit per acabar-ne i completar-ne algunes i fer-ne alguna de nova. Shan interpretat, moltes per primera volta, al balco de casa no podiem eixir uns minuts abans de les vuit de la tarda justet al punt de laplaudiment veinal, des del 16 de març fins al 2 de maig, sense repetir-ne cap.Algunes daquestes melodies ja son de domini public, com El carrer de les Calçades, que ja sona per tot el Pais Valencia, La plaça de la Font, dedicada per lautor als dolçainers de Vilafames, i altres que ja fa temps que interpreten els dolçainers de Morella, entre elles una que tenen dedicada i que porta per titol Gaiteros de Morella.La intencio es deixar constancia escrita dun conjunt de tonades dolçaineres que ja fa temps que sonen i altres que no shan sentit mai, perque puguen interpretar-se en lambit de la musica festiva popular. Tambe es preten donar una certa continuitat a lestil dels dolçainers de Morella, ates que en algunes de les melodies es refan fragments que lautor recorda de menut, quan sentia tocar les cercaviles a Elias Royo Garrafa.

Una de las tareas iniciales de todo investigador es la definición del que y el dónde de su investigación. En nuestro caso, el que son los instrumentos tradicionales, y el dónde es la comunidad autónoma de Extremadura. Ambos constituyen la esencia del proyecto Patrimonio material e inmaterial organologico de Extremadura, puesto en marcha por el grupo de investigacion de la Universidad de Extremadura Musica e Identidad en Extremadura (MUIDEX). La necesidad de realizar estudios en profundidad en el ambito del folklore musical, y mas concretamente en el campo de la organologia tradicional, se hace cada vez mas perentoria en esta comunidad autonoma. Con la muerte de cada constructor y tañedor de instrumentos tradicionales, con la desaparicion de cada instrumento o por la perdida inmaterial de su funcionalidad como instrumento musical, se nos va un pedazo de patrimonio musical muchas veces irremplazable. Pretendemos con este proyecto –una de cuyas partes, la catalogacion de los instrumentos tradicionales extremeños se presenta en este libro– aportar una pequeña ayuda al mantenimiento del patrimonio organologico de la tradicion musical extremeña con la cual, unida a otras practicas de investigacion, conservacion y utilizacion de este patrimonio que surgen desde grupo