Libros de Instrumentos, página 11 de 37

N''Asturies alcontrámonos con dellos instrumentos musicales, usaos dientru la tradición, que llamamos airófonos porque aprovechen l''aire pa producir soníu.Equí se repasen, describen y comenten desde la popularisima gaita hasta los mas escaecios y esoticos, como los cuernos o les bugares.

GUITARRAS. PASADO Y PRESENTE

El present mètode d’iniciació a la flauta dolça és una eina útil pel mestre de música.Un manual bàsic per realitzar un treball acurat i, sobretot, ben graduat, necessari per a l’infant que s’inicia e

A first book for instruction in group, class or individual lessons. Uses familiar hymns and folksongs to give a thorough musical background.These are the original editions of the ever-popular instruction books for various instruments by C. Paul Herfurth. The books are packed full of lessons, illustrations, fingering charts, daily practice records, test questions, and manuscript paper for homework. Perfect for use in group lessons, school classes, or for individual lessons.

A fascinating celebration of the piano, including tales of its masters from Mozart and Beethoven to Oscar Peterson and Jerry Lee Lewis, told with the expertise of composer and author of Temperament, Stuart Isacoff.This history takes us back to the piano''s humble genesis as a simple keyboard, and shows how everyone from Ferdinando de Medici to Herbie Hancock affected its evolution of sound and influence in popular music. Presenting the instrument that has been at the core of musical development over the centuries in all its beauty and complexity, this explores the pianos capabilities and the range of emotional expression it conveys in different artists hands. A Natural History of the Piano is fast-paced and intriguing, with beautiful illustrations and photos, a must-read for music lovers and pianists of every level.

The Cambridge Companion to the Violin offers students, performers, and scholars a fascinating and composite survey of the history and repertory of the instrument from its origins to the present day. The volume comprises fifteen essays, written by a team of specialists, and is intended to develop the violins historical perspective in breadth and from every relevant angle. The principal subjects discussed include the instruments structure and development; its fundamental acoustical properties; principal exponents; technique and teaching principles; solo and ensemble repertory; pedagogical literature; traditions in folk music and jazz; and aspects of historical performing practice. The text is supported by numerous illustrations and diagrams as well as music examples, a useful appendix, glossary of technical terms, and an extensive bibliography.

Gaspar Sanz (Calanda 1640 - Madrid 1710) es el más importante compositor español de la guitarra barroca, llamada española. El hecho de que sólo se le conozca parcialmente incitó a Ernesto Bitetti a redescubrirle y ofrecer su testimonial obra en su totalidad, adaptándola a la guitarra de seis cuerdas. Incluye notas biográficas sobre el autor y sugerencias a la interpretación. Los libros transcritos pertenecen: el Primero y el Segundo a la 3ª edición (1674), cuyos originales están en Calanda, y el Tercero a la 8ª edición, de 1697, cuyo original se encuentra en la Biblioteca Nacional de Madrid.

(Guitar Educational). In recent years, looping has exploded in popularity, with countless players exploiting the newest technology to truly become "one-person bands." From the mostly guitar-based looping of Ed Sheeran, to the vocal-heavy layering of Reggie Watts or the multi-instrument sonic walls of sound from Jacob Collier, artists of disparate genres are turning the looping concept into an art form unto itself. In Looper Pedal Guitar Lessons, author Chad Johnson breaks down everything you need to know to successfully use a looper in your rig, which includes: * Equipment including different types of loop pedals and how to set up a live or studio looping rig * How a looper pedal works and what types of features are available * How to choose the best looper pedal for your needs * Basic techniques with a single-loop pedal * Advanced techniques possible with multi-track loopers * Using other effect pedals in conjunction with the looper * How to incorporate a mic looper to expand your possibilities further This valuable book also includes in-depth video demonstrations that give you quick tips on how to put the knowledge within this book into practice! Video is accessed online for download or streaming.

Classic and flamenco guitarists alike will benefit from these etudes as they bridge the gap between traditional mechanical studies and engaging practice and concert material. Although relatively short in duration, a few of these etudes could be combined in a medley to form an effective suite or set. In addition, fourteen of the twenty etudes are provided with chord accompaniment for harmonic analysis, improvisation, or performance with a teacher or second guitarist.The companion online audio for this book has been masterfully recorded by the author using a flamenco guitar to authentically render the typical picado, double-arpeggio, arpeggio-legato, and horquilla techniques as well as the quintuplet flamenco tremolo. Traditional classical elements like octave, interval and arpeggio studies are also thoroughly explored, with one piece in dropped-D tuning--all with a flamenco flavor.In addition to accomplishing its mission of offering a fresh regimen of appealing practice etudes, the truly unique feature of this book is that everything from basic technique to exotic harmony and modal scales has been aflamencado or "flamenco-ized". Towards that end, a comprehensive glossary of mostly flamenco terminology is provided along with standard notation and tablature for each piece. As a bonus for those new to the flamenco genre, or for the serious aficionado or audiophile, a generous "Recommended Listening" list is included. Practice-related quotations from prominent guitarists in various styles complete this exceptional collection.Includes access to online audio

Autor: Miguel Garrido Aldomar Normalmente los estudios sobre la vida de un compositor surgen desde que comenzaron las obras que lo harían famoso, interesante, conocido a nivel universal o por un especifico colectivo (como es el caso de algunos compositores de este libro) y no desde el inicio desu existencia, observando de este modo mas al compositor y menos al hombre y a las vicisitudes de su vida y obra, cruciales por otra parte, para la compresion de su musica. Indagando en la vida de los compositores nos podemos dar cuenta de como y por que han escrito una determinada obra, han utilizado un determinado estilo o corriente estilistica e incluso el sentido de las melodias o del material tematico, ritmico, armonico y formal utilizado. Un conocimiento exhaustivo y en detalle de las obras , puede ayudar a un mayor acercamiento en la interpretacion de las mismas, a una determinada predisposicion del caracter y a una mas exacta idea de aquello que el compositor quiere cuando se leda vida a su creacion.B