Libros de Dibujantes extranjeros, página 7 de 13

Es más que una imagen pintoresca, mucho más que alguna cabecera comercial. Es la frase torrencial y el placer de narrar, de crear universos y personajes; es el minucioso jardinero de fábulas, abismado en la intrincada estructura sobre la que el relato crecerá, orgánico, impredecible, mágico. Moore es la aventura de la creación, el misterio de la palabra, la fascinación de la escritura que arrastra, vibrante, volcánica. Moore es, también, el amor incondicional por la Historieta.

Paysages à l''aquarelle de la côte Atlantique : villas des stations balnéaires, carrelets des pêcheurs, dunes, marais, etc.. Avec des reproductions d''illustrations de l''ouvrage à glisser dans l''ép

La obra y la vida del caricaturista barcelonés Luis Bagaría (1882-1940) aparece hoy íntimamente ligada a algunas de las empresas periodísticas más importantes de los últimos años de la Restauración. Uno de los propositos de este estudio es analizar las distintas funciones politicas que cobraron sus viñetas desde el estallido de la Primera Guerra Mundial hasta los ultimos dias de la Segunda Republica española. Ademas de este analisis, el presente libro desea ponderar la contribucion de Bagaria a la renovacion plastica española. hijo del rico agitado mundo cultural barcelones de fin de siglo, el priodista catalan no solo introdujo en Madrid la caricatura sintetica, sino tambien un espiritu inquieto y renovados que vivifico el panorama artistico de la capital.

Turns attention to the trappings of modern life, mobile phones, designer water, as well as revisiting his favourite subjects, struggling artists, aloof psychologists and unhappy couples.

Explores a wide range of topics, from troubled relationships and existential crises to office politics and doping scandals in the literary world. This work involves a host of characters, lovelorn palaeontologists, pompous actors, psychiatrists, football supporters, with text in English by Asterix the Gaul translator Anthea Bell.

Caricatura presenta diferentes tipos de caricaturas y una gran gama de materiales que puedes usar para realizarlas. Muchas caricaturas están basadas en simples líneas de manera que no se necesita una

Luis Bagaría (Barcelona, 1882 – La Habana, 1940) fue el principal caricaturista político español del primer tercio del siglo XX. Creador de un estilo propio y renovador del género, la obra de Bagaría

Rob AlexanderRob Alexander is one of the most versatile and highly respected artists working today. He paints in watercolours that look more like oils or acylics. His painting style is subtle, beautiful and emotionally evocative. It has enabled him to work well in a number of diverse genres and markets. He has painted high fantasy, landscapes, action adventure, gothic horror and children's stories. Rob has worked in the publishing industry doing bookcovers for TOR, Harper Collins, Berkley and Del Rey. His images have been published in Amazing Stories, Fantasy and Science Fiction, and Cricket magazines. But to most people, he is the artist who paints pictures of sad-eyed women, eerie beings who perch in trees and carve mysterious messages in skulls, hauntingly beautiful landscapes, and young children who either discover, imagine or make beautiful, wondrous things. He was one of the original artists of the Magic the Gathering trading card game phenomenon and has done well over 130 images for the project to date. Magic is international and has been translated into eight languages, including Japanese.His work has appeared in eight other trading card games, including over 40 images for one based upon The Lord of the Rings, depicting many of the major characters and significant places from Tolkien's world. Rob has also done conceptual design work for video, computer and card games. His clients include Microsoft, Warner Bros., Hasbro, and a Wizards of the Coast/Nickelodeon joint venture. One of his projects was preliminary conceptual design for the Harry Potter collectable card game. He has been awarded the Chesley award from ASFA, the Association of Science Fiction and Fantasy Artists, appeared a number of times in Spectrum, a yearly book featuring the best in contemporary Science Fiction and Fantasy, and won best of show at both World Con and World Fantasy Con, a show for professionals in the Science Fiction and Fantasy publishing industry.

Sarah Raphael (1960-2001) died young: preparing a show for New York, she contracted pneumonia and never recovered. Her work, large- and small-scale, is now represented in all the leading British collections. A major retrospective at Marlborough Fine Arts, London, in 2003, bringing together work from her last seven years, was as amazing as her earlier exhibitions in its brilliance, its formal variety and inventiveness. One breathtaking area of her work which has so far been inadequately displayed is her drawing. There are few modern artists who equal her in assurance and firmness of line. Michael Ayrton said to her when she was fourteen, 'Draw your own hands. If you can draw your own hands you can do anything.' She did, and she could. Her informal portraits of friends, some well-known, some unknown, never flatter except in telling the truth. She did justice to every model, and her sense of setting, the economy of her perspectives, her ability to create presence, continue to amaze the viewer. Even the most seemingly casual sketch, closely observed, reconstitutes an original, sculptural space about it.The lessons Michael Ayrton taught ensured that she is always at least a three-dimensional artist. Most of the drawings are from her notebooks and sketchbooks, and Frederic Raphael draws from over twenty-five years of work, primarily pencil sketches. As William Boyd has written, 'you can tell how good they are, yourself'. She has her own, unarguable authority.