eBooks de Historia y critica de la fotografía, página 7 de 18

This book does more than just teach you how to take crisp, clear, and beautiful portraits, pano, or any other fanciful way you may want to take your pictures; it also introduces you to some advanced manual camera settings that few people are aware are available on the iPhone 14 Pro Max.So, if you are out to take pictures for your modeling shoot, real estate business, blogging, or just for social media posting, this book will show how to use features like ProRes, QuickTake, Slo-Mo, and other sleek features that can make you stand out among your peers.In this book, you will learn:How to implement fanciful filters on your iPhoneHow to share your pictures with your colleagues or loved onesLearn what depth control is and how it can enhance your photosLearn how to use Action mode, Slo-Mo Videos, and QuickTakeAnd lots moreSo, if youre ready to get started with QuickBooks Online, scroll up and click the Buy Now Button to get your copy right away!iPhone 14 Pro Max Camera MasteringThe iPhone camera has so many hidden features and tricks that you probably dont know about and only a book like this can help to expose those hidden features.If you got the iPhone 14 Pro Max mostly so that you could take advantage of its advanced camera capabilities and start taking pictures like a Pro with your new iPhone 14 Pro Max, then this book is for you.Very often the manuals and user guides that accompany devices tend to be basic on providing the best tricks and tips required to get the best from such devices which is why this book was written to help you get the most out of your iPhone 14 Pro Max Camera app.The iPhone 14 Pro Max includes standard and complex smartphone photography and videography features that may not be obvious to the user on first use unless you happen upon them by accident or read a good book like this one.This book does more than just teach you how to take crisp, clear, and beautiful portraits, pano, or any other fanciful way you may want to take your pictures; it also introduces you to some advanced manual camera settings that few people are aware are available on the iPhone 14 Pro Max.So, if you are out to take pictures for your modeling shoot, real estate business, blogging, or just for social media posting, this book will show how to use features like ProRes, QuickTake, Slo-Mo, and other sleek features that can make you stand out among your peers.In this book, you will learn:How to implement fanciful filters on your iPhoneHow to share your pictures with your colleagues or loved onesLearn what depth control is and how it can enhance your photosLearn how to use Action mode, Slo-Mo Videos, and QuickTakeThe new location of iPhone functions available on previous iPhone versionsHow to record videos of notable eventsAnd lots moreAnd the good part is, it does not matter if this is the first time you are using an iPhone, this user guide will show you how to get started in no time. There will also be a gift for anyone who goes ahead to purchase this book.So, if youre ready to get started with QuickBooks Online, scroll up and click the Buy Now Button to get your copy right away!PUBLISHER: TEKTIME

Questa guida nasce per accompagnare gli appassionati di fotografia alla scoperta dello sviluppo digitale, insegnando a utilizzare uno degli strumenti piu diffusi tra i fotografi: Adobe Lightroom Classic.Le nozioni contenute possono essere in gran parte applicata anche alla versione standard, alle versioni mobile e anche a Camera RAW, plugin di Photoshop che, pur attraverso uninterfaccia piu spartana, offre identiche funzioni.La guida parte da nozioni basilari, senza dare nulla per scontato e mostrando ogni operazione passo dopo passo. È quindi perfettamente adatta ai principianti. Allo stesso tempo, pero, e completa e del tutto esaustiva, arrivando a trattare anche le tecniche piu avanzate.Dal punto di vista grafico, replica lo stile di una rivista tradizionale, a layout fisso. In questo modo, vuole offrire contenuti non solo di qualita, ma anche organizzati nella forma migliore per essere fruiti in modo efficace, con numerose le procedure passo-passo in cui ogni passaggio e accompagnato da unimmagine esplicativa. È corredata da una serie di foto demo scaricabili, utilizzate anche allinterno della guida stessa, che aiuteranno a mettere in pratica quanto appreso.La guida si avvale della competenza e delle doti artistiche di Giorgia Carena, rinomata professionista con decennale esperienza nel campo della didattica, anche in collaborazione con Nikon School.

The photobook visually and materially contextualizes arrangements of photographs and brings them into a sensually tangible form. The book format, the materiality of the paper, and the type of binding have just as much of an effect on the viewer as the selection of images, their positioning in the layout, typography, and the texts. The artist and theorist Bettina Lockemann provides an approach to the medium from a research perspective: considering the photobook as an independent subject of art theories, her phenomenological discussion complements methodological lines of thought. An important contribution to the photobook as an independent field of research, Lockemann elaborates precise terms for analyzing this medium. Through a practice-based examination of contemporary photobooks, this guide emphasizes the status of the photobook as an artwork in its own right. BETTINA LOCKEMANN (*1971) is an artist and scholar specialized in artistic documentary photography. After studying art photography and media art in Leipzig and earning a PhD in art history at the ABK Stuttgart she was professor for practice and theory of photography at the HBK Braunschweig for five years. She lives in Cologne.

The photobook visually and materially contextualizes arrangements of photographs and brings them into a sensually tangible form. The book format, the materiality of the paper, and the type of binding have just as much of an effect on the viewer as the selection of images, their positioning in the layout, typography, and the texts. The artist and theorist Bettina Lockemann provides an approach to the medium from a research perspective: considering the photobook as an independent subject of art theories, her phenomenological discussion complements methodological lines of thought. An important contribution to the photobook as an independent field of research, Lockemann elaborates precise terms for analyzing this medium. Through a practice-based examination of contemporary photobooks, this guide emphasizes the status of the photobook as an artwork in its own right. BETTINA LOCKEMANN (*1971) is an artist and scholar specialized in artistic documentary photography. After studying art photography and media art in Leipzig and earning a PhD in art history at the ABK Stuttgart she was professor for practice and theory of photography at the HBK Braunschweig for five years. She lives in Cologne.

Ci servono immagini che siano conformi alla nostra civilta e ai nostri condizionamenti piu intimi. Dobbiamo scavare come archeologi ed esplorare i nostri paesaggi violati in cerca di qualcosa di nuovo. È questa frase di Werner Herzog uno dei punti di partenza del percorso del volume. Un percorso che riattraversa il cinema del regista tedesco come ricerca incessante di immagini nuove, che attingono pero la loro potenza dal passato, che sono spesso nascoste, invisibili, che necessitano di un lavoro di scavo per venire alla luce. Immagini di per se anacronistiche. È qui che il cinema herzoghiano incontra il pensiero di Aby Warburg e la sua straordinaria teoria delle immagini.I concetti di Warburg come quello di Orientamento, Polarita, Sopravvivenza, Intervallo si rivelano allora potenti forme del cinema se rivisti a partire dalle immagini di Herzog. Le immagini in cammino, secondo unidea di montaggio aperta a salti e nuove connessioni; le immagini danzanti, ipnotiche e capaci di evocare tempi diversi; le immagini che si elevano, che fanno del volo, dellestasi (come anche della caduta e della catastrofe), il loro destino.I vulcani de La Soufriere o di Dentro linferno, i fiumi di Aguirre o di Fizcarraldo, le montagne di Grido di pietra o Cuore di vetro, i corpi eccedenti e folli di tanti film herzoghiani diventano allora alcune delle forme con cui il cinema svela la sua potenza anacronistica, che lo rende ancora una volta unarte contemporanea.

Lautore e alla sua prima opera, che e un percorso dove laspetto fotografico e preponderante sullaspetto descrittivo. Le fotografie riprendono gli animali nel loro habitat naturale e lautore li sorprende in istantanee molto belle. Le didascalie adoperano un linguaggio essenziale , ma molto partecipe. Senza alcuna retorica viene esaltato lamore ed il rispetto per tutti gli animali.

Just off Union Square, New York City, there is a stately old brownstone house on which future generations some day may place a tablet to commemorate the place where David W. Griffith and Mary Pickford were first associated with moving pictures. Here has dwelt romance of many colors. A bird of brilliant plumage, so the story goes, first lived in this broad-spreading five-story old brownstone that still stands on Fourteenth Street between Fifth Avenue and Broadway, vibrant with life and the ambitions and endeavors of its present occupants.

In this volume you will find my vision of the female universe, thedelicacy, sensuality and strength of the other part of theuniverse. A heartfelt thanks to all the girls who have contributedto the realization of my little work. Fabio Baldini

In "The Pencil of Nature," William Henry Fox Talbot presents a groundbreaking exploration of photography as a medium of artistic expression and documentation. This seminal work, published in the 1840s, is notable for its innovative combination of text and exquisite photogenic images, reflecting the burgeoning fascination with capturing the natural world through a camera. Talbots use of the salted paper process and his meticulous attention to the interplay of light and shadow serve to elevate photographic practice to fine art, while also engaging deeply with contemporary scientific discourse. The book stands at the intersection of artistic ambition and scientific inquiry, marking a pivotal moment in the evolution of visual representation. As a pioneer of photography and a gifted scientist, Talbot was profoundly influenced by the intellectual currents of his time, including advancements in chemistry and optics. His background in mathematics and his penchant for exploring the physical properties of light underpin much of his work, leading him to experiment with early photographic methods. Talbots contributions to the field of photography were not only technical but also philosophical, as he questioned the implications of representing reality through mechanical means. I highly recommend "The Pencil of Nature" to anyone interested in the origins of photography, visual culture, and Victorian science. Talbots pioneering vision and artistic sensibility invite readers to reconsider the relationship between art and nature, offering invaluable insights into the transformative power of this revolutionary medium.

In "Tin-Types Taken in the Streets of New York," Lemuel Ely Quigg masterfully captures the vibrant tapestry of urban life in late 19th-century New York City through a series of poignant vignettes and astute observations. Employing a distinctive blend of realism and lyrical prose, Quiggs work envelops readers in the sights, sounds, and social dynamics of a rapidly industrializing society, revealing the humanity behind everyday encounters. His ability to articulate the hustle and bustle of city streets while illuminating the diverse lives of its inhabitants underscores a profound commentary on class, identity, and the evolving American experience during a pivotal historical moment. Lemuel Ely Quigg, a journalist and reform advocate, was deeply influenced by the socio-political landscape of his time. Growing up amidst the throes of reform movements, Quiggs observations stemmed from both personal experience and professional engagement with urban social issues. His dedication to capturing the authentic pulse of city life reflects his broader commitment to social change, as he sought to give voice to the marginalized and illuminate the complexities of urban existence. Recommended for readers seeking a vivid depiction of city life in a transformative era, "Tin-Types Taken in the Streets of New York" serves as an essential historical text and a compelling narrative. Quigg invites us to walk alongside him in the streets of New York, providing insights that remain relevant, prompting us to reflect on our urban experiences today.

In "Picturesque New Guinea," J. W. Lindt captures the vibrant landscapes and diverse cultures of New Guinea through a meticulous collection of photographs and illustrations paired with descriptive prose. This seminal work, published in the late 19th century, is a reflection of Lindts exploration of the region during a time when Western interest in the Pacific islands was burgeoning. The literary style seamlessly intertwines naturalistic detail with romanticized depictions, serving both as an ethnographic document and a visual travelogue that evokes the exoticism of the South Seas. Lindts ability to convey the majesty of New Guineas topography and the complexity of its indigenous cultures is a testament to his keen observational skills and artistic vision. J. W. Lindt was a pioneering photographer and explorer, known for his in-depth studies of the Pacific Islands. His passion for capturing the unfiltered essence of the locales he visited stemmed from his upbringing in a time when adventure and discovery were prized virtues. Lindts experiences and interactions with the indigenous peoples not only deepened his understanding of their societies but also informed his desire to share these narratives with a Western audience eager for knowledge of far-off lands. "Picturesque New Guinea" is highly recommended for readers interested in photography, travel literature, or anthropology. Lindts work offers a unique glimpse into a world that is both strikingly beautiful and richly complex. His thorough documentation of New Guineas landscapes and cultures remains invaluable for those seeking to appreciate the intricate tapestry of human experience and natural beauty.

Questo non e un libro scientifico sullaurora boreale, perlomeno non nel senso consueto del termine. Il suo scopo in primo luogo e quello di portare agli occhi del lettore questo meraviglioso fenomeno della natura che, anche se siamo nellera della comunicazione globale, e soprattutto nellera della grande indifferenza, non e sufficientemente conosciuto e apprezzato, anche da coloro che possono essere piu attenti alle meraviglie della realta nella quale viviamo. Secondariamente vuole tentare di trasmettere quelle emozioni stupende che personalmente ho sempre provato nei confronti dellaurora boreale, fin dalleta di sei anni, quando ebbi la fortuna di poter ammirare una delle rarissime aurore visibili dallItalia. Infine, oltre a dare qualche brevissima informazione di base sul fenomeno, voglio trasmettere qualche conoscenza esoterica scaturita dalle mie osservazioni sui luoghi durante i miei tanti viaggi in quelle terre incantate del Nord del mondo. Solo perche la meraviglia non si perda e possa continuare ad essere nel mondo anche attraverso i nostri occhi.Massimo Rodolfi, nato in provincia di Modena nel 1955 si interessa molto giovane di filosofie orientali, arti marziali, psicologia e terapie alternative, pur continuando un tradizionale percorso formativo che lo porta a laurearsi in storia contemporanea alluniversita di Bologna. Nel 1984 inizia a tenere corsi di raja yoga ed esoterismo, per arrivare nel 1994 a fondare lassociazione Atman, che ha lo scopo di studiare e diffondere queste antiche conoscenze. Dal 1992 si dedica interamente alla pratica della terapia esoterica, che consiste nellanalisi e nel riequilibrio dei centri energetici, o di coscienza, dellessere umano. Sulla base di questo vissuto e con lintento di mettere a disposizione degli altri gli strumenti acquisiti con questa esperienza, nel 1996 fonda Energheia, la prima scuola italiana per terapeuti esoterici. Nel 2006 fonda la Draco Edizioni, casa editrice che vuole diffondere in termini moderni lantica saggezza esoterica.

In "The Evolution of Photography," John Werge meticulously traces the development of photographic techniques and aesthetics from their inception to the late 19th century. This carefully constructed narrative combines historical analysis with a critical examination of technological advancements, including the transition from daguerreotypes to more modern forms of capturing images. Werges literary style is characterized by its clarity and depth, evoking a vivid understanding of how photography not only transformed visual representation but also influenced societal perceptions of reality. The book situates photography within the broader context of 19th-century art movements and scientific discovery, revealing its profound impact on culture and communication. John Werge, an eminent figure active during a pivotal time in the history of photography, was deeply influenced by the rapid technological changes of his era. His background in both the arts and sciences underscored his appreciation for the interplay between innovation and artistic expression. Having collaborated with prominent photographers and immersed himself in photographic theory, Werges insights are both practical and visionary, leading him to write this seminal work. "The Evolution of Photography" is essential reading for scholars, photographers, and enthusiasts alike. It offers a comprehensive understanding of photographys transformative journey and its implications for modern visual culture. Werges work not only enlightens readers about the past but also encourages them to reflect on photographys ongoing evolution and its omnipresence in contemporary life.

Summer Coloring Book: For AdultColoring book featuring fun and peaceful scenes, Peaceful Ocean Landscapes and Relaxing Summer. This book is perfect for daydreaming summer with each delightful illustration to color.Coloring Book Details:50 images designed to stimulate your mood and imagination.Separately printed sheets to prevent bleed-through.Suitable for markers, gel pens, colored pencils, fine-liners, and watercolors.

La fotografia riscuote un successo incredibile nel nostro pianeta. Milioni di fotocamere di ogni tipo documentano costantemente immagini di varia natura. Soltanto una minima parte di queste vengono utilizzate in maniera ottimale. Come si regola una fotocamera in modo da esaltare il soggetto? Quale illuminazione e piu adatta ad ogni scena?Qual e listante perfetto di ogni scatto? Come si pianifica un progetto fotografico? In sole 99 pagine vengono illustrati tutti ipercorsi tecnici e creativi che condurrannole vostre fotografie verso territori artistici ed espressivi.Da questo manuale trapela da parte dellautoreil grande amore verso una disciplina che, a due secoli dalla nascita, e sempre piu essenziale e moderna.

Le immagini in bianco e nero di Francesco Zizola hanno il compito di spostare nel contemporaneo la narrazione del rapporto tra uomo e natura. Fotografie che interrogano piu che mostrare, che documentare. Un percorso visivo che dialoga con le retoriche positiviste del secolo scorso e restituisce uno sguardo complesso sulla realta e sulla cultura insulare.Introduce e accompagna le immagini, il saggio critico di Alberto Contu dal titolo Stereotipie dellaltrove. La Pesca dei Tonni di Emilio Salgari nella Sardegna immaginaria dellOttocento.Chiude lebook un raro racconto di Emilio Salgari ambientato in Sardegna, per la prima volta tradotto in sardo e in inglese.Il saggio e stato tradotto in sardo da Amos Cardia, in inglese da Lauren Emma Wilkinson. Il racconto di Emilio Salgari e stato tradotto in sardo da Mario Puddu, in inglese da L. E. Wilkinson.

Non è l’ora gozzaniana di Torino, né la proustiana ora blu. L’ora di Simmetrie è la notte. La notte che si impregna, e si disegna e si risolve, delle luci della città. Una quarantina di fotografie pe

Il progetto Esposizione dellintimo e il frutto di lunghe conversazioni tra Lamberto Pignotti e Lucia Sapienza allinizio della loro conoscenza, parecchi anni fa, quando si trovano a commentare linondazione delle nostre citta con lesposizione onnipresente di biancheria intima femminile ad opera dellinarrestabile macchina pubblicitaria: le vetrine strabordano di slip e reggiseni a profusione.Uno dei punti comuni delle loro osservazioni e il riscontro della manipolazione da parte del sistema, volta a far sorgere negli individui la convinzione che questi oggetti debbano essere sempre piu necessari, anzi, indispensabili, diventando cosi lo strumento unico della seduzione e lemblema del desiderio.Ognuno dei due autori, per la rappresentazione di tale fenomenologia di massa, mettera in campo le proprie armi poetiche: Lucia, raccogliendo riflessi dalle vetrine con la sua macchina fotografica, Lamberto, utilizzando il suo linguaggio oramai noto ed affermato.

This beautiful book explains the basics of composition and using your camera, but quickly moves on to show you how to try many different flower photography techniques, both indoors and out. Through clear step-by-step guides and stunning examples, it shows you how to capture the smallest flower portrait through to broad garden landscapes. There are ideas on how to develop a creative eye using available light, colour and background. The most important rules of flower photography are explained, and also how to break them. It shows how to use a light box in your home for flower portrait photography and still life and explains how to edit your photos and take them to another level. As well as practical advice it provides inspiration through a monthly photo gallery giving ideas of botanical subjects to capture throughout the year.

Recuperate dallarchivio privato dellautore e quasi tutte inedite, queste 30 fotografie di Dino Marsan rendono omaggio allarte dellistantanea in bianco e nero. Vi appare una Ferrara eterea, diafana e attonita ma, soprattutto, immota e immutabile nel tempo. (Riccardo Roversi)