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Robert Morris (Kansas City, 1931) es uno de los artistas clave para entender el desarrollo y la evolución del arte durante la segunda mitad del siglo XX. Su obra ha transitado prácticamente por la mayoria de los movimientos y tendencias del arte desde finales de los años cincuenta hasta la actualidad. Ha pintado a la manera expresionista, ha realizado obras neodadaistas y conceptuales, estructuras primarias y formas escultoricas minimalistas, trabajos de arte procesual, intervenciones en el arte de la tierra, acciones de reivindicacion social, critica institucional al museo y la galeria, danza, performance, video o dibujo.Aunque ha sido su vinculacion con el minimal art y la escultura de los años sesenta la que le ha garantizado un lugar en el canon del arte contemporaneo, la riqueza de su produccion artistica abarca otro gran numero de preocupaciones y tematicas entre las que se encuentran la experiencia del cuerpo, el movimiento, el proceso, el tiempo real, la reivindicacion de la condicion social del artista como trabajador, la relacion entre vision y ceguera, entre texto e imagen, la memoria, la muerte, la catastrofe o la melancolia. Cuestiones en todos los casos atravesadas por una critica audaz e inteligente tanto al modernismo y su concepcion del arte como un aparte de la vida, como a la modernidad entera en tanto que sistema opresor, disciplinario y deshumanizador.

Originariamente italiano y nacido al calor del sesenta y ocho, el arte povera pronto sintonizó con las corrientes posminimalistas tanto europeas como americanas. El adjetivo povera ha perdurado como indicador de una sensibilidad preocupada por situar al artista en el nexo Naturaleza/cultura; por la valoracion de materiales fragiles e inestables; por la energia y el proceso y la huida del artista como productor de artefactos unicos y duraderos. Muchos han sido los artistas que se consideran deudores de su aire conceptual y de su apuesta para que las actitudes y los procesos se conviertan en forma.

Un pequeño compendio de consejos, máximas y reflexiones para estudiar, pensar y actuar como un artista. Especialmente recomendado para artistas en ciernes, diseñadores emergentes, creativos esforzado

i.ÍNDICE.1. Introducción. 92. El espacio artístico. 123. Percepción del espacio colectivo. 184. Presencia espaciotemporal. 295. Recursos en la práctica artística. 375.1. El icono gráfico. 395.2. Proceso de lectura. 435.3. La construccion de la realidad. 466. El sujeto y el lugar. 487. Lectura iconotextual. El lector creador. 518. Percepcion visual. 568.1. Percepcion del movimiento 649. Flashback visual. Reactivacion de la memoria. 6810. Conclusiones. 7611. Bibliografia.

La utilización didáctica del museo: hacia una educación integral es un magnífico libro para quienes desean ejercer de profesores de ciencias sociales o para quienes siéndolo ya desconocen cómo sacar partido de un recurso didactico, el museo, que esta a su alcance pero que precisa de una cierta preparacion para su utilizacion fructifera desde el punto de vista del alumno y de su aprendizaje. La propuesta del profesor Montenegro esta estructurada en dos partes nitidamente diferenciadas. La primera es mas teorica que la segunda, y ambas se complementan.

How to Organize Your Closet EffectivelyDeclutter, Maximize Space, and Stay Organized with Simple and Practical StepsA messy closet can make even the simplest morning routine feel overwhelming. Clothes pile up, shoes get lost, and finding that perfect outfit becomes a daily struggle. But what if your closet could be transformed into a beautifully organized space that saves you time, reduces stress, and enhances your personal style?With this comprehensive guide, youll learn how to take control of your wardrobe using practical, step-by-step strategies. Whether you have a spacious walk-in or a tiny reach-in closet, these expert techniques will help you declutter, categorize, and maximize every inch of space. Say goodbye to the frustration of a chaotic closet and hello to a streamlined, stylish, and functional wardrobe.Inside This Book, Youll Discover:Decluttering 101: What to Keep, Donate, and TossMaximizing Space: Clever Storage Solutions for Any Closet SizeFolding vs. Hanging: The Right Way to Store Your ClothesShoes, Bags & Accessories: Keeping It Tidy and AccessibleSmall Closet, Big Impact: Hacks for Tiny SpacesThe Minimalist Approach: Building a Capsule WardrobeCloset Maintenance: How to Keep It Organized Long-TermTransform your closetand your daily routinewith proven methods that will keep your space organized for good.Scroll Up and Grab Your Copy Today!

Este livro trata da relação entre arte e tecnologia e das possibilidades de representação utilizadas nas digigrafias de Maria Bonomi, nascida na Itália, mas radicada em São Paulo desde a infância, e

Saint Joan is a play by George Bernard Shaw about 15th century French military figure Joan of Arc. Premiering in 1923, three years after her canonization by the Roman Catholic Church, the play dramatises what is known of her life based on the substantial records of her trial. Shaw studied the transcripts and decided that the concerned people acted in good faith according to their beliefs.Scene IA fine spring morning on the river Meuse, between Lorraine and Champagne, in the year 1429 A.D., in the castle of Vaucouleurs.Captain Robert de Baudricourt, a military squire, handsome and physically energetic, but with no will of his own, is disguising that defect in his usual fashion by storming terribly at his steward, a trodden worm, scanty of flesh, scanty of hair, who might be any age from 18 to 55, being the sort of man whom age cannot wither because he has never bloomed.The two are in a sunny stone chamber on the first floor of the castle. At a plain strong oak table, seated in chair to match, the captain presents his left profile. The steward stands facing him at the other side of the table, if so deprecatory a stance as his can be called standing. The mullioned thirteenth-century window is open behind him. Near it in the corner is a turret with a narrow arched doorway leading to a winding stair which descends to the courtyard. There is a stout fourlegged stool under the table, and a wooden chest under the window.

Peter Muhlen, a multifaceted personality in the German media scene, gave an interview at his home in Haar, near Munich, on August 1, 2012. Due to a severe health crisis the night before, Muhlen was unable to speak and initially had his partner, Sissy Engl, answer the posed questions. Peter Muhlen handed me several lines indicating that he intended to end his life. The interviewee, who had a versatile career as a radio host, actor, director, and music critic, was known for his meticulous documentation of his life and experiences. He had a significant impact on Munichs cultural scene and played a crucial role in reviving Erich Wolfgang Korngolds opera "Die tote Stadt" in Germany. Muhlen became known in the 1960s through his radio show Peter Muhlens Plattenkiste on Bayerischer Rundfunk. He was also a co-founder of the private radio station "Neue Welle Bayern Antenne Munchen" and taught at the Mandolin Motions Einstein Show-Academy, a project he started with Engl. Muhlens life was limited by a severe illness that took his voice in March 2012, which is why he eventually answered my interview questions in writing. He passed away on September 15, 2012, and was honored at his funeral with Paul McCartneys Give Peace a Chance, highlighting his deep connections to both cultural history and personal expression.

The interview with Sissy Engl, a recognized and successful singer, actress, and choreographer, took place on July 6, 2012, in Munich. Sissy Engl is a co-founder of the "Mandolin Motions Einstein Show Academy," which she started in 1980 with Peter Muhlen. She is known for her artistic versatility. Particularly influential were her roles in theater plays by Fernando Arrabal and Jean-Paul Sartre, as well as her provocative performances in films during the sexual liberation of the 1970s. In the interview, Sissy Engl also discusses her collaborations with Munich cultural figures such as Katja Ebstein and Konstantin Wecker and provides insights into her often challenging personal experiences with colleagues in the cultural industry of the old Federal Republic. A recurring topic is her life with Peter Muhlen, who had attempted suicide the night before an interview she had arranged. The interview with Peter Muhlen, which took place under unusual and difficult circumstances, was one of his last public appearances before his death on September 15, 2012.

Ao utilizar a internet, a arte evidentemente expande e renova o próprio campo, uma vez que extrapola limites geográficos e institucionais. Entretanto, como ferramenta, ela não define o caminho das mu

Este livro conta a história de vários inícios. Primeiro, o início da Oficina de Criação Literária da PUCRS, que completa anos em – a mais longeva em funcionamento no país. O surgimento da Oficina est

Da Visualidade à Cena: dimensões expositivas da arte, de Sonia Salcedo, constitui-se como obra referencial àqueles que se ocupam do espaço (o seu estudo, no caso dos pesquisadores, e o seu exercício,

Em Performances do tempo espiralar, poéticas do corpo-tela, da coleção Encruzilhada, da Editora Cobogó, a ensaísta, poeta, dramaturga e professora traz ensaios nos quais Leda Maria Martins explora as

Pericles, Prince of Tyre - William Shakespeare - "Pericles, Prince of Tyre is a Jacobean play written at least in part by William Shakespeare and included in modern editions of his collected works despite questions over its authorship. The play draws upon two sources for the plot. The first is Confessio Amantis (1393) of John Gower, an English poet and contemporary of Geoffrey Chaucer. This provides the story of Apollonius of Tyre. The second source is the Lawrence Twine prose version of Gowers tale, The Pattern of Painful Adventures, dating from c. 1576, reprinted in 1607."

Richard III - William Shakespeare - Richard III is a play by William Shakespeare. It was probably written c. 15921594. It is labelled a history in the First Folio, and is usually considered one, but it is sometimes called a tragedy, as in the quarto edition. Richard III concludes Shakespeares first tetralogy (also containing Henry VI, Part 1, and Henry VI, Part 2, and Henry VI, Part 3) and depicts the Machiavellian rise to power and subsequent short reign of King Richard III of England.It is the second longest play in the Shakespearean canon, and is the longest of the First Folio, whose version of Hamlet, otherwise the longest, is shorter than its quarto counterpart. The play is often abridged for brevity, and peripheral characters removed. In such cases, extra lines are often invented or added from elsewhere to establish the nature of the characters relationships. A further reason for abridgment is that Shakespeare assumed his audiences familiarity with his Henry VI plays, frequently referring to these plays.

Este livro aborda o cinema moderno antonionino. Ao refletir sobre a influência das artes plásticas e da fotografia, neste clássico do cinema neorrealista, elaboro uma reflexão que considera o tempo p

Como é estar na tevê? E como entrar na tevê? O que acontece depois que você chega lá?Quais são as vantagens e desafios envolvidos? Bata um papo retíssimo, sem glamourizações,com Luellem de Castro, at

Quantas formas existem de se contar uma história? Álbum de família é uma biografia poética, a biofantasia da trupe familiar Carroça de Mamulengos, uma das mais importantes companhias culturais do País, pela escritora, jornalista, documentarista e critica teatral Gabriela Romeu, com ilustraçes de Catarina Bessell e apresentaço de Chico Cesar.O grupo mambembe foi criado ha mais de 40 anos, na decada de 1970, por Carlos Gomide, o Babau, menino de muitos sonhos, discipulo de mestres bonequeiros do nordeste tradicional, que se enamorou de uma moça de grandes saias rodadas e com ela se aventurou pela arte e pela vida.No espetaculo da vida, nasceram os oito filhos, todos crescidos na estrada, cada um com um talento diferente para desvendar o mundo, todos com o coraço nalgum lugar la dentro a pular a folia dos mestres, a canço das tradiçes, a confiar em Padim Ciço. Cada menino que vinha ao mundo era pra inaugurar uma cena nova no espetaculo da vida.A primeira ediço do livro, ilustrado por Catarina Bessell a partir do bau de fotografias da familia Gomide, traz ainda um segundo volume, intitulado Porta-Retratos, com imagens da trupe e um perfil de cada integrante. Esta ediço contou com o apoio do Fundo de Apoio a Cultura do Distrito Federal da Secretaria de Cultura e Economia Criativa do Governo do Distrito Federal e esta disponivel para download no site da editora.

"The economization of our entire lifespan and the apparent compulsion to constant self-optimization are dead ends into which the dynamics of the market economy have led us. Julian Poerksen asks how we might re-emerge from this state and, drawing on the speculative approaches of Georges Bataille, Walter Benjamin, Michel Foucault, and Friedrich Schiller, recommends an investment in its antithesis: the waste of time and talent without guilt feelings and bad conscience. This is fun to read and leaves you with the exhilarating feeling that you are witnessing a long overdue liberation process." Carl Hegemann