eBooks de Teoría y crítica de arte, página 47 de 223

Two women. Two revolutions. A lifetime of exile and longing.In 1978, seventeen-year-old Omid is forced to flee Iran on the eve of the Islamic Revolution, leaving behind a mother whose defiance against the regime has made her a marked woman. Arriving in America, Omid believes her stay will be temporary. But when her mother is declared a fugitive, her dreams of return collapse, and she is left to build a life in exileone shaped by loss, resilience, and the echoes of a past she cannot escape.Three decades later, Omid is a mother raising her daughters in Connecticut, trying to bury the memories of the country she once called home. But when her eldest daughter, Sayeh, is arrested in Tehran amid a new wave of protests, Omids past and present collide. As Sayeh disappears into the underground resistance, Omid is thrust into the same fear and defiance that once defined her own youth. Spanning two generations of women bound by revolution and exile, Tehrans Daughters is a powerful story of resistance, identity, and the unbreakable ties between mothers and daughters.Echoes of ResistanceThe Price of FreedomPreviously published as Omids Shadow

A Doutrina das Cores é uma investigação profunda sobre a percepção cromática, os fundamentos da visão e a relação entre luz e cor. Johann Wolfgang von Goethe desafia a abordagem estritamente científ

Letras de músicas americanas celebrizadas por grandes cantores daquele país.

Wir alle haben keine Gedanken. Alles ist ein Schrei ein Schrei der Ohnmacht. Lass Bilder kommen!Sie betauben mich. Ich mochte das Leben in die Hand nehmen und es dauernd bewegen einmal hierhin, einmal dorthin. Die Kinder tun es ahnlich. Sie schaufeln den Sand und sie klettern auf den Baum. Sie kriechen in Schlupfwinkel und sind ganz erfullt. Sie traumen von der Kraft ihres Lebens. Und wir? Es ist ein wilder Schrei, der sich selbst erstickt. Du musst beten, du darfst nicht schreien! Bewundere deine Welt, spure sie auf, beschreibe das! Das musst du tun, nicht aufsassig sein! Ich hore dich und ich hore den Fluch meiner Seele. Was treibt den Keil in die Harmonie? Wie kommen Fluch und Andacht zusammen? Ratselhaft, wie alles geht. Aber es geht. Spiralen dreht mein Herz, tonende Spiralen. In seinem dritten Lebensjahrzehnt, wo er Gott und die Welt kritisierte und anzweifelte, nahm der Autor im Rahmen seiner Tagebuchfuhrung unbewusst Verbindung zu geistigen Welten auf. In Dialogen wie oben erfahrt er seelischen Beistand, und es wird ihm, ohne dass er dieses Geschehen begreift, unter anderem der Vorgang der Inspiration erklart. In den Gesprachen, in welchen auch niedere Geistwesen mit entsprechenden Absichten zu Wort kommen, bedient er sich oft der Traumsymbolsprache, die ihm damals noch vollig unbekannt war.

Neste divertido livro, Silvio Costta apresenta quinze adivinhas rimadas, construídas e lapidadas para entreter e encantar o leitor, enquanto questionam e fazem pensar. Será que você vai adivinhar? Aq

Wir alle haben keine Gedanken. Alles ist ein Schrei ein Schrei der Ohnmacht. Lass Bilder kommen!Sie betauben mich. Ich mochte das Leben in die Hand nehmen und es dauernd bewegen einmal hierhin, einmal dorthin. Die Kinder tun es ahnlich. Sie schaufeln den Sand und sie klettern auf den Baum. Sie kriechen in Schlupfwinkel und sind ganz erfullt. Sie traumen von der Kraft ihres Lebens. Und wir? Es ist ein wilder Schrei, der sich selbst erstickt. Du musst beten, du darfst nicht schreien! Bewundere deine Welt, spure sie auf, beschreibe das! Das musst du tun, nicht aufsassig sein! Ich hore dich und ich hore den Fluch meiner Seele. Was treibt den Keil in die Harmonie? Wie kommen Fluch und Andacht zusammen? Ratselhaft, wie alles geht. Aber es geht. Spiralen dreht mein Herz, tonende Spiralen. In seinem dritten Lebensjahrzehnt, wo er Gott und die Welt kritisierte und anzweifelte, nahm der Autor im Rahmen seiner Tagebuchfuhrung unbewusst Verbindung zu geistigen Welten auf. In Dialogen wie oben erfahrt er seelischen Beistand, und es wird ihm, ohne dass er dieses Geschehen begreift, unter anderem der Vorgang der Inspiration erklart. In den Gesprachen, in welchen auch niedere Geistwesen mit entsprechenden Absichten zu Wort kommen, bedient er sich oft der Traumsymbolsprache, die ihm damals noch vollig unbekannt war.

O mundo do trabalho é um tema complexo e abrangente. Analisá-lo não é tarefa fácil, ainda mais no contexto escolar. Nesta obra, propomos realizar tal análise com um olhar criativo e inovador, por mei

Descubra a interseção entre Arte e Natureza, as Instalações e a Arte Sustentável com este livro fascinante. Ideal para artistas e amantes da arte, ele oferece uma análise detalhada das obras e influê

The shift back from quasi monochrome to coloured motion picture during the 1950s and 1960s famously provided moviegoers the dazzling opportunity to more fully engage their senses, all the while opening new modes of affective possibilities for filmmakers. Set against the intersection of media studies, emotion theory, biology, and digital humanities, Feeling Colour: Chromatic Embodiment in Film Culture (1950s-1960s) delves into the role colour played in the oft-fraught relationship between cinema and its audiences. This transnational analysis of an extensive range of midcentury cinematography examines the multilayered effects which extend beyond the silver screen, offering a high-level theoretical elaboration and in-depth historical exploration of both experimental and mainstream movies.Lameris takes an interdisciplinary perspective, examining the different ways colour createsor was believed to createembodied reactions. From perception theory and putting the nerves in motion, to colour psychology and how to steer the spectator, to cross-modal perception (or synaesthesia), Lameris asks how how colours and feelings in film are entangled in the colour cultures, discourses and beliefs of a particular historical context.With its influential cultural scholarly contribution and accessible writing style, this book will delight both students and specialists in film and media studies. In addition, those interested in the history and use of color in advertising, neuroscience, gender studies, and emotion will find the book engaging and useful.

ALICE ENFIM REALIZOU SEU DESEJO.O País das Maravilhas é seu novo lar, mas os loucos residentes de um mundo lunático se voltaram contra ela. Enquanto a irmã de Alice, Edith, e seu amigo de infância, E

Em "Turku 1827 e o Sujeito-EM_JOGO", embarcamos numa investigação envolvente sobre a interação profunda entre jogadores e jogos digitais tridimensionais. Este livro propõe uma análise pioneira da suj

Este livro apresenta uma metodologia para treinamento de atores de teatro musical. O canto adquire uma natureza própria ao inserir-se na cena teatral, o que se dá em função das necessidades requerida

Uma seleção das principais músicas gravadas pela cantora estadunidense Connie Francis ao longo dos seus 55 anos de atividade.

The Gospel of JudasAn ancient Gnostic text presenting a controversial portrayal of Judas Iscariot. It reinterprets his role not as a traitor but as a confidant of Jesus, tasked with fulfilling a divine plan. The gospel challenges traditional Christian narratives, emphasizing hidden knowledge and spiritual enlightenment.

The War of the Jews by Flavius JosephusA detailed historical account of the Jewish-Roman War (66-73 CE), Josephus provides firsthand insight into the conflict, the destruction of Jerusalem, and the fall of Masada. The work explores themes of leadership, betrayal, and the devastating consequences of rebellion against Roman rule.

A Atenção Primária à Saúde, porta de entrada preferencial para o Sistema Único de Saúde, fundamenta-se em atributos essenciais (acesso, longitudinalidade, integralidade e coordenação do cuidado), alé

The Greatest Thing in the World by Henry DrummondA profound exploration of the biblical concept of love based on 1 Corinthians 13. Drummond emphasizes love as the highest virtue, essential for personal growth and spiritual fulfillment, highlighting qualities like patience, kindness, and humility as pathways to a meaningful life.

Better known as Lizzie Siddal, the model who posed for John Everett Millaiss painting Ophelia, Elizabeth Eleanor Rossetti is now finally recognised as a Pre-Raphaelite artist in her own right, working alongside her male colleagues on equal terms.Elizabeths designs were truly original, the creation of her own imagination. They embodied the essence of Pre-Raphaelitism that her husband Gabriel and other members of the circle were striving to achieve. The male members of the group shamelessly copied the ideas from Elizabeths small sketches to create their own large masterpieces which have since become the epitome of Pre-Raphaelite art.The exclusion of women from the narrative has had a major impact in creating the perception of the Pre-Raphaelites as a predominantly male artistic movement; in Beyond Ophelia Dr Glenda Youde shows Elizabeth not as a pathetic drowning figure, but as the initiator of a directional change in the visual development of Pre-Raphaelite art. Featuring a unique collection of photographs of Elizabeths work commissioned by her husband after her death, this book highlights the critical importance of her role within the Pre-Raphaelite circle, and one which ultimately led to the evolution of the Aesthetic Movement.

O circo tem um conceito lindamente mágico e é por isso que encanta tantos adultos e crianças pelo mundo. Hoje existem circos de todos os tipos e alguns são bem diferentes daqueles tradicionais que cr

Um dia uma atriz ficou doente e precisou ser substituída rapidamente. A irmã da atriz principal, que havia acompanhado todos os ensaios como camareira e responsável pelo guarda roupa foi convidada e