eBooks de Instrumentos, página 14 de 26

This collection presents a selection of Franz Schuberts works that will delight every pianist. In addition to the Longing Waltz and the popular Impromptu in E-flat major, the volume also contains arrangements of his best-known symphonies, chamber music works and songs. All pieces have an intermediate level of difficulty and have been supplemented with fingerings and metronome suggestions. The reader-friendly print is recommended not only for lessons but also for all amateur piano players.

The Old Viennese Dance Tunes, originally composed for violin and piano, appear here in the original piano version by Fritz Kreisler. It is thanks to the Viennese charm of this music that the pieces have become well-known all over the world. The three-four time typical of Vienna requires a certain, yet hardly noticeable liberty of tempo interpretation without metronomic constraints.

Trascrizione ed elaborazione di F. Gruber per flauto e chitarra di Vito Vilardi.Vito Vilardi, diplomato in chitarra classica con il massimo dei voti guida del maestro Pasquale Scarola, comincia giovanissimo particolari doti e sensibilita musicali. Ha partecipato sempre nei primi posti: tre volte primo premio assoluto primo premio assoluto al Concorso Euterpe di Corato, Promesse di Taranto. Ha frequentato Master Class e importanti personalita del panorama chitarristico internazionale Desiderio, Eduardo Isaac, Paulo Bellinnati, Lorenzo Micheli, regolarmente numerosi concerti in Italia ed allestero in per diverse associazioni e istituzioni musicali. Assieme al nate due pubblicazioni discografiche contenenti opere di ha partecipato al Bir Mifthu International Music Festival Cultura e dalla stessa Ambasciata dItalia.Collabora stabilmente musicale dando vita a inedite produzioni come: Capriccio dedicato a Nicolo Paganini), La Collina (spettacolo musico-spettacoli sono stati replicati in diversi teatri italiani: Roma, Per 10 anni e stato membro stabile dellorchestra di Pasquale Scarola con la quale ha eseguito in qualita di solista chitarre e orchestra, a partecipato inoltre, alla registrazione De Falla, incidendo il brano Modernguitar, del M Pasquale anche il celebre concerto di Aranjuez ed il Concerto in contemporanea due produzioni discografiche: Antidotum questultimo contenente musiche originali del M Sabino nota di volta e direttore artistico della rassegna Le corde svariati generi musicali. È docente di chitarra classica Policoro (MT).

About the wide variety of piano sounds - this is how the content of this volume could be summarised. For Czernys School of Legato and Staccato provides much more than technical exercises for the improvement of the fingers dexterity or strength. This systematic course deals with all kinds of problems the pianist has to master in order to generate a differentiated and transparent piano sound. This volume aims at training the sense of tone, a differentiated touch and the skill of polyphonic interpretation - and this is why this hardly known textbook by Czerny is indispensable still today.

In 12 little piano stories the young composer Vera Mohrs tells stories about the more than 3000-year-old friendship between cats and humans.Piano teacher Monika Twelsiek about the edition: In her very own tonal language the young composer Vera Mohrs recounts touching and amusing incidents in her "Cat Songs": the first cautious approach, the wild and the purring kitten, its desire for freedom, and a longing for security.Cat Songs is suitable as a musical story for children to be played and read aloud, as a theme of class concerts at music schools, and for being played and read by all even older cat lovers.

The studies by Friedrich August Kummer are perfect for music lessons, particularly because of their accompaniment of a second violoncello. They are characterized by a very systematic arrangement, cleverly introduce the circle of fifths and offer exercises at all levels of difficulty.The studies originally come from the appendix to Kummers "Celloschule fur den ersten Unterricht" Op. 60. In this new edition, they are for the first time published completely in two volumes as 92 progressive studies. The present edition is based on the first edition published in 1839 (Verlag Friedrich Hofmeister, Leipzig) and has essentially adopted the original fingerings and bowing indications. For better readability, the number of fingerings has been slightly reduced.Volume 1 (ED 22371) is intended for beginner and intermediate lessons. Volume 2 (ED 22372) focusses on the musical performance of the advanced pupil.Friedrich August Kummer (17971879) was a pupil of Friedrich Dotzauer and Bernhard Romberg and later trained famous cellists like Julius Goltermann or Bernhard Cossmann.

The studies by Friedrich August Kummer are perfect for music lessons, particularly because of their accompaniment of a second violoncello. They are characterized by a very systematic arrangement, cleverly introduce the circle of fifths and offer exercises at all levels of difficulty.The studies originally come from the appendix to Kummers "Celloschule fur den ersten Unterricht" Op. 60. In this new edition, they are for the first time published completely in two volumes as 92 progressive studies. The present edition is based on the first edition published in 1839 (Verlag Friedrich Hofmeister, Leipzig) and has essentially adopted the original fingerings and bowing indications. For better readability, the number of fingerings has been slightly reduced.Volume 1 (ED 22371) is intended for beginner and intermediate lessons. Volume 2 (ED 22372) focusses on the musical performance of the advanced pupil.Friedrich August Kummer (17971879) was a pupil of Friedrich Dotzauer and Bernhard Romberg and later trained famous cellists like Julius Goltermann or Bernhard Cossmann.

Este trabalho tem por objetivo a compreensão teológica da importância do ser humano como instrumento musical primevo, instrumento musical perfeito, criação divina, e sua relação com os instrumentos m

Este livro é resultado de uma iniciativa de contribuir para a ampliação do repertório do violão na música de câmara com formações pouco usuais, como dueto vocal e violão. Para isso, foram escolhidas

The easiest pieces from the "Notebook for Anna Magdalena Bach" selected and arranged by Franz Ludwig.Die leichtesten Stücke aus dem "Notenbüchlein für Anna Magdalena Bach" – ausgewählt und arrangiert

The Austrian violinist and composer Jakob Dont (1815-1888) very early became a member of the Vienna Hofburg Theatre, later of the Court Chapel. Although he had made a name for himself as a soloist, he decided in favour of a career in education. For his instrument, the violin, he wrote about 50 works, most of them modern opera pot-pourris and character pieces, which are forgotten today. Apart from the preliminary exercises for Kreutzer and Rohde, his Studies and Caprices (opus 35), however, have become an integral part of violin lessons. Praised by Joachim, Auer and Flesch, these outstanding studies were edited by Max Rostal in consideration of a modern violin technique and complemented by preparatory exercises and variants.

The Austrian violinist Jacob Dont (1815-1888) was also a highly esteemed teacher and composer. He wrote mainly major educational works, over 50 of which have become quite well-known. Donts Etuden und Capricen Op. 35 were arranged for the viola by Max Rostal who also added preparatory exercises and variants. Etuden und Capricen covers all technical demands with regard to arpeggios, double stops, dexterity, change of position, legato, change of string, types of bowing, trills and appoggiaturas, thus laying the foundation for practising any repertoire.

Did you use to play the piano? Would you like to play again? Play it again: Piano uses real pieces from the piano repertoire to teach specific techniques and tips, getting you playing fluently once again. This is the second book, which is for the more confident former piano player or for those continuing their journey from Book 1. The level of pieces in this second book progresses from around UK grades 5 to 8 (intermediate to late advanced). "I used to play the piano"Aimed at returning players who have spent some time away from the keyboard, Play it again: Piano gives you the confidence to revisit this fulfilling pastime and go beyond what you previously thought you could achieve. Each of the 21 pieces in Book 2 is accompanied by two full pages of easy-to-understand practice tips, all designed to get your fingers speeding comfortably across the keys once again! There are more comprehensive Piano Technique and Theory sections at the front and back of each book, so you can also delve deeper to regain a fuller understanding of music and technique. A refresher course for all abilitiesEach book is arranged in 4 progressive sections, with Book 1 moving from Elementary to Intermediate, and Book 2 taking you from Late Intermediate to Late Advanced. Dip in and out wherever your level of playing suits: this two-book course starts with simple and elegant miniatures and concludes with the famously showy Prelude in C-sharp minor by Rachmaninoff! Confident pianists could start with Book 2, but there is a wealth of delightful repertoire and valuable practice tips in Book 1 its always useful to go back to basics. From Schumann to shufflesBaroque, Classical and Romantic works sit alongside Jazz, Ragtime, contemporary or traditional pieces at every level, so each lesson brings something different and youll learn to play in a range of styles, some of which may be new to your fingers. If you often find yourself saying "I used to play the piano" but wish you still did, then Play it again: Piano is the resource for you!

Did you use to play the piano? Would you like to play again? This is the first of two books of Play it again: Piano. It will reunite you with the keyboard using real pieces from the piano repertoire to teach specific techniques and tips, to get you playing fluently once again. The level of pieces in this first book progresses from around UK grades 1 to 4 (elementary to intermediate). "I used to play the piano"Aimed at returning players who have spent some time away from the keyboard, Play it again: Piano gives you the confidence to revisit this fulfilling pastime and go beyond what you previously thought you could achieve. Each of the 28 pieces in Book 1 is accompanied by two full pages of easy-to-understand practice tips, all designed to get your fingers speeding comfortably across the keys once again! There are more comprehensive Piano Technique and Theory sections at the front and back of each book, so you can also delve deeper to regain a fuller understanding of music and technique. A refresher course for all abilitiesEach book is arranged in 4 progressive sections, with Book 1 moving from Elementary to Intermediate, and Book 2 taking you from Late Intermediate to Late Advanced. Dip in and out wherever your level of playing suits: this two-book course starts with simple and elegant miniatures and concludes with the famously showy Prelude in C-sharp minor by Rachmaninoff! Confident pianists could start with Book 2, but there is a wealth of delightful repertoire and valuable practice tips in Book 1 its always useful to go back to basics. From Schumann to shufflesBaroque, Classical and Romantic works sit alongside Jazz, Ragtime, contemporary or traditional pieces at every level, so each lesson brings something different and youll learn to play in a range of styles, some of which may be new to your fingers. If you often find yourself saying "I used to play the piano" but wish you still did, then Play it again: Piano is the resource for you!

Book 3 from the Play it Again: Piano series completes the course for those returning to the piano, and continues on their journey from books 1 and 2. Each of the pieces in the book is accompanied by full pages of easy-to-understand practice tips. The standard progresses from around UK grades 8 to diploma standard (advanced).Aimed at returning players who have spent some time away from the keyboard, Play it again: Piano gives you the confidence to revisit this fulfilling pastime and go beyond what you previously thought you could achieve. Each of the pieces in this three-book course is accompanied by at least two full pages of easy-to-understand practice tips, all designed to get your fingers speeding comfortably across the keys once again! There are more comprehensive Piano Technique and Theory sections at the front and back of each book, so you can also delve deeper to regain a fuller understanding of music and technique.

The care and understanding of an instrument are critical to its sound. This thorough book is therefore aimed at both the interested musician and those embarking on instrument repair as a full-time career. Organized into six parts, it guides the reader from initial diagnostic techniques all the way through to specialist repair instruction. It is packed with over 700 colour illustrations, step-by-step guidance and general advice. It covers clarinets, flutes, saxophones, oboes and bassoons. Written by a leading woodwind technician and teacher, it should be an essential companion in every workshop and be a handy reference for all musicians who want the best from their instruments.

In "The Violin," George Dubourg masterfully intertwines narrative and musicality, offering a profound exploration of the historical and emotional significance of the violin. Through rich, lyrical prose, Dubourg delves into the instruments evolution, its role in various cultural contexts, and its influence on composers and musicians throughout history. The book is meticulously crafted, employing vivid imagery and detailed descriptions that not only evoke the aesthetic experience of music but also illuminate the intimate relationship between the violinist and their instrument. Situating his work within the broader scope of literary and musical scholarship, Dubourg engages with themes of artistry, identity, and the essence of sound, making his text a crucial contribution to the field of musicology and literature alike. George Dubourg, a celebrated musician turned author, draws from his extensive experience and passion for music to craft this illuminating work. Having spent decades performing and teaching the violin, Dubourg possesses a unique insight into the instruments technical complexities and emotional depths. His firsthand encounters with legendary violinists, as well as his studies in the intricate interplay of music and narrative, have shaped his understanding of the violin as not just an instrument, but a vessel of human expression. I highly recommend "The Violin" to readers, both aficionados of music and those new to its appreciation. Dubourgs incisive analysis and lyrical storytelling create an engaging entry point into the world of classical music and its cultural ramifications. This book serves not only as an enriching resource for scholars and musicians but also as a captivating read for anyone seeking to understand the profound impact of the violin on the human experience.

In "Musical Instruments, Historic, Rare and Unique," Alfred J. Hipkins presents an exhaustive exploration of musical devices spanning various cultures and historical periods. The text is characterized by its meticulous attention to detail and an academic rigor that invites readers into the intricate world of musical craftsmanship. Hipkins delves into the evolution of instruments, highlighting their aesthetic, cultural, and historical significance, thereby situating each piece not merely as a tool for music, but as a relic of human expression. His prose elegantly navigates the intersections of art and anthropology, providing a rich literary context that elevates the discussion of musicology. Alfred J. Hipkins, a 19th-century musicologist and instrument maker, was deeply influenced by the burgeoning interest in ethnomusicology and the preservation of cultural artifacts during his lifetime. His background as an instrument maker endowed him with a unique perspective on the technical complexities of musical devices, lending authenticity to his descriptions. His passion for collecting rare musical instruments further motivated his scholarly endeavors, affording him a rare insight into their historical contexts and significance. This book serves as an invaluable resource for musicians, historians, and collectors alike, offering a profound understanding of the cultural narratives embodied in musical instruments. Hipkinss exhaustive research and eloquent prose invite readers to appreciate the beauty and significance of instruments beyond mere sound, making it a must-read for anyone interested in the rich tapestry of music history.

The Handel volume of the Schott Piano Collection series has been among the standard works of piano lessons for a long time, containing a careful selection of 26 known and easy-to-play piano works by Handel, including the easy Minuets in G major, G minor, Bouree in G major, Sonatina in Bb major, Chaconne in D minor, Sonata in C major, Passacaille in G minor, Grobschmied Variations, and many more. Two important and popular works have been added to this expanded new edition: the Suite in D minor, mostly known for the famous Sarabande, and the Largo from the opera Xerxes. As a result, the new edition is even better suited to the wishes of students and piano lovers.

This collection features a wide selection of original works from the Renaissance, Baroque and Modern eras arranged for two cellos.Focusing on easy repertoire Duets for Fun will provide hours of enjoyment for aspiring musicians wishing to discover new material as well as develop their playing.This collection is ideal for use as teaching material, or for playing at home or in a concert with a friend.This title was previously published as Duo-Schatzkiste (A Treasure Chest of Duos).