Sinopsis de PLANET HONG KONG POPULAR CINEMA AND THE ART OF ENTERTAINMENT
Since the 1970s, Hong Kong has been home to arguably the world's most energetic, imaginative mass-market film industry. At its peak, it surpassed nearly all Western countries in number of films released, ruled the East Asian market, and produced movies (ranging from John Woo's action pictures to the comic adventures of Jackie Chan) that have thrilled global audiences and attained cult status in the West. This book offers a deeply informed and highly engaging look at how Hong Kong cinema has become one of the success stories of film history, and how it has influenced international film culture and the development of film as a medium. As sentimental and outrageous as Hong Kong films can be, David Bordwell demonstrates that they are not merely crowd-pleasing; they harbor remarkable inventiveness and careful craftsmanship and in many cases rise to the level of a rich and delightful art. Bordwell surveys the historical conditions that fueled the rise of this cinema: the high output, shrewd entrepreneurship, changing world tastes, and a unique skill in action genres that cross cultural boundaries. Considering both the movies themselves and the bigger picture, he moves from deft and detailed analyses of many classics of this tradition to a broader assessment of the basic strategies and impulses of mass entertainment.
Ficha técnica
Editorial: Harvard University Press
ISBN: 9780674002142
Número de páginas: 336
Encuadernación: Tapa blanda
Fecha de lanzamiento: 11/08/2000
Año de edición: 2000
Plaza de edición: Ee.uu
Especificaciones del producto
Escrito por David Bordwell
David Bordwell, nacido en Estados Unidos en es uno de los estudiosos y teóricos del cine más importantes. Doctor en Cine por la Universidad de Iowa, es profesor de Estudios Cinematográficos en la Universidad de Wisconsin, Madison, y autor, entre otros, de 18 títulos entre los que destacan: El significado del filme, El arte cinematográfico (con Kristin Thompson, su esposa) o El cine clásico de Hollywood (con Kristin Thompson y Janet Staiger), todos ellos también publicados por Paidós. Bordwell está considerado el padre de la teoría cognitiva del cine. Más próximo al neoformalismo que a las teorías interpretativas de raíz psicológica, Bordwell ha sido un gran estudioso de la obra de cineastas tan importantes como Dreyer, Ozu y Eisenstein.