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THE ART OF MURDER

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Sinopsis

In 2006, the art world has moved far beyond sheep in formaldehyde and the most avant-garde movement is to use living people as artwork. Undergoing weeks of preparation to become ''canvases'', the models are required to stay in their pose for ten to twelve hours a day and, as art pieces, they are also for sale. After being exhibited, the ''canvases'' can be bought and taken to the purchaser''s home, where they are rented for weeks or months. Many beautiful young men and women long to become a ''canvas'' - knowing they are a masterpeice and worth millions seems to make all the sacrifices worthwhile - especially if they can be ''painted'' by the celebrated artist Bruno Van Tysch. But there is a darker side to this art movement when it is found that the models/works of art are sometimes used in interactive works - snuff movies, where the ''art'' is filmed being tortured and killed. Van Tysch''s work is being targeted and the investigators must find the killer before the displays of imitations of Rembrandt''s masterpieces - the biggest exhibition of ''hyperdramatic art'' yet seen - is put on show.

Ficha Técnica

Editorial: Abacus

ISBN: 9780349117065

Idioma: Inglés

Número de páginas: 480

Tiempo de lectura: 9h 56m

Encuadernación: Tapa dura

Fecha de lanzamiento: 25/08/2004

Año de edición: 2004

Plaza de edición: London
Alto: 22.0 cm
Ancho: 14.0 cm

Especificaciones del producto

José Carlos Somoza

Escrito por José Carlos Somoza

Nacido en La Habana (Cuba), nacionalizado en España, médico psiquiatra, José Carlos Somoza está considerado uno de los renovadores de la literatura de misterio en castellano, con obras que buscan romper la barrera entre géneros. Ha publicado, entre otras, Silencio de Blanca (Premio La Sonrisa Vertical 1996), La ventana pintada (Premio Café Gijón 1998), Dafne desvanecida (finalista premio Nadal 2000), La caverna de las ideas (Premio Gold Dagger 2002 de la CWA a la mejor novela de intriga en Inglaterra), Clara y la penumbra (Premio Fernando Lara 2001 y Premio Dashiell Hammett 2002), La dama número trece (2003, de la que se ha realizado la película MUSA de Jaume Balagueró), Zigzag (finalista del Premio John W. Campbell a la mejor novela de ci-fi en EEUU), La llave del abismo (Premio de novela Torrevieja) y La cuarta señal. Sus últimas novelas son Estudio en negro (2019) y El Signo de los Diez (2022). Ha escrito guiones para radio y una obra de teatro, Miguel Will, estrenada en Almagro. Su obra ha sido traducida a más de treinta idiomas.
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Sinopsis

In 2006, the art world has moved far beyond sheep in formaldehyde and the most avant-garde movement is to use living people as artwork. Undergoing weeks of preparation to become ''canvases'', the models are required to stay in their pose for ten to twelve hours a day and, as art pieces, they are also for sale. After being exhibited, the ''canvases'' can be bought and taken to the purchaser''s home, where they are rented for weeks or months. Many beautiful young men and women long to become a ''canvas'' - knowing they are a masterpeice and worth millions seems to make all the sacrifices worthwhile - especially if they can be ''painted'' by the celebrated artist Bruno Van Tysch. But there is a darker side to this art movement when it is found that the models/works of art are sometimes used in interactive works - snuff movies, where the ''art'' is filmed being tortured and killed. Van Tysch''s work is being targeted and the investigators must find the killer before the displays of imitations of Rembrandt''s masterpieces - the biggest exhibition of ''hyperdramatic art'' yet seen - is put on show.