Ann Radcliffe

What horrible history lies below the castles in the caverns of Sicily? Located on Sicilys northern shore, the castle of Mazzini was home to the beautiful and clever sisters Emilia and Julia. They have lived there for years with their governess after their father, the marquis, moved to Naples with his second wife. When he unexpectedly returns with their brother Ferdinand, mysterious events begin to occur around the castle. Rooms abandoned for years suddenly have strange tenants. Visiting the castle is a valiant and handsome friend of Ferdinand named Hippolitus, who immediately catches the eyes of both Julia and her stepmother. However, the marquis has his own ideas for who Julias husband should be, and he will stop at nothing to get his way, no matter what the cost to his daughters. This ebook has been professionally proofread to ensure accuracy and readability on all devices.

Ann Radcliffes The Romance of the Forest, first published in 1791, is the epitome of the Gothic novel: a beautiful, orphaned heiress, a dashing hero, a dissolute, aristocratic villain and a ruined abbey deep in a great forest are combined by the author in a tale of suspense where danger lurks behind every secret trap-door. Reprinted four times between 1791 and 1795 and satirised as represented of the Gothic genre by Jane Austen in Northanger Abbey, Radcliffes tense masterpiece, in which the heroine is afraid even to look in the mirror for fear of what she might see behind her, established her reputation as a writer and her brilliant descriptions of both characters and scenes serve to create the perfect atmosphere for a novel packed with emotional intensity.

Welcome to the Essential Novelists book series, were we present to you the best works of remarkable authors.For this book, the literary critic August Nemo has chosen the two most important and meaningful novels ofAnn Radcliffewhich are The Castles of Athlin and Dunbayne and ASicilian Romance.Ann Radcliffewas one the most representative of English Gothic novelists. She stands apart in her ability to infuse scenes of terror and suspense with an aura of romantic sensibility. There is little physical horror in Radcliffes "tales of terror," and elements that seem to be supernatural are usually found to have some rather disappointing natural explanation. Her characterization is usually weak, her historical insight is almost nonexistent, and her stories abound in anachronisms and impossibilities. But Radcliffes admirers cared as little for "realism" or accuracy as she did. They reveled in her romanticized views of nature, her intimations of evil, and her prolonged scenes of suspense.Novels selected for this book:- The Castles of Athlin and Dunbayne- A Sicilian RomanceThis is one of many books in the series Essential Novelists. If you liked this book, look for the other titles in the series, we are sure you will like some of the authors.

Ann Radcliffe (1764-1823) es la escritora más emblemáticade la imaginación gótica, y sus novelas fueron puntode referencia para los autores que cultivaron el género.Tres obras se alzan en el altar de la literatura gotica:Los misterios de Udolfo de la Radcliffe, El monjede Lewis, y Melmoth el errabundo de Maturin(los tres editados en esta coleccion).Los misterios de Udolfo se desarrolla en el siglo XVI,y esta ubicada en Francia e Italia. Emily, como todaslas heroinas de la Radcliffe, se enfrenta a las adversidadesy desastres provocados por Montoni con la fuerzade la racionalidad, despues de haber sucumbidomomentaneamente a la supersticion. La persecuciondel malvado Montoni tiene lugar en el castillo de Udolfo,donde acontecen multiples fenomenos sobrenaturales:vagas figuras extrañas, un fantasma en las almenas, sepulcrales voces misteriosas... Los misterios de Udolfo,junto con El Italiano, son las cimas del artede Ann Radcliffe, y de la novela gotica y romantica.A los conocidos atavios goticos de sus predecesoresseñala Lovecraft en su ensayo sobre la literatura de terror,Mrs. Radcliffe añadio un genuino sentido de lo sobrenatural,tanto en los escenarios como en los incidentes, que rayaen la genialidad; cada pormenor de la ambientaciony de la intriga contribuye artisticamente a crearla impresion de horror ilimitado que ella queria transmitir.

First published in 1797, this work, with its archetypal villain Schedoni, intense romance between Vincenzo di Vivaldi and Elena di Rosalba, and lofty poetics of the sublime, is the masterpiece of Gothic fiction. Enlisted by Vincenzos mother Marchesa Di Vivaldi, the perfidious monk Schedoni casts a malevolent presence throughout the book as he tries to thwart the passion of the two young lovers. Against the backdrop of the Catholic Inquisition and the unforgettable scenery of the Bay of Naples and the Apennines, The Italian celebrates the heroic struggle of love in the face of malice and deceit. From the first moment Vincentio di Vivaldi, a young nobleman, sets eyes on the veiled figure of Ellena, he is captivated by her enigmatic beauty and grace. But his haughty and manipulative mother is against the match and enlists the help of her confessor to come between them. Schedoni, previously a leading figure of the Inquisition, is a demonic, scheming monk with no qualms about the task, whether it entails abduction, torture-or even murder. The Italian secured Ann Radcliffe's position as the leading writer of Gothic romance of the age, for its atmosphere of supernatural and nightmarish horrors, combined with her evocation of sublime landscapes and chilling narrative.

Napoli, 1764: Vincenzo di Vivaldi ed Elena di Rosalba, giovani innamorati dall'animo semplice e puro, vedono il loro sogno d'amore contrastato dalla perfida marchesa, la madre di lui, che non ritiene la ragazza all'altezza della sua nobile e ricca famiglia. Ad aiutare la malvagia donna nel tessere la sua trama è il diabolico monaco Schedoni, uno dei personaggi più riusciti della Radcliffe: è lui "l'italiano" che dà il titolo al romanzo, losco figuro dal passato ambiguo, di nobili natali ma caduto in disgrazia dopo essersi macchiato di un'orribile colpa. Discendente del Satana ribelle di Milton e fratello dei Masnadieri di Schiller, Schedoni è diventato in breve prototipo di tutti gli antagonisti del romanzo gotico e oltre. Tra atmosfere cupe e spaventose, colpi di scena, misteri inspiegabili, terribili prove cui sono sottoposti i personaggi, si dispiega una trama che a suo tempo conquistò tantissimi lettori in Inghilterra contribuendo al diffondersi della nuova sensibilità romantica. Con un saggio di Mario Praz. Introduzione di Alessandro Gallenzi.

ANN RADCLIFFE(1764-1823) es la escritora más emblemática de la imaginación gótica, y sus novelas fueron punto de referencia para los autores que cultivaron el género. Tres obras se alzan en el altar de la literatura gótica: Los misterios de Udolfo de la Radcliffe, El monje de Lewis, y Melmoth el errabundo de Maturin (los tres editados en esta colección). Los misterios de Udolfo se desarrolla en el siglo XVI, y está ubicada en Francia e Italia. Emily, como todas las heroínas de la Radcliffe, se enfrenta a las adversidades y desastres provocados por Montoni con la fuerza de la racionalidad, después de haber sucumbido momentáneamente a la superstición. La persecución del malvado Montoni tiene lugar en el castillo de Udolfo, donde acontecen múltiples fenómenos sobrenaturales: vagas figuras extrañas, un fantasma en las almenas, sepulcrales voces misteriosas... Los misterios de Udolfo, junto con El Italiano, son las cimas del arte de Ann Radcliffe, y de la novela gótica y romántica.

Ann Radcliffe (1764-1823) es posiblemente la autora con más carisma entre todos los escritores que, hacia finales del siglo XVIII y comienzos del XIX, cultivaron con pasión un tipo de relato terrorífico que con el tiempo se denominaría literatura gótica o género gótico. Dos son las obras de Ann Radcliffe que reúnen en su trama los elementos más característicos de un buen relato gótico -castillos tenebrosos, conventos y criptas siniestras, clérigos perversos y heroínas románticas perseguidas-: Los misterios de Udolfo (Gótica núm. 5), y la presente, El Italiano. A las ilustres perseguidas de las pesadillas de Radcliffe hay que añadir ahora a la desgraciada Ellena di Rosalba, víctima del monje despiadado Schedoni. Ellena es arrancada de un medio seguro y amable para ser arrojada sin contemplaciones a un mundo hórrido y hostil, lleno de amenazas y de peligros, un universo dominado por lo desconocido, cuyo reflejo en la mente de la heroína adopta la sinuosa forma de la angustia. Secuestrada y conducida a un apartado convento, encerrada posteriormente en un castillo bajo el dominio del malvado, Ellena se ve inmersa repentinamente en el ámbito gótico, un espacio cerrado, tenebroso, impreciso y laberíntico. El Italiano no sólo provoca emociones intensas que provienen de lo oscuro e ignoto, sino que también hace que el entendimiento se ponga en movimiento para buscar las claves del misterio, dando lugar de este modo a placeres de naturaleza eminentemente intelectual.