Edith Nesbit, página 3 de 10

There was once an old, old castle, it was so old that its I walls and towers and turrets and gateways and arches had crumbled to ruins, and of all its old splendour there were only two little rooms left; and it was here that John the blacksmith had set up his forge. He was too poor to live in a proper house, and no one asked any rent for the rooms in the ruin, because all the lords of the castle were dead and gone this many a year. So there John blew his bellows, and hammered his iron, and did all the work which came his way. This was not much, because most of the trade went to the mayor of the town, who was also a blacksmith in quite a large way of business, and had his huge forge facing the square of the town, and had twelve apprentices, all hammering like a nest of woodpeckers, and twelve journeymen to order the apprentices about, and a patent forge and a selfacting hammer and electric bellows, and all things handsome about him. So that of course the townspeople, whenever they wanted a horse shod or a shaft mended, went to the mayor.

An invisible princess, a magic ring, and more adventures than you could dream of. This is what Gerald, Kathleen and Jimmy find when they stumble upon a mysterious castle. At first it all appears to be a lark. But the children soon discover they need all their bravery and ingenuity to contend with the castles supernatural forces

The storys title character is a man who somehow always seems to get what he wants. John makes up his mind to marry May Forster, the prettiest young woman in the village. After John asks her to marry him several times, May finally agrees. John says that his love for May is so great that he would come back from the dead if that was what she wanted him to do. Two days before his wedding, John leaves to visit his seriously ill godfather. May begs him not to go because she has a feeling that something bad will happen. John reassures her that nothing will prevent him from arriving at his wedding on time

To Cyril, Anthea, Robert, Jane, and their baby brother, the house in the country promises a summer of freedom and play. But when they accidently uncover an accident Psammead--or Sand-fairy--who has the power to make wishes come true, they find themselves having the holiday of a lifetime, sharing one thrilling adventure after another.Asleep since dinosaurs roamed the earth, the ill-tempered, odd--looking Psammead --with his spider-shaped body, bats ears, and snails eyes --grudgingly agrees to grant the children one wish per day. Soon, though the children discover that their wishes have a tendancy to turn out quite differnetly than expected. Whatever they wish whether its to fly like a bird, live in a mighty castle, or have an immense fortune --something goes terribly wrong, hilariously wrong.Then an accidental wish has horrible consequences, and the children are faced with a difficult choice: to let an innoncent manbe charged with a crime or to lose for all time their gift of magical wishes. Five Children and It is one of E. Nesbits most beloved tales of enchantment.

Its startling enough to have a Phoenix hatch in your house, but even more startling when it reveals you have a magic carpet on the floor. Conceited it may be, but the Phoenix is also good-hearted, and obligingly accompanies the children on their adventures through time and space-which, magic being what it is, rarely turn out as they were meant...

When their mother dies and their fathers business partner runs off with most of their money, the six intrepid Bastable children are determined to restore their familys fallen fortunes.

The figure of my wife came in... it came straight towards the bed... its wide eyes were open and looked at me with love unspeakable Edith Nesbit, best known as the author of The Railway Children and other childrens classics, was also the mistress of the ghost story and tales of terror. She was able to create genuinely chilling narratives in which the returning dead feature strongly. Sadly, these stories have been neglected for many years, but now, at last, they are back in print. In this wonderful collection of eerie, flesh-creeping yarns, we encounter love that transcends the grave, reanimated corpses, vampiric vines, vengeful ghosts and other dark delights to make you feel fearful. These vintage spooky stories, tinged with horror, are told in a bold, forthright manner that makes them seem as fresh and unsettling as todays headlines.

A gentle tale of romance and art from a noted childrens author . . . "He asked idle questions: she answered them with a conscientious tremulous truthfulness that showed to him as the most finished art. Betty told him nervously and in words ill-chosen everything that he asked to know, but all the while the undercurrent of questions rang strong within her -- When is he to teach me? Where? How? -- so that when at last there was left but the bare fifteen minutes needed to get one home in time for the midday dinner she said abruptly: And when shall I see you again?

" He was waiting for her, he had been waiting an hour and a half in a dusty suburban lane, with a row of big elms on one side and some eligible building sites on the other-and far away to the south-west the twinkling yellow lights of the Crystal Palace. It was not quite like a country lane, for it had a pavement and lamp-posts, but it was not a bad place for a meeting all the same: and farther up, towards the cemetery, it was really quite rural, and almost pretty, especially in twilight But twilight had long deepened into the night, and still he waited. He loved her, and he was engaged to be married to her, with the complete disapproval of every reasonable person who had been consulted. And this half-clandestine meeting was tonight to take the place of the grudgingly sanctioned weekly interview-because a certain rich uncle was visiting at her house, and her mother was not the woman to acknowledge to a moneyed uncle, who might "go off" any day, a match so deeply ineligible as hers with him. "

This collection includes, "The Cat-hood of Maurice", "The Mixed Mine", "Accidental Magic", "The Princess and the Hedge-Pig", "Septimus Septimusson", "The White Cat", "Belinda and Bellamant", "Justnowland", "The Related Muff", "The Aunt and Anabel; "Kenneth and the Carp" and "The Magicians Heart"

When their mother dies and their fathers business partner runs off with most of their money, the six intrepid Bastable children are determined to restore their familys fallen fortunes.

A gentle tale of romance and art from a noted childrens author . . . "He asked idle questions: she answered them with a conscientious tremulous truthfulness that showed to him as the most finished art. Betty told him nervously and in words ill-chosen everything that he asked to know, but all the while the undercurrent of questions rang strong within her -- When is he to teach me? Where? How? -- so that when at last there was left but the bare fifteen minutes needed to get one home in time for the midday dinner she said abruptly: And when shall I see you again?

" He was waiting for her, he had been waiting an hour and a half in a dusty suburban lane, with a row of big elms on one side and some eligible building sites on the other-and far away to the south-west the twinkling yellow lights of the Crystal Palace. It was not quite like a country lane, for it had a pavement and lamp-posts, but it was not a bad place for a meeting all the same: and farther up, towards the cemetery, it was really quite rural, and almost pretty, especially in twilight But twilight had long deepened into the night, and still he waited. He loved her, and he was engaged to be married to her, with the complete disapproval of every reasonable person who had been consulted. And this half-clandestine meeting was tonight to take the place of the grudgingly sanctioned weekly interview-because a certain rich uncle was visiting at her house, and her mother was not the woman to acknowledge to a moneyed uncle, who might "go off" any day, a match so deeply ineligible as hers with him. "

A gentle tale of romance and art from a noted childrens author . . . "He asked idle questions: she answered them with a conscientious tremulous truthfulness that showed to him as the most finished art. Betty told him nervously and in words ill-chosen everything that he asked to know, but all the while the undercurrent of questions rang strong within her -- When is he to teach me? Where? How? -- so that when at last there was left but the bare fifteen minutes needed to get one home in time for the midday dinner she said abruptly: And when shall I see you again?

A gentle tale of romance and art from a noted childrens author . . . "He asked idle questions: she answered them with a conscientious tremulous truthfulness that showed to him as the most finished art. Betty told him nervously and in words ill-chosen everything that he asked to know, but all the while the undercurrent of questions rang strong within her -- When is he to teach me? Where? How? -- so that when at last there was left but the bare fifteen minutes needed to get one home in time for the midday dinner she said abruptly: And when shall I see you again?

" He was waiting for her, he had been waiting an hour and a half in a dusty suburban lane, with a row of big elms on one side and some eligible building sites on the other-and far away to the south-west the twinkling yellow lights of the Crystal Palace. It was not quite like a country lane, for it had a pavement and lamp-posts, but it was not a bad place for a meeting all the same: and farther up, towards the cemetery, it was really quite rural, and almost pretty, especially in twilight But twilight had long deepened into the night, and still he waited. He loved her, and he was engaged to be married to her, with the complete disapproval of every reasonable person who had been consulted. And this half-clandestine meeting was tonight to take the place of the grudgingly sanctioned weekly interview-because a certain rich uncle was visiting at her house, and her mother was not the woman to acknowledge to a moneyed uncle, who might "go off" any day, a match so deeply ineligible as hers with him. "

A gentle tale of romance and art from a noted childrens author . . . "He asked idle questions: she answered them with a conscientious tremulous truthfulness that showed to him as the most finished art. Betty told him nervously and in words ill-chosen everything that he asked to know, but all the while the undercurrent of questions rang strong within her -- When is he to teach me? Where? How? -- so that when at last there was left but the bare fifteen minutes needed to get one home in time for the midday dinner she said abruptly: And when shall I see you again?

The figure of my wife came in... it came straight towards the bed... its wide eyes were open and looked at me with love unspeakable Edith Nesbit, best known as the author of The Railway Children and other childrens classics, was also the mistress of the ghost story and tales of terror. She was able to create genuinely chilling narratives in which the returning dead feature strongly. Sadly, these stories have been neglected for many years, but now, at last, they are back in print. In this wonderful collection of eerie, flesh-creeping yarns, we encounter love that transcends the grave, reanimated corpses, vampiric vines, vengeful ghosts and other dark delights to make you feel fearful. These vintage spooky stories, tinged with horror, are told in a bold, forthright manner that makes them seem as fresh and unsettling as todays headlines.

The story concerns a family who move to a house near the railway after the father is imprisoned as a result of being falsely accused of selling state secrets to the Russians. The three children, Roberta, Peter and Phyllis, find amusement in watching the trains on the nearby railway line and waving to the passengers.

In Homespun is a collection that was originally published in 1896, and the stories are set in the villages of South Kent and East Sussex that Nesbit knew well. Told in the first person, by a variety of strong, women characters- the sort of character E. Nesbit specialized in - looking back on their earlier lives.