Horace Walpole

The following work was found in the library of an ancient Catholic family in the north of England. It was printed at Naples, in the black letter, in the year 1529. How much sooner it was written does not appear. The principal incidents are such as were believed in the darkest ages of Christianity; but the language and conduct have nothing that savours of barbarism. The style is the purest Italian.If the story was written near the time when it is supposed to have happened, it must have been between 1095, the era of the first Crusade, and 1243, the date of the last, or not long afterwards. There is no other circumstance in the work that can lead us to guess at the period in which the scene is laid: the names of the actors are evidently fictitious, and probably disguised on purpose: yet the Spanish names of the domestics seem to indicate that this work was not composed until the establishment of the Arragonian Kings in Naples had made Spanish appellations familiar in that country. The beauty of the diction, and the zeal of the author (moderated, however, by singular judgment) concur to make me think that the date of the composition was little antecedent to that of the impression. Letters were then in their most flourishing state in Italy, and contributed to dispel the empire of superstition, at that time so forcibly attacked by the reformers. It is not unlikely that an artful priest might endeavour to turn their own arms on the innovators, and might avail himself of his abilities as an author to confirm the populace in their ancient errors and superstitions. If this was his view, he has certainly acted with signal address. Such a work as the following would enslave a hundred vulgar minds beyond half the books of controversy that have been written from the days of Luther to the present hour.

As the invaluable present I am making to the world may not please all tastes, from the gravity of the matter, the solidity of the reasoning, and the deep learning contained in the ensuing sheets, it is necessary to make some apology for producing this work in so trifling an age, when nothing will go down but temporary politics, personal satire, and idle romances. The true reason then for my surmounting all these objections was singly this: I was apprehensive lest the work should be lost to posterity; and though it may be condemned at present, I can have no doubt but it will be treated with due reverence some hundred ages hence, when wisdom and learning shall have gained their proper ascendant over mankind, and when men shall only read for instruction and improvement of their minds.

Considerado el texto inaugural de la literatura de terror gótico, inició un género literario que llegó a ser extremadamente popular a finales del siglo XVIII y principios del XIX. La historia está ambientada en Italia durante la Alta Edad Media y se desarrolla en el castillo que da nombre a la historia, cuyo dueño se cree que fue asesinado en las cruzadas. Manfred usurpó su lugar, pero el Castillo tiene una maldición. Los sucesos no sirven como excusa para exponer un periodo histórico sino que es éste el que se subyuga a los acontecimientos creando la atmósfera más adecuada

Horace Walpole (1717-1797), hijo del primer ministro británico Sir Robert Walpole, estudió en Eton y en el King’s College de Cambridge, centro que abandonó sin obtener un título. En 1747 Walpole adqu

Die Burg von Otranto, in der englische Originalfassung: The Castle of Otranto, ist ein Roman des britischen Politikers und Schriftstellers Horace Walpole aus dem Jahr 1764. Walpole begrundete damit die Romangattung des Schauerromans, im Englischen Gothic Novel, und beeinflusst die Literatur damit bis in unsere Zeit.

First published pseudonymously in 1764, The Castle of Otranto purported to be a translation of an Italian story of the time of the crusades. In it Walpole attempted, as he declared in the Preface to the Second Edition, ''to blend the two kinds of romance: the ancient and the modern.'' Crammed with invention, entertainment, terror, and pathos, the novel was an immediate success and Walpole''s own favorite among his numerous works. The novel is reprinted here from a text of 1798, the last that Walpole himself prepared for the press. `with each volume having an introduction by an acknowledged expert, and exhaustive notes, the World''s Classics are surely the most desirable series and, all-round, the best value for money'' Oxford Times

Horace Walpole.El castillo de Otranto (The Castle of Otranto, en inglés) es una novela escrita por Horace Walpole en 1764. Es considerado el texto inaugural de la literatura de terror gótico, iniciando un genero literario que llego a ser extremadamente popular a finales del siglo XVIII y principios del XIX.

"The Castle of Otranto", by Horace Walpole, published in 1764, is generally viewed as the first Gothic novel and it is often said to have founded the horror story as a legitimate literary form.It tells the story of Manfred, the prince of Otranto, who is keen to secure the castle for his descendants in the face of a mysterious curse. The novel begins with the death of Manfreds son, Conrad, who is crushed to death by an enormous helmet on the morning of his wedding to the beautiful princess Isabella. Faced with the extinction of his line, Manfred vows to divorce his wife and marry the terrified Isabella himself. The Castle of Otranto blends elements of realist fiction with the supernatural and fantastical, laying down many of the plot devices and character-types that would become typical of the Gothic: secret passages, clanging trapdoors, hidden identities and vulnerable heroines fleeing from men with evil intent. The novel was a success all over Europe, and the poet Thomas Gray commented in a letter to Walpole that it made some of us cry a little, and all in general afraid to go to bed onights.

Selected and edited by Charles Duke Yonge

Un torrente de misterios y calamidades acechan el castillo de Otranto. Cuando el tirano Manfred va a desposar precipitadamente a su hijo Conrad con la bella Isabella, hija del marqués de Vicenza, un gigantesco yelmo cae sobre el vastago como por obra de magia. Desde entonces ya no solo son despropositos las acciones del señor del castillo; sus movimientos e intenciones despiadados son una lucha contra la maldicion. Los desconocidos, los fantasmas, la pasion o el terror entran en danza por un curso de prodigios sin sosiego que desembocaran en la siempre sorprendente verdad.

Selected and edited by Charles Duke Yonge

Macabre and melodramatic, set in haunted castles or fantastic landscapes, Gothic tales became fashionable in the late eighteenth century with the publication of Horace Walpole's The Castle of Otranto (1764). Crammed with catastrophe, terror, and ghostly interventions, the novel was an immediate success, and influenced numerous followers. These include William Beckford's Vathek (1786), which alternates grotesque comedy with scenes of exotic magnificence in the story of the ruthless Caliph Vathek's journey to damnation. The Monk (1796), by Matthew Lewis, is a violent tale of ambition, murder, and incest, set in the sinister monastery of the Capuchins in Madrid. Frankenstein (1818, 1831) is Mary Shelley's disturbing and perennially popular tale of young student who learns the secret of giving life to a creature made from human relics, with horrific consequences. This collection illustrates the range and the attraction of the Gothic novel. Extreme and sensational, each of the four printed here is also a powerful psychological story of isolation and monomania.