Libros de Historia de la pintura y la escultura, página 49 de 290

Since 1945 the modern revolution in sculpture has gathered pace, and sculpture has now ceased to be the fixed category it once was. In recent decades the modernist idea of sculpture across the UK, America, and Europe, has been challenged, and issues such as nationalityand politics have been brought in to the arena of public discussion. In this ground-breaking account of the development of post-War sculpture Andrew Causey examines innovative and avant-garde works in relation to contemporary events, festivals, commissions, the marketplace, and the changing functions of museums. He explores the use of everyday objects and the importance of sculptural context, discussing figurative and non-figurative works, Anti-form, Minimalism, experimental form, Earth Art, landscape sculpture, installation, and Performance Art. The holistic picture of post-War sculpture which emerges establishes for the first time the key events and themes round which future debate will centre. From the pre-publication reviews: Andrew Causey weaves his way adroitly through the labyrinth of post-War sculpture ...No one else has charted the territory so comprehensively |s Professor Stephen Bann, University of Kent at Canterbury stimulating and persuasive ...balances a searching analysis of the impact of institutional change, issues of sites and environment, and key critical debates with revealing commentaries on individual artists and works of art ...a discerning guide for anyone interested in contemporary art and culture. |s Elizabeth Cowling, University of Edinburgh a clear guide to the various directions of sculpture and the work of sculptors in the years when modern sculpture has begun to stand in its own right as a major art form. |s Sir Anthony Caro, Sculptor

Título: La sillería coral del convento de San Marcos de León Autor: Arantzazu Oricheta García ISBN/ISSN: 978-84-7719-590-0 Depósito legal: Dimensiones: 17x24cm Nº de páginas: 295 Año: 1997

Revisión sistemática de las causas, caracteres y consecuencias del trasvase artístico entre España y la República Argentina entre 1880 y 1930. La política argentina, la eclosión económica del país y el afianzamiento de la clase burguesa en las ciudades durante este periodo, asi como el fenomeno migratorio, son factores que construyen el marco social y economico idoneo para la comercializacion de productos españoles artisticos en Argentina.

The Life and Works art series collects the world's greatest artists and art movements into a handsome set of monographs Each book features a biography of an artist or an explanation of the movement, followed by 50 magnificent, individually commentated reproductions Each is an affordable treasure, sure to please every seasoned critic and newcomer to the beauty of great art.

Desde las dos últimas décadas del pasado siglo y hasta 1930, la República Argentina se convirtió en una excelente salida comercial para los productos pictóricos españoles, tanto de los realizados en la peninsula como de los creados en ultramar. La obra emigrada y pintura de la emigracion convivieron en la capital argentina. El siguiente catalogo ofrece una panoramica general del arte español en Buenos Aires.