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The first English-language collection from one of Indias most hard-hitting writers, these poems brilliantly exemplify writing as an act of resistance. Militant, satirical, and biting, Kalyani Charal pulls no punches in eviscerating paternalistic - and patriarchal - bourgeois socialists who speak on behalf of others.Writing from lived experience, Charal delineates the bourgeois values that fuel the social machinery of caste oppression, while drawing parallels with social and racial marginalisation around the world. Thus, in her poetry, the specificity of Dalit lives in Bengal, a region which prides itself on its Leftist history and enlightened culture, and whose partition into India and Bangladesh has left a legacy of communal tension, refugees, and statelessness, is at the same time the universality of precarity, marginality and dispossession. Finally, there is space for love - wistful and full-throated, with an attentiveness to the natural world that speaks to her claim that "all Dalit woman writers are eco feminists".

1984. Girlo Wolf is born into a world of pickets and poverty. Life on The Rock is precious, but growing up is far from easy. Struggling with her mental health and the backlash of childhood trauma, she falls into a dark underworld of sex, drugs and alcohol. Driven by the stories of home, Girlo finds freedom in writing and strives to become a poet, discovering that her words are a vehicle to recovery and survivorhood.A gut-punching tribute to the reality of life in post-industrial Britain, Gemma June Howells debut novel is an authentic portrayal of the intergenerational struggles of working-class communities and one womans journey to empowerment."A testament to the joy and redemption of breaking the rules and breaking the mould." Rachel Trezise"An omnivorous mind." Niall Griffiths"Fierce, furious and heartfelt, Howells The Crazy Truth explodes from the page" Carly Holmes

From the elegance of the grand salons of Prideaux Place, Padstows most stately of homes, to the wild and remote Cornish coastline, Rosamunde Pilcher captured in her novels Cornwalls unique, diverse beauty and compelling charm. WINNER of the Gorsedh Kernows Holyer an Gof Awards 2023.Rosamunde Pilcher grew up near St Ives, publishing her first novel at the age of 25. Cornwall remained her long-standing inspiration with most of her novels set in this wonderfully diverse landscape. Her most famous novel, The Shell Seekers, catapulted Rosamunde to international fame and created a dedicated fan-base.This new Pitkin guidebook takes the reader on a tour of the key areas and places that inspired Pilchers creative writing. Clamber down the steep Bedruthan Steps and enjoy the traditional Cornish welcome in the beautiful harbour town of St Ives. St Michaels Mount, one of the most famous sights in Cornwall, sits majestically off shore while the sound of the waves battering the coastline is a key element in enjoying a visit to Lands End. These sites and many more informed Rosamunde Pilchers writing, making her novels and short stories some of the most popular and cherished around the world, several of which have been adapted for television.

Before the time of the Cataclysm, there were cities teeming with towers of glass and metal. The Subterranean race did not yet exist, nor did the Avians. In those long-ago times, all humans were alike, and lived together above the ground....Thus begins the story of Icarus and Velvet.This is a love story, modelled on Romeo and Juliet but set in a landscape vastly different from any we have encountered. It is a story of war, hunger and beauty. Teenagers will love the fiesty Velvet and fall in love with Icarus and his world.Perfect for fans of Holly Black, Leigh Bardugo and Suzanne Collins.

Love, lust, boys and shopping - the main worries of a teenage girl? Not for eighteen-year-old Alice Peterson, who, at the height of her youth and an extremely promising tennis career, was diagnosed with rheumatoid arthiritis. In the midst of shock and denial, and the enduring question, Isnt it old people who get arthritis?, Alice had to learn to live with what quickly turned from the odd ache and pain to a very aggressive form of the illness, and rediscover a new path in life.

T. S. Eliot took George Barker onto the Faber poetry list in 1935 with Poems, when Barker was only twenty-two. This was the beginning of a publishing association which would endure through nineteen further volumes. There was an earlier Collected Poems published in 1957, but this edition, published in 1987 towards the end of the writers life, is the definitive edition. Here, readers have access to the contents of all of those volumes together with lesser-known work published by smaller presses and journals both in the UK and abroad. The book allows us to follow the evolution of a major talent who subscribed to no school and scorned all affiliation, but whose work is uncompromisingly true in both its stylistic integrity and its unswerving conception of poetic responsibility.His work was passionate, intellectually challenging and highly original, his language incantatory and often hypnotic. Peter Wilby, Guardian

Nature artist Jane Smith has been fascinated by wildlife communities and ecosystems her whole adult life. Starting from her own garden in Argyll, she travels to ten locations in the west of Scotland - from the towering cliffs of St Kilda and the peatlands of Lewis to the Solway estuary and the urban sprawl of Glasgow - to explore the interaction of people and wildlife in a variety of diverse settings. On her journey she discovers a number of communities who are taking on the job of regenerating their own landscapes and meets a host of fascinating people whose lives are inextricably bound up with questions of sustainability, conservation and landownership. Contents Includes: Western Isles (peatlands) * North Uist (machair) * Islay (farmland) * Loch Arkaig (woodland) * Knapdale (wetland) * Dumfries and Galloway (river and estuary) * Jura (coast) * St Kilda archipelago (sea) * Glasgow (urban landscapes) *Eigg (community ownership)

No one likes Millwall. They dont care. But what does it really take to be a part of this team, or a supporter? A British Sports Books Awards 2011 nominee, Michael Calvins Family provides a unique glimpse into the soul of a real football club. Award-winning sports writer Calvin follows Millwall through an emotional promotion season. There for the first day of training, he was on the substitutes bench at Wembley, 333 days later. He vividly portrays players and management as family men, close to their roots. In captain Paul Robinsons words : Were playing for the people who hate their jobs, whod love our lives. Forget the glitz of the Premier League - this is the beautiful game in all its raucous glory. Intimate and compelling, Calvins unforgettable picture of lower-league English football is essential reading for anyone for whom football is far more than just a game.

The brutal clearances which changed the face of much of rural Scotland in the eighteenth and nineteenth centuries are most often associated with the Highlands. However, one of the most dramatic conflicts between tenant and landowner took place on the small Orcadian island of Rousay. When members of the Royal Commission tasked with assessing the conditions of tenant crofters arrived there, the islands owner, General William Frederick Traill-Burroughs, threatened to evict any islander who gave evidence. As tension mounted, a gunboat arrived to keep the peace, and it was only the belated passing of the Crofters Act of 1886 and a special Act of Parliament directed specifically against the general that saved the islands. This is the dramatic story of these events. At the end of it, Burroughs, once lauded as a national hero who had seen military action in Crimea and India, emerges as a much more complex and human figure that history has previously painted him.

Through most of eight hundred years, Somerled of Argyll has been variously denounced as an intractable rebel against his rightful king and esteemed as the honoured ancestor of the later medieval Lord of the Isles, but he can be recognised now as a much more complex figure of major prominence in twelfth-century Scotland and of truly landmark significance in the long history of the Gael. In this book individual chapters investigate his emergence in the forefront of the Gaelic-Norse aristocracy of the western seaboard, his part in Gaeldoms challenge to the Canmore kings of Scots, his war on the Manx king of the Isles, his importance for the church on Iona, and his extraordinary invasion of the Clyde which was cut short by his violent death at Renfrew in 1164. Perhaps most impressive is the books demonstration of how almost everything that is known of or has been claimed for Somerled reflects the same characteristic fusion of Norse and Celt which binds the cultural roots of Gaeldom. It is this recognition which has led its author to his proposal of Somerleds wider historical importance as the personality who most represents the first fully-fledged emergence of the medieval Celtic-Scandinavian cultural province from which is directly descended the Gaelic Scotland of today.

I bet no other school gives you the chance to chase super villains through hidden tunnels!Thats what Milly Dillane has to say about life at Blaggards, A.K.A Gangster School. Milly and her new friend Charlie have just started at Blaggards. But whats it like to be in a school that teaches lying, kidnapping and stealing instead of Maths and English? Their parents and teachers are master criminals and want them to follow in their footsteps but are Milly and Charlie just too dependable? In this funny and exciting adventure, smart Milly and super-hacker Charlie face some of the worst villains around, including the cold-hearted Pecunia Badpenny and her sidekick: Wolf the evil electronic dog. Can Milly and Charlie beat Badpenny and her demonic plans? And are they criminal enough to keep their place in a school theyve come to love?Kate Wisemans brilliant Blaggards is like Hogwarts for criminal kids!

In volume 1, Professor Verdon sought to identify what crippled social anthropologys original project, that of understanding sociocultural variability. He found its cause in a universal, Aristotelian cosmology that renders groups ontologically variable to their principles of social organization, by defining them in terms of behaviour regulation. In this second volume, he develops a cure to that cosmological malaise: to define groups outside all behaviour regulation, and to define a separate group for every type of activity (unifunctional groups). From these two new cosmological requirements he sets out to define all the main concepts of social anthropology in what he calls an operational language (defined with respect to anthropologys aims, not as entities with intrinsic anthropological attributes): groups, corporations, descent, territoriality, lineages, segmentation, sovereignty and so on.He then applies this language to translate classical ethnographies operationally. He first chose the most famous ethnographies of so-called segmentary lineage societies, the Nuer (Sudan), Tallensi (Ghana) and Tiv (Nigeria), and then added the Berbers from the Rif (Morocco), the Yao (Malawi) and Australian Aborigines. All those societies were described as having descent groups. Translated operationally, ONLY ONE of them retains descent groups (the Tallensi). This leads him radically to transform the ethnographic landscape of social anthropology. Where all ethnographers saw descent groups almost everywhere, he finds them to be rare occurrences, now replaced with clientelistic social formations.Overall, setting out to define a set of etic (objective) concepts, he discovers that this language actually yields much better emic approaches to social organization (an approach closer to the actors subjective experience).

What is postulated here is not the dogmatic laying down of a way of working. Rather the aim is to make evident one possible means of access to an experience of the colour world... and guide actual practice to Rudolf Steiners sketch motifs to their eminent educational power for we recognize in them a path that can become of great significance to the developing human soul. From the Introduction This unique workbook describes the early stages of a training for painters, teachers, as well as complete beginners. These stages are based on recommendations Rudolf Steiner gave for the further development of an art of painting suitable for our time. The authors sources are: Steiners indications for the teaching of painting in the first Waldorf School, his colour and art lectures, and the sketches he made for painters. Together they form a self-contained system of exercises for a new art that is spiritually alive.The path that Gerard and Elisabeth Wagner have set forth which leads to experience of the spiritual basis of artistic activity and strengthens the human beings creative potential can serve as the means for a renewal of the art of painting out of the eternal and inexhaustible sources of the spirit. Sergei O. Prokofieff

Welcome to Kathryn Grays Hollywood or Home, a poetry collection with as much ruthless glamour as any Old Hollywood movie. These worldly-wise poems explore celebrity culture in a mode that is both seriously playful and playfully serious. Here, melancholy and humour, irony and sincerity can be often found in the same poem, creating a rich experience for the film buff or fan of celebrity culture, as the book is full of easter eggs and movie references.Spectres of Hollywood haunt the collection: moguls, politicians, starlets, and monsters. They leap from screen and stage to page, as in Portrait of my Superego as Mommie Dearest: youre / the one swinging the axe, Mommie.Famous actors drop in to entertain, for example in Meryl Streep is my Therapist or Six Ways of Looking at John Cazale, while writers do their best to pitch their best ideas, working hard to convince: Its "relatable". / Its really "relatable" stuff (High-concept).Film memorabilia is explored, likeThe Deer Hunter s bandana, as well as movie-business secrets: the title of As told by Alan Smithee refers to the alter ego that directors use in movie credits when they want to disown their films.Stock characters and plots show up, like the Handome Weeping Boy, and The Meet-Cute, that scene in a romantic comedy where a couple have a first hilarious or cute meeting. Classic 1980s movies like Pretty in Pink andTop Gun make their cameos. Power couples take their place, like Frank Sinatra and Ava Gardner in Night and Day, 1957, and melodrama heightens to Douglas Sirks grand levels in Love. All the stories and characters loom larger than life, and asthe narrator asks, contemplating celebrity Tweets in Fresh Hell,Why cant life be EVERYTHING IN CAPS LIKE CHER?.In decadent celebrity culture, where a star is born every minute and becomes a flop even more quickly, these fierce and funny poems open space for the writer to reassess failures and successes, to overcome writers block, and to remember that we never stop longing for our old dreams to come true. Gray is writing at the top of her game with her much-anticipated second collection. Out of Hollywoods brutal disdain for failure, Gray manages to find spectacle and survival.Grays long-awaited second collection both celebrates and accuses the glamour and imagination of the movies in particular, and of art in general. Whether its Meryl Streep or Ferris Bueller or John Cazale shes writing of, Gray is illuminating, funny, and frequently moving. Underpinning the comedy and satire, though, is a real pain at lifes jolts and times relentlessness: "What happened to the script?", Nick Laird, author of Feel FreeHollywood or Home shines a light on the filmic quality of daily life, reminding us just how thin the membrane between fiction and reality can be. Within its pages we encounter the Mind in various guises: as an invalid from the nineteenth century, a rain-streaked window-pane and (my favourite) a cabinet populated by indescribable figurines. Bristling with energy, humour and kick-ass bravura, at the same time these poems tremble with deeply felt emotion. - Julia Copus, author of Girlhood

Bridgertons England is a location guide to all the key filming sites in the hit Netflix series with author Antonia Hicks linking each fictional location to its real-life counterpart.Winston Churchills former gentlemans retreat, The Reform Club, becomes Whites Club where Anthony Bridgerton and Simon Basset meet to discuss infidelities and smoke cigars, and 18th-century dress shop Modiste is a deli in Baths Abbey Street.Readers can learn about the locations used for the Bridgertons, Featheringtons, Lady Danbury, the Duke of Hastings, Queen Charlotte, Whites, Vauxhall Pleasure Gardens, Somerset House, Primrose Hill, and Cliveden Castle. Sites include Stowe and Painshill Park, Henry VIIIs Hampton Court, Castle Howard, Baths Royal Crescent, Holburne Art Museum, Wilton House, Lancaster House and the most upmarket Air Force officers mess in the world!This is the perfect book for fans of the show but also of grand stately homes and sweeping classical landscapes that producers Chris Van Dusen and Shonda Rhimes picked to bring Julia Quinns novels to life on the screen. Almost all the stately homes, houses, parks and gardens used in Bridgerton are open to the public and the book examines their history, linking important scenes to each location and giving details of where and when you can visit them to relive the drama.

Kenneth Roys panorama of post-war Scottish life begins with the VE night celebrations in the spring of 1945 and ends with the coming onstream of North Sea oil in the autumn of 1975. It was the formative period in the making of modern Scotland, but it is a period little explored in depth and not fully understood until now. Using a wealth of contemporary accounts, the book tells a complex and often disturbing story of a country riven by poverty, struggling for a sense of its own identity, and ill-served by its masters. The Invisible Spirit is unsparing in its examination of the failings of the Scottish establishment. It delivers a stinging indictment of political complacency and judicial incompetence and shows that, too often, the interests of Scotland and its people were betrayed. It exposes how, time and again, the truth was covered up in order to protect the powerful and how the press acquiescently accepted a far from reliable official version of events. The book is also, however, the story of ordinary lives, the aspirations, the hardships and the achievements of the Scots themselves. Richly varied in mood from the controversial to the amusing, The Invisible Spirit is both entertaining and compelling. It provides a unique perspective on Scotland at a turning point in its long history.

A Scots Quair is revolutionary - innovative in its form, deft and humorous in its use of the Scots language, courageous in its characterisation and politics. Central to the trilogy is Chris Guthrie, one of the most remarkable female characters in modern literature. In Sunset song, Gibbons finest achievement, the reader follows Chris through her girlhood in a tight-knit Scottish farming community: the seasons, the weddings, the funerals, the grind of work, the gossip. As the Great War takes its toll, machines repalce the old way of life. Cloud Howe and Grey Granite take Chris from her rural homeland to life in an industrial Scotland and the desperate years of the Depression. The triology as a whole is a major achievment, a picture of society undergoing traumatic and far-reaching transformation. Always readable, never sentimental, A Scots Quair is one of the most important works of Scottish literature.

Bridgerton is the runaway Netflix success that has captured the hearts and imaginations of its biggest ever global audience. Producers Chris Van Dusen and Shonda Rhimes have ripped up the Regency drama rulebook to create a series that speaks to a modern audience. Apart from the intense sexual chemistry, inspired casting and a lavish costume budget, what sets Bridgerton apart is the extensive use of location shooting. Step forward Bath: the Georgian architectural jewel gets to play many different parts of fashionable London. Bridgertons Bath takes you on a tour of all these locations from No.1 The Royal Crescent (the Featheringtons house on Grosvenor Square) to Abbey Green (Covent Garden) and the Abbey Deli (Modiste couturier) on Abbey Street. Bridgerton intersects with Jane Austens world at the Assembly Rooms where one of the early balls takes place, while the 18th-century Bath Guildhall also gets a place on the series dance card. A key character in the drama is Lady Danbury, played by Adjoa Andoh, and her grand mansion is Baths former Sydney Hotel, today the Holburne Museum. Gunters Tea Room was a celebrated London patisserie and in Bridgerton it can be found on Trim Street. Many Bath streets feature regularly, including Beauford Square, a place for regular carriage trips and the Royal Crescent, which in Series One, reverberated to the sound of galloping hooves as our heroine (or her stunt double) raced to stop a duel. The book includes a feature on how the series was filmed in the city, and includes a detailed map so you can follow your own Bridgerton Walking Tour of this beautiful city, which has more to offer besides.

The legendary players, managers, matches and moments that have shaped the history of one of the biggest football clubs in the world are listed in a fascinating A to Z format. From Azpilicueta to Zola, from Abramovich to Wilkins, each legend has their own entry and pictures that have been updated for the 2020/21 season.The fully illustrated book also contains facts and figures of all the clubs league positions, greatest goal scorers, players of the year, most appearances, famous supporters and a Greatest Ever XI as chosen by the fans.The facts and figures include Chelseas performances in the FA Cup and Champions League in 2021, as well as the teams qualification for Europe next season after making it to the final against Manchester City this year.

The Clearances are well known as one of the darkest periods of Highland history. Over a hundred-year period somewhere in the region of 150,000 people evicted from the land they had worked for generations; many were forced to start new lives overseas. The human cost was enormous, but there were huge consequences for the Highland economy too as the land was put to different uses. This book details the Clearances as they affected the island of Mull the Hebridean hub for the emigrant ships which left for the New World. Peter Macnab discusses the influences which changed crofting in the 18th and 19th centuries, the triggers for migration, the crofter protests, the Napier Commission of 1883 and the introduction of various laws to provide security of tenure. Having been brought up in what likely was the last poorhouse in the Hebrides, where his father was governor, Peter Macnab was able to hear directly the stories and about the cruelties suffered. This makes his book a uniquely fascinating perspective on a complex and significant period of Scottish history.