eBooks de Historia de la arquitectura, página 10 de 13

Vitruvius Pollios "The Ten Books on Architecture" stands as a seminal text in the canon of architectural literature, offering a comprehensive treatise that intricately weaves theory, philosophy, and practical guidance. Composed in the first century BC, this work reflects the literary style of classical rhetoric rife with detailed explanations and systematic organization. Vitruvius, addressing a Roman audience, elucidates design principles, the scientific foundations of architecture, and the essential relationship between human life and architectural forms, underscoring the importance of proportion and symmetry in the built environment. Vitruvius himself was an accomplished architect and engineer, likely influenced by the tumultuous political landscape of Ancient Rome and the intertwining of architecture with civic identity. His experiences in military engineering and observations of preceding Hellenistic styles informed his views on institutional and residential design, emphasizing functionality and aesthetic harmony. Vitruvius sought to codify architectural practices of his day, ensuring that knowledge would be preserved for future generations. Readers interested in architecture, engineering, or classical history will find "The Ten Books on Architecture" invaluable, as it not only serves as a manual for practitioners but also as a philosophical exploration of space-making. Its enduring principles resonate across the centuries, providing insights into the essential elements of design, thereby securing its place as a cornerstone text that remains relevant in contemporary discourse on architecture.

O livro "Inícios da Renascença em Portugal: Quinta e Palácio da Bacalhôa em Azeitão" de Joaquim Rasteiro oferece uma análise aprofundada dos primórdios da Renascença em Portugal, focando na Quinta e

In "The Byzantine Achievement," Robert Byron presents a rich tapestry of medieval history, art, and culture, intricately exploring the complexity of Byzantine civilization. Combining meticulous research with a poetic narrative style, Byron delves into the artistic triumphs, architectural marvels, and religious fervor that defined Byzantium, all while situating these achievements within the broader context of European history. His eloquent prose captures the unique synthesis of Hellenistic, Roman, and Christian influences, challenging the perception of Byzantium as a mere footnote to the Western tradition. Robert Byron, a prominent British travel writer and art historian, was deeply influenced by his travels throughout Europe and the Near East, experiences that enriched his understanding of the intricate connections between cultures. His fascination with Byzantiums remnants and cultural legacy stemmed from a broader curiosity about the interplay of history, art, and architecture. This inquiry culminated in "The Byzantine Achievement," a seminal work that reflects his passionate engagement with the subject and offers vital insight into an often overlooked epoch. This book is an essential read for anyone interested in the history of art, architecture, and the complex patterns of cultural heritage. Byrons blend of scholarly rigor and vivid storytelling invites readers to appreciate the profound achievements of the Byzantine Empire, making it a compelling journey for both historians and casual readers alike.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

This volume is the publication and analysis of the tomb of pharaoh Seneb-Kay (ca. 1650-1600 BCE), and a cemetery of associated tombs at Abydos, all attributable to a group of kings of Egypts Second Intermediate Period. The tomb of Seneb-Kay has provided the first known kings tomb of pharaonic Egypt that included decorated imagery in the burial chamber. That evidence, presented in full-color and discussed in detail in the volume, allows us to identify this previously unknown ruler along with a group of seven similar tombs that can be attributed to an Upper Egyptian Dynasty that survived for approximately half a century during a period of pronounced territorial fragmentation in the Nile Valley. The book examines the architecture and artifacts associated with these tombs as well as presents an osteological analysis of the bodies of Seneb-Kay and the other anonymous individuals buried at South Abydos. Seneb-Kays skeletonized mummy was recovered inside his tomb and provides a rare opportunity to examine the body of a king of this era. He is the earliest substantially preserved body of an Egyptian king to survive in the archaeological record, and the first known Egyptian pharaoh whose skeletal remains show that he died in battle. The analysis of his death in a military encounter, along with insights from the other skeletal remains indicates a line of kings whose rise to power was associated with their social background as members of the military elite. The book examines the wider implications of these bodies in terms of the pronounced militarization of society in the Second Intermediate Period. Seneb-Kays tomb has also provided extensive evidence, through its use of reused blocks bearing decoration, of earlier elite and royal monuments at Abydos. The combination of evidence provides a new archaeological and historical window into the political situation that defined Egypts Second Intermediate Period.

The Stones of Venice is a three-volume treatise on Venetian art and architecture by English art historian John Ruskin. Ruskin examines Venetian architecture in detail, describing for example over eighty churches. He discusses architecture of Venices Byzantine, Gothic and Renaissance periods, and provides a general history of the city. As well as being an art historian, Ruskin was a social reformer. He set out to prove how Venetian architecture exemplified the principles he discussed in his earlier works.

In "Vanished Halls and Cathedrals of France," George Wharton Edwards presents a poignant exploration of the architectural splendor and historical significance of Frances grand edifices that have succumbed to time. Through vivid prose and meticulous detail, Edwards captures not only the physical intricacies of these architectural marvels, but also their cultural and spiritual essence in an era shifting away from traditional values. His use of impressionistic language resonates with the Romantic literary context of the late 19th to early 20th century, offering readers a sense of nostalgia for a bygone era while also contextualizing the impact of modernization on heritage. Edwards, an esteemed American artist, author, and advocate for conservation, imbues his work with a passionate commitment towards preserving the stories of these enduring sites. His extensive travels across France, combined with his deep reverence for art and genuine interest in history, reflect the influences that motivated him to undertake this ambitious project. Edwardss background in painting and participation in the Arts and Crafts Movement inform his rich descriptive style, bridging aesthetic appreciation and historical narrative. Essential for both architecture enthusiasts and history buffs, "Vanished Halls and Cathedrals of France" is a compelling journey through the remnants of Frances past. This book serves not only as a visual record but also as a testament to the importance of preserving our cultural legacy. Readers seeking to deepen their understanding of the intersection between architecture and history will find this work an indispensable resource.In this enriched edition, we have carefully created added value for your reading experience:- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

In "Palace and Mosque at Ukhaidir: A Study in Early Mohammadan Architecture," Gertrude Lowthian Bell delves into the architectural marvels of the early Islamic period, specifically focusing on the unique structures found at Ukhaidir. Through meticulous analysis and vivid descriptions, Bell intertwines her admiration for Islamic art with a scholarly examination of its historical context, demonstrating how the architectural styles reflect the cultural and religious dynamics of the era. Her prose is both engaging and informative, blending descriptive artistry with rigorous academic scrutiny, making this work a significant contribution to the fields of art history and Middle Eastern studies. Gertrude Lowthian Bell, an intrepid explorer and a pioneering female archaeologist, dedicated her life to the study of the Middle East. With an extensive background in history and literature, her travels throughout the region, as well as her deep appreciation for its diverse cultures, shaped her understanding of Islamic architecture. Bells insatiable curiosity and expert scholarship illuminate the intricate relationship between architecture and society, providing a nuanced perspective that remains relevant today. This book is highly recommended for anyone interested in architectural history, Islamic studies, or the rich narratives of the Middle East. Bells insightful observations offer readers a window into the grandeur of early Mohammadan architecture while fostering an appreciation for a pivotal era that shaped many facets of contemporary society.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- An Author Biography reveals milestones in the authors life, illuminating the personal insights behind the text.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

In "An Abridgment of the Architecture of Vitruvius," the esteemed Roman architect and engineer Vitruvius Pollio distills core principles of architecture from his comprehensive treatise, "De Architectura." This work is characterized by its blend of practical guidelines and philosophical musings, embodying the intersection of art and science in the architectural realm. Vitruvius emphasizes the triad of firmitas, utilitas, and venustasAistrength, utility, and beautyAihallmarks that continue to inform architectural discourse. The text is richly imbued with historical context, reflecting the Roman architectural practices and the embryonic stages of urban planning, providing timeless insights that resonate with contemporary architects and scholars alike. Vitruvius, often regarded as the father of architecture, lived during a transformative period in Roman history, witnessing the transition from Republic to Empire. His professional background as a military engineer and architect likely shaped his pragmatic approach to building and design. His synthesis of Greek architectural knowledge and local Roman practices culminates in this abridgment, which serves both as a practical guide for builders and a philosophical treatise aiming to elevate architectural practice to an intellectual discipline. This abridgment is an essential read for anyone interested in the foundations of architectural theory, history, and practice. Vitruvius insights offer invaluable lessons not just for architects, but also for historians, artists, and anyone passionate about the built environment. Delve into this work to uncover the enduring principles that have shaped architecture through the ages.

In "Portuguese Architecture," Walter Crum Watson delivers a comprehensive examination of the evolution of architectural styles throughout Portugal, highlighting the unique synthesis of influences that have shaped its built environment. Through a meticulous analysis of historical periods, from Gothic to Manueline, and onto modernism, Watson employs a scholarly yet accessible prose style that offers both aesthetic appreciation and critical insight. The book situates Portuguese architecture within broader European trends while emphasizing distinct regional characteristics, making it an essential resource for students and enthusiasts of architectural history alike. Walter Crum Watson, a seasoned scholar in architectural studies, draws upon his extensive background in both theory and practice to engage with the subject matter deeply. His passion for Portugals rich architectural heritage is underscored by personal experiences living and studying in the country, where he fostered a profound appreciation for its cultural nuances. This intimate connection shapes his arguments, allowing readers to view Portuguese architecture not merely as a collection of buildings but as a reflection of the nationAos identity. I highly recommend "Portuguese Architecture" to anyone eager to explore the intricate dialogue between history and design. This book serves as both an enlightening academic resource and an engaging narrative that will inspire readers to appreciate the depth and beauty of Portugals architectural landscape.

Distinguished by their lavish sculpture, metalwork or tile facades, Art Nouveau buildings certainly stand out. Art Nouveau buildings are unique, audacious and inspirational. Rejecting historic styles, considered inappropriate for an era driven by progress, architects and designers sought a new vocabulary of architectural forms. Their vision was shaped by modern materials and innovative technologies, including iron, glass and ceramics. A truly democratic style, Art Nouveau transformed life on the eve of the twentieth century and still captivates our imaginations today. Beautifully illustrated, this book explains how the new style came into being, its rationale and why it is known by so many different names: French Art Nouveau, German Jugendstil, Viennese Secession, Catalan Modernisme, Italian Liberty and Portuguese Arte Nova. It covers the key architects and designers associated with the style; Victor Horta in Brussels, Hector Guimard in Paris, Antoni Gaudi on Barcelona, Otto Wagner in Vienna, Odon Lechner in Budapest and Charles Rennie Mackintosh in Glasgow. There are detailed descriptions and stunning photographs of buildings to be found in Brussels, Paris, Nancy, Darmstadt, Vienna, Budapest, Barcelona, Milan, Turin and Aveiro. Finally, it covers the decorative arts, stained glass, tiles and metalwork that make Art Nouveau buildings so distinctive.

The fifth book of the collection "Latin America: Thoughts" presents a collection of Ruth Verde Zeins articles on architectural theory, history and critic, arranged around three themes: Teaching and research, case studies and panoramas. Essays that share the belief that architectural design process is both creation of the new and connection with the relevant tradition and that being an eminently practical activity, its completion and renewal only occurs when it relates to conceptual issues.

In "The Parthenon By Way Of Papendrecht," Francis Hopkinson Smith melds his keen observation with a vivid narrative style, immersing the reader in a journey that traverses both time and space. Through a blend of lyrical prose and intricate detail, Smith explores the intersection of classical architecture and the modern experience, particularly emphasizing the influence of the Parthenon on contemporary sensibilities. The book encapsulates a rich intertextual dialogue between the grandeur of ancient Greek design and the everyday lives of those who encounter it, making it a poignant reflection on beauty and culture amidst the evolving societal landscape of the late 19th century. Hopkinson Smith, a notable American artist, engineer, and author, was deeply influenced by his diverse experiences traveling through Europe and his admiration for classical art and architecture. His extensive background in engineering provided him with a unique lens through which he could appreciate the structural prowess of the Parthenon. These elements of his life converge to inspire a work that not only captures the essence of its subject but also invites readers to reconsider their perspectives on art and architectures role in modern society. This book is highly recommended for enthusiasts of art and architecture, as well as those interested in cultural studies. SmithAos elegant storytelling transcends mere historical documentation to present a personal narrative that evokes both appreciation and reflection. Readers will find themselves enriched by this exploration of lasting beauty and its impact on human experience.

In "Stones of the Temple; Or, Lessons from the Fabric and Furniture of the Church," Walter Field intricately explores the symbolic and theological significance of the churchs architecture and furnishings. Employing a vivid, ornate literary style reminiscent of the Victorian era, Field weaves together biblical references, historical context, and an analysis of ecclesiastical design. Through his meticulously detailed observations, he invites readers to reflect on how the physical space of worship enhances spiritual experience, illuminating the profound connections between faith and the built environment. Walter Field, a respected theologian and architectural enthusiast, draws upon his extensive studies in ecclesiastical architecture and his rich background in Christian doctrine to craft this illuminating work. His passion stems from a desire to bridge the gap between faith and the sensory experience of worship, leading him to investigate how the tangible elements of a church can embody divine truths. This book reflects his commitment to enriching the churchs liturgical life through a deeper understanding of its physical surroundings. "Stones of the Temple" is a must-read for anyone interested in the intersection of architecture and faith, encouraging both clergy and laity to appreciate the sacred spaces they inhabit. Fields insights serve as both scholarly guidance and spiritual inspiration, making this work an invaluable resource for those seeking to deepen their understanding of church architectures role in fostering a vibrant community of faith.In this enriched edition, we have carefully created added value for your reading experience:- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

In "Hampton Court," Walter Jerrold weaves an intricate tapestry of history, architecture, and the multifaceted lives intertwined with one of Englands most iconic royal palaces. Jerrolds literary style is characterized by his rich, evocative prose that brings to life the grandeur and decay of the site, while seamlessly merging historical facts with engaging narratives. The book contextualizes Hampton Court not merely as a building but as a living entity steeped in tales of political intrigue, personal triumphs, and tragedies, reflecting the broader societal changes in England from Tudor times to the modern era. Walter Jerrold, a prominent figure in early 20th-century English literature, was deeply entrenched in the literary and cultural movements of his time. His fascination with history and strong background in writing about English heritage likely shaped his decision to explore Hampton Court. Jerrolds keen interest in the intersections of social history and architecture enables him to present a vibrant portrait of this landmark, revealing both the myths and realities that surround it. "Hampton Court" is a compelling read for anyone fascinated by Englands royal history, architecture, or cultural heritage. Jerrolds masterful blending of narrative and scholarship not only appeals to historical enthusiasts but also invites general readers to explore the echoes of the past within the walls of this storied palace.

In "The Mausoleum at Halicarnassus Restored in Conformity With the Recently Discovered Remains," James Fergusson meticulously examines the architectural and historical significance of one of the Seven Wonders of the Ancient World. Through a combination of historical analysis, archaeological findings, and imaginative presentation, Fergusson provides a comprehensive restoration of the mausoleum, blending rigorous scholarship with vivid descriptions that recreate its grandeur. His work is distinguished by a literary style that balances technical detail with engaging narrative, reflecting the Victorian eras fascination with archaeology and classical history. James Fergusson, a Scottish architect and historian, was deeply influenced by the burgeoning archaeological discoveries of his time, which spurred his lifelong interest in ancient structures. His background in architecture informs his detailed and nuanced approach to the subject, allowing him to envision the mausoleumAos design and its aesthetic significance in the context of Hellenistic culture. Fergussons passion for uncovering the past resonates throughout the text, revealing his dedication to preserving historical integrity while fostering a greater appreciation for ancient artistry. This book is a must-read for anyone interested in classical architecture, archaeology, or the interplay between history and memory. Fergussons insightful analysis not only illuminates the luxurious design of the Mausoleum at Halicarnassus but also contributes meaningfully to contemporary discussions on heritage and preservation. Engage with this seminal work to deepen your understanding of both an iconic structure and the scholarly efforts that seek to restore its legacy.

In "Vanished Towers and Chimes of Flanders," George Wharton Edwards offers a poignant exploration of the cultural and architectural heritage of Flanders, depicted through a rich tapestry of both prose and illustration. The text seamlessly intertwines the historical significance of its landmarks with Edwards personal reflections, creating a meditative journey through this storied region. His literary style is characterized by evocative imagery and a lyrical quality that invites readers to envision the vanished towers and listen to the chimes of the past, effectively placing Flanders architectural splendor within a context of loss and nostalgia, resonant of the early 20th-century romanticism that sought to capture fleeting beauty. George Wharton Edwards, an American artist, writer, and photographer, was deeply influenced by his travels through Europe, where he developed a profound appreciation for various cultural landscapes. His work often highlights the intersection between art and observation, reflecting both his artistic pursuits and his commitment to preserving the narratives of places and their histories. His experiences in Flanders profoundly impacted his artistic vision, leading him to elucidate the ephemeral nature of human constructs in the face of times relentless passage. "Vanished Towers and Chimes of Flanders" is recommended for historians, art enthusiasts, and anyone captivated by the interplay between memory, architecture, and cultural identity. EdwardsAo lyrical prose and vivid illustrations not only spark curiosity but also inspire a sense of reverence for a region whose stories and edifices linger in the collective memory.

The definitive guide to Art Deco buildings in Britain.The perennially popular style of Art Deco influenced architecture and design all over the world in the 1920s and 1930s from elegant Parisian theatres to glamorous Manhattan skyscrapers. The style was also adopted by British architects, but, until now, there has been little that really explains the what, where and how of Art Deco buildings in Britain. In Art Deco Britain, leading architecture historian and writer Elain Harwood, brings her trademark clarity and enthusiasm to the subject as she explores Britains Art Deco buildings.Art Deco Britain, published in association with the Twentieth Century Society, is the definitive guide to the architectural style in Britain. The book begins with an overview of the international Art Deco style, and how this influenced building design in Britain. The buildings covered include Houses and Flats; Churches and Public Buildings; Offices; Hotels and Public Houses; Cinemas, Theatres and Concert Halls; and many more.The book covers some of the best-loved and some lesser-known buildings around the UK, such as the Midland Hotel in Morecambe, Eltham Palace, Broadcasting House and the Carreras Cigarette Factory in London. Beautifully produced and richly illustrated with architectural photography, this is the definitive guide to a much-loved architecture style.

In "Casa Grande Ruin," Cosmos Mindeleff presents a meticulous exploration of the architectural and cultural significance of the Casa Grande, a large structure built by the ancient Salado people of Arizona. Through his detailed descriptions and analytical approach, Mindeleff employs a blend of ethnographic insight and archaeological observation, situating the Casa Grande within the broader canvas of Native American history. The book exemplifies the late 19th-century interest in anthropology and archaeology, reflecting a burgeoning desire to understand the complexities of indigenous cultures amid a rapidly changing landscape of American expansion. Cosmos Mindeleff, an architect and ethnologist, was profoundly influenced by his work with the U.S. Geological Survey, where he developed a keen appreciation for the interaction between nature and human creativity. His background in architecture enabled him to analyze the structural elements of the Casa Grande with precision, while his engagements with Native American communities enriched his perspective on their traditions and innovations. Mindeleffs expertise positions him uniquely to convey the significance of this ancient ruin, fostering a deeper understanding of its historical and cultural context. "Casa Grande Ruin" is a compelling read for enthusiasts of archaeology, architecture, and Native American history. Mindeleffs thorough investigation serves as both a scholarly resource and a vivid narrative that invites readers to appreciate the ingenuity of ancient societies. This work stands as a tribute to the resilience of cultural memory, making it an essential addition to the library of anyone seeking to understand the intricate tapestry of Americas history.In this enriched edition, we have carefully created added value for your reading experience:- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

In The Architecture of Provence and the Riviera, David MacGibbon offers an illuminating exploration of the unique architectural heritage found in one of Frances most picturesque regions. The book examines the interplay between the natural landscapes and man-made structures, detailing how local materials and cultural influences have shaped distinct architectural styles. MacGibbons keen eye for design nuances imbues the narrative with vivid descriptions, making it a captivating read for both enthusiasts and scholars alike. Engaging with historical context, he highlights the evolution of architecture from classical influences to modern innovations, placing it squarely within the broader discourse of architectural history. David MacGibbon, an esteemed architectural historian, has devoted his career to the study of European architectural influences. His extensive research and fieldwork in Provence and the Riviera that inspired this work stems from his lifelong fascination with the regions blending of tradition and modernity. MacGibbons background in both architecture and cultural studies provides him with a unique lens through which to analyze the built environment, making his insights particularly valuable in understanding the significance of these architectural forms. This book is a must-read for anyone interested in architecture, history, or the evocative beauty of Provence and the Riviera. MacGibbons meticulous research and engaging prose not only enrich the readers appreciation of the regions aesthetic but also deepen their understanding of the cultural narratives that permeate its architectural landscape.In this enriched edition, we have carefully created added value for your reading experience:- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

In "Brick and Marble in the Middle Ages: Notes of Tours in the North of Italy," George Edmund Street offers a meticulous examination of medieval architecture through his insightful observations on various Italian structures. The book weaves together vivid descriptions and technical insights, showcasing the interplay between materials and design principles that defined the era. StreetAos literary style places a strong emphasis on detailed visual imagery and historical context, guiding the reader through the intricacies of brick and marble as not merely materials, but as carriers of cultural significance and architectural innovation during the Middle Ages. George Edmund Street, a prominent Victorian architect and architectural critic, possessed a deep fascination for Gothic architecture that undoubtedly influenced his writings. His extensive travels in ItalyAiamongst the vibrant cathedrals and historic edificesAiallowed him to compile a unique perspective that combines practical architectural appreciation with scholarly research. StreetAos formative engagement with the architectural heritage of Europe reflects his commitment to heritage conservation and incited discussions of aesthetic and structural integrity in his time. This book is essential for anyone interested in architectural history, medieval studies, or the evolution of design principles. StreetAos insightful commentary not only enhances our understanding of the technical aspects of these monumental structures but also invites us to appreciate the artistic and cultural narratives they encapsulate. A must-read for scholars and enthusiasts alike, StreetAos work serves as a bridge between the past and contemporary architectural discourse.