eBooks de Historia de la arquitectura, página 9 de 13

Architectural patronage was crucial for the thinking of Aby Warburg and his circle. In Hamburg the purpose-designed Kulturwissenschaftliche Bibliothek Warburg, completed in 1926, organized Warburgs remarkable library. From 1927 Warburg developed ideas about orientation in the radical transformation of a disused water tower into the Hamburg Planetarium. After the Warburg Institute transferred to London in 1933 this pattern of seminal architectural commissioning continued, including projects designed by the avant-garde practice Tecton during the 1930s, and culminating in the construction of the librarys present home at Woburn Square, Bloomsbury in 1958. Warburg Models: Buildings as Bilderfahrzeuge follows this history, using archive photographs, architectural drawings and a series of architectural models to show how the Warburg scholars projected a connection between their own physical occupancy of architectural space and their shared ideas about intellectual order, cultural survival, and memory.MARI LENDING and TIM ANSTEY are both professors of architectural history at the Oslo School of Architecture and Design. Their continuing archive-based seminar on the relationship between the Warburg Institute and architecture has developed into an exhibition and a book, not least because of the skilled participation of their model-building students.

Birth Houses (Mammisis) are important components of late Egyptian temple complexes but have not been investigated in detail since the fundamental study of Francois Daumas published in 1958. In the meantime, new archaeological findings as well as re-evaluations of theology and piety in Greco-Roman Egypt have considerably expanded our traditional understanding of these extraordinary buildings. Therefore, reassessment of phenomena and expanded research approaches need to be undertaken. This book presents the printed versions of the lectures given by international Egyptologists at the IFAO in Cairo on March 27-28, 2019, as part of the 1st Colloquium on "Mammisis of Egypt". In the publication, criteria and reconsiderations are put up for discussion that can be decisive for the identification and definition of Mammisis. The spectrum of topics ranges from theological basics (including the significant birth cycle) and typical features, through historical development and cultic events, to the architecture of these temple buildings. Special motifs, theoretical and iconographic concepts and finally the persistence of certain rites in modern Egypt are also covered. One chapter introduces current scientific projects and their methods that are dedicated to selected mammisis or chapels (Coptos, Deir el-Medina, Edfu, Kom Ombo, Philae, Bahariya, Kellis, Jebel Barkal). Numerous illustrations complement the contributions. They contain new material from excavations that is being published for the first time.

In The Tower of London (Vol. 1 & 2), Lord Ronald Gower offers a comprehensive exploration of one of Englands most iconic historical sites. Combining meticulous research with vivid narrative prose, Gower delves into the Towers storied past, chronicling tales of intrigue, imprisonment, and royalty. His literary style reflects the 19th-century penchant for romanticism, imbuing historical events with dramatic flair while remaining anchored in factual detail. The work is situated within a broader Victorian context of national reflection and cultural identity, as Gower evokes the Towers symbolism as a monument to both monarchy and the tumultuous history of England. Lord Ronald Gower, a notable British sculptor, playwright, and biographer, was deeply connected to the arts and the historical milieu of his time. His passion for history and its preservation, along with his artistic background, undoubtedly informed his approach to this monumental work. Gowers fascination with historical subjects, combined with his commitment to detail, allows readers to appreciate the architectural and emotional nuances of the Tower, making his work a cherished addition to historical literature. Recommended for history enthusiasts and general readers alike, The Tower of London provides not only a window into the past but also a reflection on the enduring power of history in shaping national identity. Gowers dual volume is essential for anyone seeking to understand the significance of this emblematic fortress and its role in the tapestry of English heritage.

Extraordinary sites associated with the Bauhaus and modernism can be found throughout Germanypioneering architecture that has enduringly shaped our understanding of life and work, learning and living. This travel guide brings the historical and architectural traces of over 100 examples of Neues Bauen building to life, making tangible the impact of the historical Bauhaus beyond the school, its sites and its time.Along with well-known buildings, the guide features insiders tips throughout Germany, attractive illustrations, texts, practical information, and maps. The essays by Werner Durth and Wolfgang Pehnt outline the history of the Bauhauss context and its influence to the present day.The leading Bauhaus institutions in Germany have been working together as BAUHAUS KOOPERATION BERLIN DESSAU WEIMAR. They include the Bauhaus-Archiv / Museum fur Gestaltung, Berlin; the Stiftung Bauhaus Dessau; and the Klassik Stiftung Weimar.

In "Prehistoric Villages, Castles, and Towers of Southwestern Colorado," Jesse Walter Fewkes meticulously explores the architectural and cultural remnants of ancient Native American societies that flourished in the region. With an eloquent prose style reminiscent of late 19th and early 20th-century anthropological writing, Fewkes weaves together archaeological findings, historical descriptions, and illustrations to depict a vivid portrait of these prehistoric settlements. His work is situated within the broader context of American archaeology, which was rapidly evolving during his time, emphasizing the significance of environmental factors in shaping human habitation patterns. Jesse Walter Fewkes was a prominent American archaeologist and anthropologist, deeply influenced by the burgeoning field of anthropology in the early 1900s. His experiences working with tribal communities and his commitment to understanding their cultural heritage propelled him to document the archaeological landscapes of the American Southwest. FewkesAo scholarly approach and attention to detail reflect his dedication to preserving the legacies of these ancient civilizations, an endeavor that was notably progressive for his era. This book is an invaluable resource for readers interested in anthropology, archaeology, and the intricate histories of Native American cultures. Fewkes insights and observations illuminate the complexities of prehistoric life in southwestern Colorado, making it a must-read for both scholars and curious enthusiasts alike.

In "Character of Renaissance Architecture," Charles Herbert Moore provides a profound exploration of the architectural innovations that defined the Renaissance period. Through meticulous analysis, Moore delves into the aesthetic principles, structural advancements, and cultural significance that characterized this transformative era. His eloquent prose and critical eye highlight the interplay between art and science, presenting not only a historical account but also an examination of the philosophical underpinnings of Renaissance thought, particularly how they influenced architectural design. This work stands as a meticulous scholarly text, emblematic of its time and context, as it bridges the artistic aspirations of the past with the intellectual inquiries of the late 19th century. Charles Herbert Moore was a pivotal figure in the realm of architecture and its criticism, an academic deeply engrossed in the study of architectural forms and histories. His extensive background in both classical studies and contemporary architecture allowed him to bring a unique perspective to his writings. Influenced by the interplay of aesthetic and functional elements in architectural education, Moore sought to articulate the enduring impact of Renaissance architecture on modern design sensibilities. This book is highly recommended for scholars, architecture students, and enthusiasts who wish to gain a comprehensive understanding of Renaissance architectures legacy. Moores blend of historical analysis and aesthetic critique offers valuable insights, making it an essential addition to the libraries of anyone interested in the evolution of architectural thought.

Lavishly illustrated and accessibly written, Classical Architecture takes the reader on a journey through the history of this iconic architectural genre, starting with an introduction to its origins in ancient Greece, through its resurgence across Europe during the Renaissance, to its influence on modern-day architectural design in locations as diverse as Shanghai and Washington DC.Written by Professor of Architecture and established author Andrew Ballantyne, and illustrated with over 100 photographs, this book will prove invaluable to anyone wanting to explore and understand this important and pervasive architectural style. Classical architecture has developed through many styles to become the backbone of western architecture. It was refined in ancient Greece mainly in sacred places. This architecture of finely modelled columns was taken up by the Romans and spread across their empire, changing on the way, so by the time the Roman empire collapsed it had become an architecture of arches and vaults. The monuments were impressive, even as ruins, and inspired imitation in later ages.

Muitos lugares que atualmente são denominados de praças, surgiram como largos ou adros, denominação atribuída no século XV, na sociedade ocidental. Os largos eram espaços públicos sem construções ou

Introducing Britains finest examples of brutalist architecture.Brutalist architecture is more popular now than it has ever been. Imposing and dramatic, with monolithic concrete exteriors, it forms an enduring part of our post-war urban landscape. This beautifully photographed book is an authoritative survey of the finest British examples from the very late 1950s to the 1970s, from leading architectural writer Elain Harwood, following on from her acclaimed books on art deco and mid-century architecture.It features iconic public buildings like Londons National Theatre, imposing housing such as the Trellick Tower in West London and Park Hill in Sheffield, great educational institutions including the University of Sussex, and places of worship such as Liverpools glorious Metropolitan Cathedral, along with some lesser-known buildings such as Arlington House on Margates sea front.Headed up with an introduction that places British brutalism within the context of global events and contemporary world architecture, the huge range of buildings is arranged into Private Houses and Flats, Public Housing, Educational Buildings, Public Buildings, Shops, Markets and Town Centres, Culture and Sport, Places of Worship, Offices and Industry and Transport, and there is a chapter on the atmospheric brutalist sculptures and murals that dot our cities.If youre part of the increasingly large ranks of brutalism fans, or interested in late 20th-century architecture and society in general, Brutalist Britain is the book for you.

Um dos mais brilhantes críticos de sua geração, Reinhold Martin debruça-se sobre o pós-modernismo na arquitetura e analisa suas consequências, com reflexos ainda reconhecíveis na atuação de arquiteto

In "Prehistoric Structures of Central America: Who Erected Them?", Martin I. Townsend embarks on an archaeological odyssey to unveil the mysteries surrounding the monumental architecture of ancient Central America. This meticulously researched work combines rich descriptive language with analytical rigor, immersing readers in a landscape where cultural heritage and historical inquiry intersect. Townsend examines various significant sites, from the enigmatic pyramids of the Maya to the colossal structures of the Olmecs, employing a multidisciplinary approach that includes archaeological evidence, historical texts, and indigenous oral traditions to highlight the cultural significance of these edifices and their builders. Martin I. Townsend, a noted archaeologist and historian with extensive fieldwork experience in Central America, draws on decades of scholarly research and a deep passion for the regions past. Influenced by the vibrant cultural tapestry and the complexity of pre-Columbian societies, Townsends commitment to understanding the origins of these structures informs both his passion and proficiency. His insights reveal not only the physical labor involved in constructing these grand works but also the social and spiritual dimensions that motivated their creation. This book is indispensable for scholars, students, and enthusiasts of archaeology, history, and anthropology. Townsends compelling narrative invites readers to engage critically with the past, fostering a deeper appreciation for the civilizations that once flourished in Central America. Discover the mysteries behind the monumental remains of this rich heritage and challenge your understanding of who erected these breathtaking structures.

In "The Seven Periods of English Architecture Defined and Illustrated," Edmund Sharpe offers a meticulous examination of English architectural styles from the Norman Conquest to the Gothic Revival. This seminal work is characterized by its clear, systematic delineation of architectural periods, accompanied by detailed illustrations that serve to enhance the readers understanding of each styles unique features. Sharpes scholarship reflects the Victorian eras burgeoning interest in historical architecture, situating the text within a context of both architectural theory and practice, as he seeks to foster an appreciation for Englands rich architectural heritage. Edmund Sharpe, a noted architect and antiquarian, was profoundly influenced by the prevailing Romantic ideals of his time, which emphasized a connection to the past and an appreciation of craftsmanship. His firsthand experience with architecture, coupled with his role as a member of the Cambridge Camden Society, positioned him well to create a work that not only documents but also celebrates the evolution of English architecture. Sharpes passion for the subject matter is evident in his thoughtful analysis and illustrative skill, showcasing his commitment to architectural education and heritage preservation. This book is an essential read for anyone interested in architecture, history, or the evolution of cultural identity in England. Sharpes authoritative voice and captivating revelations provide readers with a profound understanding of the aesthetic and academic significance of English architecture. Engaging for both scholars and enthusiasts, this work is a cornerstone text that transcends time, enriching our appreciation for the built environment.

In "An Account of Valle Crucis Abbey, Llangollen, and All the Recent Discoveries," the anonymous author presents a meticulously researched exploration of Valle Crucis Abbey, uncovering its historical significance and architectural intricacies. Written in a descriptive and objective literary style, the work synthesizes archaeological findings and historical texts, placing the abbey within the broader context of Welsh ecclesiastical history. The texts attention to local folklore and cultural narratives enriches its scholarly rigor, offering readers a vivid portrayal of the abbeys role in the regions spiritual and historical landscape. The anonymity of the author invites speculation into their identity, yet their extensive knowledge of Welsh history and architecture is undisputed. The author likely draws from a combination of personal passion, local heritage, and academic inquiry, reflecting the 19th-century scholarly interest in Gothic architecture and national identity that characterized the Romantic movement. Their commitment to unearthing the past perhaps stems from a profound reverence for Waless ecclesiastical heritage and a desire to preserve its narrative. This book is a valuable resource for historians, archaeologists, and general readers interested in Welsh history and architecture. It not only deepens our understanding of Valle Crucis Abbey but also stands as a testament to the enduring cultural importance of historical sites. Readers seeking to connect with the past will find this account both enlightening and enriching.

In The Cathedrals and Churches of the Rhine, M. F. Mansfield offers an evocative exploration of the architectural marvels dotting the banks of the legendary Rhine River. With a prose style that marries scholarly precision with lyrical grace, Mansfield delves into the rich tapestry of Gothic and Romanesque structures that have shaped Europes cultural and spiritual heritage. The narrative is enhanced by vivid descriptions and historical context, illuminating the churches roles not only as religious sites but also as reflections of regional identity and artistic achievement throughout the ages. M. F. Mansfield, an esteemed art historian with a focus on ecclesiastical architecture, draws from extensive research and personal travels along the Rhine to compose this insightful volume. His background in both theology and art history lends authority to his examination of these sacred spaces, allowing him to interpret their aesthetic and religious significance while addressing the socio-political milieu that influenced their construction. This book is an essential read for scholars, students, and lovers of architecture and history alike. Mansfields eloquent narrative and meticulous research will engage those seeking to understand the interplay between art, faith, and community along one of the most historically rich rivers in Europe.

In "Travels in South Kensington with Notes on Decorative Art and Architecture in England," Moncure Daniel Conway meticulously explores the rich tapestry of Englands decorative arts and architectural elegance, particularly focusing on the affluent South Kensington area. Employing an observational style, Conway interweaves detailed descriptions with historical context, allowing readers to appreciate the cultural significance of various art forms. This work stands out not just as a travel narrative but as a scholarly commentary on the 19th-century art movement, reflecting the Victorian ethos of aestheticism and the emerging global influence on British art and design. Moncure Daniel Conway, an American abolitionist and reformer, possessed a profound appreciation for art and its capacity to inspire social change. His background as a Unitarian minister and his exposure to transformative philosophical ideas influenced his perspective on the interrelation of art, culture, and society. Conways travels across Europe sparked his passion for highlighting the underappreciated artistry of everyday life, culminating in this in-depth analysis of South Kensington. I highly recommend "Travels in South Kensington" to anyone interested in the intersection of art, architecture, and cultural history. Conways engaging narrative offers both practical knowledge and a reflective lens on the importance of decorative arts, making it an invaluable resource for scholars, students, and arts enthusiasts alike.

In "Drawings of Old London," Philip Norman invites readers to traverse the cobblestone streets of historical London through an exquisite collection of illustrations that breathe life into the citys past. The book is not merely a visual delight; it is a meticulously researched narrative that interweaves the artistic representations of bygone eras with poignant anecdotes and historical context. The literary style reflects a rich tapestry of descriptive prose, underscored by a keen observation of cultural nuances, inviting readers to engage deeply with each drawing while contemplating the evolution of urban life and heritage. Philip Norman, a distinguished biographer and chronicler of British culture, has long been captivated by the diverse narratives of London. Holding a fervent interest in the interplay between societal changes and artistic expression, Normans background in journalism and biography greatly influences his storytelling approach, as he consistently strives to unveil the layers of meaning behind visual art. His love for the city, coupled with a profound understanding of its storied past, informs this artistic exploration. "Drawings of Old London" is an essential read for anyone fascinated by history, art, or the complexities of urban life. It serves as an engaging visual guide that not only illuminates Londons architectural splendors but also evokes a deeper contemplation of the citys ever-evolving identity. Readers are encouraged to immerse themselves in this captivating tribute to one of the worlds most vibrant capitals.

In "A B C of Gothic Architecture," John Henry Parker meticulously demystifies the complexities of Gothic architecture, weaving together historical insights with practical illustrations and detailed descriptions. The book serves as both a guide and a compendium, featuring clear explanations of architectural elements such as arches, cathedrals, and the intricacies of medieval design. Parkers literary style is marked by clarity and precision, making the text accessible to both enthusiasts and scholars, while its scholarly context situates it within the Victorian eras burgeoning interest in heritage conservation and architectural study. John Henry Parker (1806-1884) was a prominent architectural historian and a key figure in the revival of Gothic architecture during the 19th century. His background in architecture and archaeology, combined with a deep appreciation for medieval craftsmanship, propelled him to pen this influential work. Parkers passion for preserving historical edifices informed his writing, as he sought to articulate the significance and beauty of Gothic structures, particularly amid the rampant industrialization of his time. For readers fascinated by architectural history or those simply looking to deepen their appreciation of Gothic structures, Parkers "A B C of Gothic Architecture" is an indispensable resource. Its engaging prose and rich visual content make it an enlightening read, inviting both novices and experts to explore the grandeur of this iconic style.

In "Annals of a Fortress," Eugene-Emmanuel Viollet-le-Duc deftly intertwines architectural critique with historical narrative, exploring the evolution of medieval fortifications in France. The book is imbued with a meticulous attention to detail, reflecting Viollet-le-Ducs expertise in Gothic architecture and his innovative style that blends vivid imagery with informative commentary. Set against the backdrop of the mid-19th century, during which there was a resurgence of interest in medieval heritage amidst the Industrial Revolution, this work serves as both a tribute to and a critical analysis of the fortifications that shaped national identity. Viollet-le-Duc, a pioneering architect and a prominent figure in the Gothic Revival movement, was driven by a profound appreciation for historical structures. His extensive travels and studies of existing fortresses not only influenced his restoration projects but also sparked a desire to document and reflect on the principles of fortification. The insights he gained from his architectural endeavors instilled in him a passion for preserving the past, which culminated in this significant literary contribution. I highly recommend "Annals of a Fortress" for readers interested in the intersection of architecture, history, and cultural memory. This text not only captures the majestic splendor of medieval fortifications but also invites readers to contemplate the broader implications of preserving cultural heritage in our rapidly changing world.

In "Cliff Castles and Cave Dwellings of Europe," S. Baring-Gould intricately explores the fascinating architectural and cultural history of Europes cliffside fortresses and cave dwellings. The book employs a richly descriptive literary style that marries vivid imagery with meticulous research, inviting readers on a profound journey through time. Baring-Gould situates these structures within their geographic and historical contexts, examining how they were shaped by the natural landscape and human ingenuity. His narrative weaves together anecdotes, architectural details, and reflections on the archaeological significance of these unique sites, illustrating their enduring impact on European heritage. S. Baring-Gould was not only a gifted author and scholar but also an Anglican priest with a deep appreciation for folklore and history. His diverse interests, which spanned various disciplines including theology, folklore, and archaeology, significantly influenced his writing. A fervent traveler, Baring-Goulds extensive journeys throughout Europe allowed him to intimately connect with the environments and communities he describes, enriching the authenticity and depth of his work. This compelling volume is a must-read for historians, architecture enthusiasts, and travelers alike. It offers a captivating glimpse into the lives of individuals who inhabited these remarkable structures and encourages readers to ponder the intersection of nature, culture, and history. For anyone intrigued by the tales etched in stone, Baring-Goulds exploration invites both admiration and curiosity.

In "History of the Cathedral Church of Wells," Edward A. Freeman intricately chronicles the architectural, religious, and sociopolitical evolution of one of Englands most significant ecclesiastical structures. The narrative blends meticulous historical research with a lyrical prose style that reflects the grandeur of the Cathedral itself. Freemans work is situated within the Victorian eras burgeoning interest in Gothic architecture and medieval history, serving as both a scholarly treatise and a celebration of the Cathedrals enduring legacy. He delves into the myriad influences that shaped the church, from its early foundations to its modern-day significance, harmonizing historical facts with evocative descriptions. Edward A. Freeman, a prominent 19th-century historian and advocate for the importance of a united historical narrative, imbues his writings with a sense of place and purpose. His scholarly background, bolstered by an interest in ecclesiastical history and the social climate of his time, provides a rich context for understanding the intricate relationship between religion and architecture. Freemans insights on the interplay between historical continuity and change allow readers to appreciate not only the Cathedrals past but its role in shaping community identity. "History of the Cathedral Church of Wells" is recommended for anyone with an interest in architectural history, religious studies, or the medieval period. Freemans thorough research, enhanced by his poetic sensibility, renders this volume both informative and engaging, inviting readers to experience the timeless beauty and historical weight of Wells Cathedral.