Preventa de eBooks de Colecciones de arte

Conflict does more than destroy physical spaces it extinguishes lives, erases histories and disrupts the collective memory of entire communities. In Gaza, where genocide has brought unimaginable suffering, the destruction of cultural heritage adds another dimension of loss. Tangible and intangible legacies the sites, artifacts and stories that anchor identity are being destroyed alongside the people who create and preserve them. In such a context, the act of archiving becomes vital, a way to resist erasure and to preserve memory amid destruction.Archiving Gaza in the Present addresses this urgent crisis. Edited by Venetia Porter and Dina Matar, this interdisciplinary collection gathers voices from diverse fields law, art, archaeology, journalism, architecture and more who document the degradation of Gazas rich cultural landscape and explore the ways in which we can preserve its memory and heritage. In essays, interviews, poems and visual materials, including more than one hundred photographs, maps and artworks, this invaluable collection emphasises the legal, emotional and cultural stakes of the preservation of Gaza and its culture.Archiving Gaza in the Present is a crucial resource for understanding the intersections of war, heritage and identity, and a call to action for intervention and preservation.Contributors include Selma Dabbagh, Salman Abu Sitta, Shareef Sarhan, Hazem Harb, Malak Mattar, Marc-Andre Haldimann, Nadia Yaqub, Omar Al-Qattan, Kegham Djeghalian, Caitlin Procter, Atef Alshaer, Shatha Safi, Yara Sharif and Nasser Golzar.

To mark the 200th anniversary of the Karlsruhe Institute of Technology (KIT), its history is being told through 100 selected objects. Proposals from the entire institute were submitted in response to a "Call for Objects." The curators Klaus Nippert and Andrea Stengel provide historical classifications of the objects with regard to their role in research, teaching, and development. The catalogue shows numerous new images of the objects, photographed by Jonas Zilius and Amadeus Bramsiepe, and mediates between their current appearance and the historical perspectives raised. In the design, Christoph Engel interweaves text and image in a special form that invites you to take a visual stroll.Klaus Nippert studied history and philology, and has a doctorate in early modernism. In 2002, he became head of the University Archive Karlsruhe, since 2009 the KIT Archive. He has published in the fields of archival, historical, and literary studies.

To mark the 200th anniversary of the Karlsruhe Institute of Technology (KIT), its history is being told through 100 selected objects. Proposals from the entire institute were submitted in response to a "Call for Objects." The curators Klaus Nippert and Andrea Stengel provide historical classifications of the objects with regard to their role in research, teaching, and development. The catalogue shows numerous new images of the objects, photographed by Jonas Zilius and Amadeus Bramsiepe, and mediates between their current appearance and the historical perspectives raised. In the design, Christoph Engel interweaves text and image in a special form that invites you to take a visual stroll.Klaus Nippert studied history and philology, and has a doctorate in early modernism. In 2002, he became head of the University Archive Karlsruhe, since 2009 the KIT Archive. He has published in the fields of archival, historical, and literary studies.