eBooks de Colecciones de arte, página 4 de 65

Neste segundo volume, acrescento também, além de outros Países, as lendas contadas pelos primeiros habitantes do Brasil, anteriormente conhecido como Catígara, segundo antigos mapas do Almirante Piri Rais, conhecidos como os naturais da terra ou indigenas como foi rotulado. No passado remoto, todo conhecimento era transmitido oralmente, de geraço em geraço, muitas vezes em forma de lendas.

Cartas Sertanejas é um livro de contos que retrata o microcosmo da vida no sertão brasileiro. Neste livro, o leitor conhecerá as histórias de personagens verossímeis que sobrevivem diante das mazelas

Todos veem aquilo que o príncipe parece ser, mas poucos tocam naquilo que ele de fato é; e aqueles que tocam não ousam opor-se à opinião dos muitos que se respaldam na majestade do Estado para defend

COMPRADORES DE DIAMANTES por Leda Figueiredo Rocha do Lago

As histórias de um poeta é um livro que reúne vários textos do poeta e músico Joaquim Nogueira Dantas (1898 1977), nunca publicados antes e escritos em épocas diferentes, entre os anos de 1918 a 1976. Os textos no seguem uma organizaço cronologica quanto as datas de publicaço ou aos temas apresentados. Tratam de diversos assuntos que tem como cenario a capital cearense e velhos costumes. O merito do livro e do poeta Quincas Dantas, que sempre teve o sonho de publicar um livro e ser reconhecido por sua obra. Ele escreveu mais de 300 modinhas e melodias, tocava violo, piano e era considerado um grande autodidata do Ceara, tendo contato com muitos musicos profissionais da epoca na casa de seu pai no antigo Mata Galinha.

Entre lembranças inventadas e verdades desviadas, Pequenas Verdades Distraídas atravessa o sertão da memória e o cotidiano urbano com olhos inquietos. O livro costura poesia e prosa em fragmentos que

Temos complicado demais o estudo do passado, dando maior importância a pontos de vista, interesses nacionalistas, religiosos e morais, que colocam o fato histórico em segundo plano, subordinado aos i

Os métodos tradicionais de estudo do passado sempre deram maior importância aos interesses nacionalistas, religiosos e morais, que subordinam o fato histórico ao ponto de vista do sistema. Foi assim

Ao longo da história, a opinião pública sempre foi manipulada. Para nos mantermos informados dependemos de agências especializadas raramente independentes, subordinadas ao poder econômico ou a ideolo

Olá, meu nome é Ana Beirão. E quero partilhar com vocês um bocado da minha história! Já escrevo poesia desde os meus 12 anos onde cada verso era melodia na minha cabeça. E onde cresco ao escrever cad

The illustrated edition of *The Discovery of Tutankhamuns Tomb* presents a fascinating exploration into the monumental archaeological discovery that reshaped our understanding of ancient Egypt. Spanning a range of narrative styles from meticulous journal entries to evocative descriptions, this collection offers a rich tapestry that details the process and impact of unveiling King Tutankhamuns resting place. The anthologys inclusion of maps, photographs, and personal reflections provides a vivid context for readers, inviting them to journey through history both visually and intellectually. The works collectively convey the mystery and excitement surrounding one of the most significant archaeological finds of the 20th century. Howard Carter and Arthur Cruttenden Mace, integral to the groundbreaking uncovering, bring together a unique blend of expertise and narrative voice. Both deeply embedded in the early 20th-century archaeological movement, their perspectives offer a blend of scientific rigor and passionate exploration. This anthology aligns with the eras burgeoning curiosity about ancient civilizations and the Western worlds increased capacity for global cultural dialogue. Their accounts, alongside visual documentation, illuminate the grandeur and challenges of bringing ancient history into modern light, engaging readers with intimate insights. For anyone interested in archaeology or ancient history, this collection offers an invaluable entry into the discovery that captivated the world. Readers are given the rare opportunity to step alongside historical figures as they uncover the treasures of the past. The volumes blend of personal narrative, visual documentation, and historical significance makes it an essential addition for those looking to deepen their understanding of Tutankhamuns legacy and the broader cultural implications of such an extraordinary find.Quickie Classics summarizes timeless works with precision, preserving the authors voice and keeping the prose clear, fast, and readabledistilled, never diluted. Enriched Edition extras: Introduction · Synopsis · Historical Context · Brief Analysis · 4 Reflection Q&As · Editorial Footnotes.

Sinopse: O mundo é um sistema que adoece, e a poesia é o bisturi para a sua cura. Em Caderno de Crises e Liberdades: Poemas sobre a sociedade e a alma contemporânea , José Moreira desnuda o tecido cí

This book is the first major study of Edita Schuberts art published outside Croatia. Edita Schuberts body of work is strikingly diverse, spanning pioneering explorations of natural ecology in the 1970s to bold paintings in the spirit of the transavantgarde in the 1980s. She also created performance art on the streets of Dubrovnik and created installations that invited viewers into her world. Her later worksself-portraits of various kindsoffer profound meditations on memory, identity, and mortal- ity. Working in her studio in the Institute of Anatomy in Zagreb, she once compared her art with the practice of dissection, a precise and purposeful science which reveals the hidden territories of the human body. Often her subject was herself. The breadth of her artistic output seems to anticipate the "post-medium" condition of contemporary art. Yet when viewed together, strong lines of connection and continuity emerge, revealing a deeply intimate and single-minded vision of art.Edita Schubert (19472001) was an exceptionally prolific and inventive artist, active from the early 1970s until her untimely death at the age of 54 in 2001. A significant figure in Croatian and Yugoslav art, she exhibited at the Venice Biennale and the Biennale of Sydney and in galleries in Austria and the US, as well as frequently throughout Yugoslavia. Yet today, her art remains relatively little known.

This book is the first major study of Edita Schuberts art published outside Croatia. Edita Schuberts body of work is strikingly diverse, spanning pioneering explorations of natural ecology in the 1970s to bold paintings in the spirit of the transavantgarde in the 1980s. She also created performance art on the streets of Dubrovnik and created installations that invited viewers into her world. Her later worksself-portraits of various kindsoffer profound meditations on memory, identity, and mortal- ity. Working in her studio in the Institute of Anatomy in Zagreb, she once compared her art with the practice of dissection, a precise and purposeful science which reveals the hidden territories of the human body. Often her subject was herself. The breadth of her artistic output seems to anticipate the "post-medium" condition of contemporary art. Yet when viewed together, strong lines of connection and continuity emerge, revealing a deeply intimate and single-minded vision of art.Edita Schubert (19472001) was an exceptionally prolific and inventive artist, active from the early 1970s until her untimely death at the age of 54 in 2001. A significant figure in Croatian and Yugoslav art, she exhibited at the Venice Biennale and the Biennale of Sydney and in galleries in Austria and the US, as well as frequently throughout Yugoslavia. Yet today, her art remains relatively little known.

Garotas Complicadas é uma mini série onde as personagens Olívia, Ruth, Valéria e Vitória narram seus dramas e conflitos colegiais. Onde foi parar o diário de Ruth?

Há um momento anterior à palavra em que o silêncio já anuncia o poema. Um instante em que o olhar — hesitante, inquisidor ou rendido — se detém sobre o mundo não para dominá-lo, mas para deixar-se at

Magdalena Abakanowicz (19302017) is known for her iconic installations that explored the relationship between humanity and nature, as well as the strength of the collective versus the individual. Today the power of her art, like predications from the past, are rivetingly real. This publication offers rich intellectual insight into the relevance of this Polish artist to the threatened presenta time in which geopolitical shifts between East and West and predictions of the Club of Rome (1972) and climate scientists are becoming a worldwide reality. And here Abakanowiczs vision on nature and the human condition is explored in a uniquely inspired way: by engaging seven artists/collaboratives to reflect in deeply personal ways on their art through dialogues with historians, philosophers, and other thinkers. This "counterpoint" launches discussion around the human condition in a post-humanist time, collective identity, trauma, climate change, unending destruction of the planet, and more. Finally, the uncommon approach of this show and book demonstrates how the elder artists art and life is a lens through which not only these artists but we can reconsider our place in the world.Magdalena Abakanowicz (19302017) is known for her iconic installations that explored the relationship between humanity and nature, as well as the strength of the collective versus the individual. Today the power of her art, like predications from the past, are rivetingly real.

Magdalena Abakanowicz (19302017) is known for her iconic installations that explored the relationship between humanity and nature, as well as the strength of the collective versus the individual. Today the power of her art, like predications from the past, are rivetingly real. This publication offers rich intellectual insight into the relevance of this Polish artist to the threatened presenta time in which geopolitical shifts between East and West and predictions of the Club of Rome (1972) and climate scientists are becoming a worldwide reality. And here Abakanowiczs vision on nature and the human condition is explored in a uniquely inspired way: by engaging seven artists/collaboratives to reflect in deeply personal ways on their art through dialogues with historians, philosophers, and other thinkers. This "counterpoint" launches discussion around the human condition in a post-humanist time, collective identity, trauma, climate change, unending destruction of the planet, and more. Finally, the uncommon approach of this show and book demonstrates how the elder artists art and life is a lens through which not only these artists but we can reconsider our place in the world.Magdalena Abakanowicz (19302017) is known for her iconic installations that explored the relationship between humanity and nature, as well as the strength of the collective versus the individual. Today the power of her art, like predications from the past, are rivetingly real.

Esta obra é resultado da compilação de crônicas escritas ao longo de quase dez anos no meu Blog. Fundado em 2011, o Dando a cara a tapa sempre foi um espaço dedicado ao retrato e à análise da realida

Em um tempo em que o sagrado é manipulado e a fé é usada como bandeira ideológica, A Fé e a Farsa se levanta como um estudo lúcido e corajoso sobre a contaminação espiritual das ideias políticas. Com