Novedades del último mes en eBooks de Historia general del arte

Una referenciaimprescindible en los estudios de estética, historia del arte y teoría de la imagen. «En un mundo saturado de estímulos visuales, la invitación de Klein a mirar con atención y descubrir

EL ARTE NO ES TAN HETERO COMO TE CONTARON.El segundo libro de la divulgadora Claramore (Un Van Gogh en el salón) y la primera historia del arte LGTBIQ+ contada como un periódico.Se dice que el arte es la casa de todos, aunque durante siglos se excluyo a quienes no seguian los estandares. Este libro muestra como el colectivo LGTBIQ+ ha transformado el mundo a traves de las artes desde sus inicios hasta la actualidad.Con cada capitulo inspirado en un color distinto de la bandera arcoiris, Claramore explora la obra de artistas como Toulouse Lautrec, Rubens, Hilma af Klimt o Natalie Barney y su impacto en la sexualidad, las disidencias, la salud, el orgullo, la espiritualidad o el racismo a lo largo de la historia. Combinando artes plasticas, fotografia o escultura, Nos recordaran ilumina la capacidad de crear, resistir y brillar mas alla de etiquetas y escandalos.Para cualquiera que haya sentido que no encajaba, que haya buscado referentes y que haya amado fuera de los margenes. Es para ti, que quieres mirar el arte con otros ojos.La historia del arte siempre ha tenido una seria carencia de puntos de vista. Este libro es un desafio necesario para que un panorama mas completo y justo llegue al publico. Miguel Angel Cajigal (El Barroquista)A menudo el arte ha sido un refugio para transmitir lo que la sociedad castigaba. Menos mal que Clara lo saca a la luz para que no olvidemos a quienes vinieron antes. Mikel Herran (PutoMikel)Emociona este paseo por los margenes de la historia del arte. Clara disecciona con soltura todo aquello que nos importa. Bernardo Pajares y Juanra Sanz (Arte Compacto)Sin duda, una lectura imprescindible sobre nuestra memoria colectiva. Carla Serrano Sastre (@la.inercia)

.Un "punto de lectura" no es solo un marcapáginas, sino un espacio, un instante, una ocasión donde la lectura —de libros, de gestos, de paisajes, de silencios— se convierte en viaje y en pregunta. A

Como seria o cotidiano de nossos antepassados remotos? Aqueles que só conhecemos por meio de desenhos nas paredes das cavernas e artefatos encontrados milhões de anos depois pelos arqueólogos?Em um e

Ler História da Arte: um percurso é como acompanhar o autor em uma visita guiada — não à história da arte que aprendemos na bibliografia disponível, mas a outra, tecida pela convivência, pela observa

Art is my life and my life is art . . .The story of the twentieth-century avant-garde is a story of resistance, of the outsider, of strangeness, of individual freedom, of rejecting the ordinary and overcoming marginalisation through self-invention. It is also a story that can be told through the prism of one of its most renowned figureheads: Yoko Ono.From her early life escaping aristocratic Japanese society and the horrors of World War II to adventurous and productive exile in New York, Onos work built upon the histories of Dada, surrealism, Zen Buddhism, and experimental music. A significant influence on the elusive Fluxus artistic network, she was connected to all its major personalities. Pursuing dreams of revolutionary liberation and aiming to recreate shattered post-war reality through performance, art and text, she established a legacy - despite her tumultuous personal life - as one of the most visionary artists and activists of her generation.Marking the intersection of biography, cultural history and artistic meditation, Love Magic Power Danger Bliss explores the deep history and vitality of the 20th century avant-garde movement and the inspiring, provocative figure who became its most celebrated, most misunderstood icon.

A Série Universitária foi desenvolvida pelo Senac São Paulo com o intuito de preparar profissionais para o mercado de trabalho. Os títulos abrangem diversas áreas, abordando desde conhecimentos teóri

In 1481, Pope Sixtus IV summoned Botticelli and other prominent Florentine and Umbrian artists to fresco the walls of the Sistine Chapel. The iconological program was the supremacy of the Papacy. Sandros contribution included the Temptations of Christ, the Punishment of the Rebels and Trial of Moses.He returned to Florence, and "being of a sophistical turn of mind, he there wrote a commentary on a portion of Dante and illustrated the Inferno which he printed, spending much time over it, and this abstention from work led to serious disorders in his living." Thus Vasari characterized the first printed Dante (1481) with Botticellis decorations; he could not imagine that the new art of printing might occupy an artist.Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli (Italian: [sandro bottitlli]; c. 1445 May 17, 1510), was an Italian painter of the Early Renaissance. He belonged to the Florentine school under the patronage of Lorenzo de Medici, a movement that Giorgio Vasari would characterize less than a hundred years later as a "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli.

Starting with identifying the range of garments present during the Classical Period of Mori traditional clothing (17691800), their function and the ways they were made, this book then explores how clothing of Mori has changed in style, function and construction. Hirini Moko Mead makes a detailed analysis of the materials used, construction techniques, patterns, garments produced and the ways they have changed over time. The text is accompanied by photographs and illustrations of feather cloaks, dogskin cloaks, piupiu, rain capes and many other garments as well as details of the decoration and methods of making.