eBooks de Instrumentos, página 15 de 26

This collection features a wide selection of original works from the Renaissance, Baroque and Modern eras arranged for two violins.Focusing on easy repertoire Duets for Fun will provide hours of enjoyment for aspiring musicians wishing to discover new material as well as develop their playing.This collection is ideal for use as teaching material, or for playing at home or in a concert with a friend.This title was previously published as Duo-Schatzkiste (A Treasure Chest of Duos).

Exquisite, easy piano pieces, compiled for music lessons and first auditions by the piano teacher Marianne Magolt. The volume contains easy Baroque, Classical and Romantic piano pieces and is perfectly suited for the first concert of young pianists.

The Piano Classics collection contains well-known classical piano pieces by J.S. Bach to Erik Satie. The pieces are arranged chronologically and range in difficulty from easy to medium. The anthology is suitable for advanced young students and adult players alike.

In "Violins and Violin Makers," Joseph Pearce offers a deep exploration of the artistry and craftsmanship inherent in the world of violins, illuminating both the historical significance and the intricate techniques involved in violin making. The book is penned in a rich, descriptive literary style that seamlessly weaves personal anecdotes with biographical sketches of notable makers, such as Antonio Stradivari and Giuseppe Guarneri. Pearce situates the craft within the larger context of musical history, examining how the evolution of violin making has shaped artistic expression across centuries, ultimately showcasing the violin not just as an instrument but as a profound vessel of cultural identity. Joseph Pearce is a celebrated author and literary scholar known for his passionate insights into the intersections of art, culture, and history. His own appreciation for music and craftsmanship is evident throughout his work, stemming from a personal background that intertwines aesthetic sensitivity with a fervor for storytelling. Pearces academic journey and extensive travels through Europes rich musical landscapes have afforded him unique perspectives that infuse this book with authority and depth. "Violins and Violin Makers" is a must-read for enthusiasts of music history, craftsmanship, and the art of storytelling. Pearces meticulous research and evocative prose invite readers to appreciate the violins beauty while gaining insight into the genius behind its creation. This book not only informs but also inspires, making it a valuable addition to the library of any music lover.

Most trumpet players blow downward a bit too much; as a consequence, the pressure point lies on the lower lip. The result: a thick, dull tone without treble and smoothness. The present technical exercises help to shift the pressure point to the upper lip. Thus, a much better treble, a finer tone and generally a better embouchure is gradually achieved. This also helps to keep the lung more open when blowing and to develop better lung volume and strength. Not least, it helps to avoid postural impairment, e.g. damaged discs or atrophied lungs.Contains all-important information on trumpet techniques, a check-up for advanced players and professional trumpet players.

This collection contains 40 well-known childrens songs in attractive arrangements for 1-2 voices with easy-to-play piano accompaniments and guitar chords.

My First Schubert contains a selection of the great composers easier to moderately difficult piano works, including the famous Trauerwalzer (Op. 9, No. 2), Moment musical in F minor (Op. 94, No. 3), the Impromptu in A flat major (Op. 142, No. 2) as well as the most beautiful dances, marches and landler from the rich repertoire of his famous salon pieces. In addition, this volume offers a selection of easy works for piano four hands.Ideally suited for lessons and playing at home. The perfect introduction to Romantic piano music!

This collection provides an introduction to keyboard music of the earliest times, opening up a field which until recently has been relatively closed to the amateur musician. Beginning with the oldest testimony to the medieval art of organ composition preserved in England about 1350, it focuses on music of the Renaissance and early Baroqoue of whose rich achievements it seeks to give an overall impression.

The author of the successful Romantic Piano Anthology and Classical Piano Anthology series presents a fascinating selection of fragments and miniatures from Franz Liszts catalogue of compositions. Although well known for his virtuosic piano works, this new collection reflects Liszts ability to write simply, yet effectively for the instrument. 18 varied pieces written throughout the composers lifetime are accompanied by a detailed introduction, and teaching notes for each piece.

Dotzauer études have been part of the standard repertoire in cello lessons for generations. Friedrich Dotzauer (1783-1860) was among the major cellists and cello pedagogues of the 19th century and knew what makes a good etude: it should deal specifically with a certain technical problem and at the same time not be monotonous, but musically appealing. The cellist of the Leipzig Gewandhaus and the Dresden Hofkapelle managed to do that in an exemplary manner. 24 Caprici in tutti tuoni Op. 35 (1816) is Dotzauers masterpiece, wonderfully showing off the varied tone colours and playing techniques of the violoncello. Demanding etudes for lessons and performances, with beautiful melodic and harmonic ideas, some with slow expressive introductions, some with artistic arpeggios or contrapuntal polyphony. Our new edition follows the original sources and contains the original text.

As a music publisher in Vienna, Franz Anton Hoffmeister secured an important place in music history. But he was also an extremely prolific and valued composer of Viennese Classic. His 12 Studies offer a compendium of playing techniques from the Mozart/Beethoven era, with scales, triads and position playing, double stops, arpeggios, as well as cantabile and polyphonic playing.

Camillo Sivori was considered a child prodigy in his day. He started playing the violin at the age of 2. He later became the only student of Niccolò Paganini. His 12 Étude-Caprices for solo violin de

Este gatinho Toca todos (ou quase todos os instrumentos existentes) ele é muito esperto...

Horace Pethericks "Antonio Stradivari" is a profound exploration of the life and legacy of the legendary Italian luthier, whose mastery in violin making has left an indelible mark on classical music. Petherick employs a blend of biographical narrative and analytical discourse, deftly interweaving historical context with rich detail about Stradivaris craftsmanship and the socio-economic environment of 17th-century Cremona. The literary style is both evocative and scholarly, engaging the reader with vivid imagery and a deep appreciation for the artistry that defines Stradivaris instruments, which have captivated musicians and collectors alike for centuries. Petherick, a noted author and scholar in music history, draws upon extensive research and personal fascination with the Baroque eras artistic milieu. His background in stringed instrument craftsmanship lends authenticity to the narrative, allowing him to articulate the intricacies of Stradivaris techniques and innovations. This intimate understanding is reflected in his nuanced portrayal of Stradivari not just as a craftsman, but as an artist who navigated the challenges of his time. This book is a must-read for musicians, historians, and anyone intrigued by the legacy of music. Pethericks insightful analysis and passionate storytelling enrich the readers understanding of the pivotal role Stradivari played in the evolution of string instruments, making "Antonio Stradivari" an essential addition to the library of anyone who appreciates the confluence of art, history, and music.

With their technique clothed in imaginative music, Gariboldis études are an excellent addition to the classical scale and triad studies for the intermediate flautist at the threshold of the advanced level. Whether through virtuoso dexterity or dynamic, agogic style, the changing special technical subjects constitute a solid basis for classical and romantic flute literature. The clear tonal categorisation allows for cyclic preparation as well as for the original selection of individual etudes. An important new publication in the Essential Exercises series, with teaching and rehearsal notes.

Taffanels flute playing, his merits for the flute music and his educational work are legendary. Among his pupils were the greatest French flautists, such as Fleury, Barrere, Moyse and Philippe Gaubert. The authoritative textbook of the French flute method, Methode complete de flute, was created by Taffanel in collaboration with Gaubert, his favourite pupil and later successor at the Conservatoire. It was finished and published by Gaubert after Taffanels death. These 24 progressive studies from the Methode complete de flute have now been made available outside the method for the first time, covering all major technical aspects of flute playing and thus being ideal for advanced pupils, students and ambitious music lovers.

The pieces in this volume originated in 1897 (Pieces froides) and between 1913 and 1915. After the slow success of his early works, Satie, during the middle period of his creativity, sought new paths. He abandoned the compositional rigour of his mystical and meditative pieces. The characteristics of his new works are, on the one hand, the unmistakable concentration of his style of composition together with quicker tempos, and on the other, the combination of music with texts. Satie avoids romantic and impressionistic sounds even more consistently than before.

This three-volume series of piano music by women composers is a progressive compendium of educational literature with a broad repertoire from the 17th century to the present day. For each piece, the editor has written short instructions with rehearsal tips as well as biographical notes on the women composers. The collection covers all levels of difficulty from easy (volume 1) to medium (volume 2) to difficult (volume 3) and is an indispensable addition to lessons and concerts.

This three-volume series of piano music by women composers is a progressive compendium of educational literature with a broad repertoire from the 17th century to the present day. For each piece, the editor has written short instructions with rehearsal tips as well as biographical notes on the women composers. The collection covers all levels of difficulty from easy (volume 1) to medium (volume 2) to difficult (volume 3) and is an indispensable addition to lessons and concerts.

This three-volume series of piano music by women composers is a progressive compendium of educational literature with a broad repertoire from the 17th century to the present day. For each piece, the editor has written short instructions with rehearsal tips as well as biographical notes on the women composers. The collection covers all levels of difficulty from easy (volume 1) to medium (volume 2) to difficult (volume 3) and is an indispensable addition to lessons and concerts.