Ebooks de Filología, página 4 de 10

Mãe, me conta uma historinha?" é uma coleção de minicontos rimados, leves e divertidos, que despertam o imaginário e prendem a atenção dos pequenos – com versos cheios de musicalidade e ilustrações e

"Mãe, me conta uma historinha?" é uma coleção encantadora de minicontos rimados que despertam a imaginação e mantêm os pequenos atentos do início ao fim – com versos divertidos e ilustrações cheias d

O Sagitário é uma imagem de sublimação. O centauro, os pés encravados na Terra, com mãos firmes busca orientar a flecha em direção às estrelas. Aí está por que você sente "a nostalgia do mais".Consta

Eu te convido a trilhar uma jornada de estudo, aprendizado e diversão com Jardel, um jovem elefante que precisa de experiência e conhecimentos gerais sobre o mundo que irá liderar.Como Jardel é um pr

In 1960, Truman Capote arrived in the small town of Palamós on the Costa Brava. Hed hoped a short break from New Yorks social scene would help him finish the book he was writing about two young men convicted of a horrific murder. He wound up staying in Europe for three years of agonising self-exile, wrestling with his haunting material, crafting a masterpiece, and waiting for the event that would allow him to finish it-the execution of those two men.Following in Capotes footsteps in Palamos, celebrated journalist Leila Guerriero finds almost no trace of those turbulent years. As she sorts through a jumble of competing local accounts and blatant fabrications, she launches a dazzling enquiry into the curious afterlife of writing-and the dark complexities of turning life into literature.

"Mãe, me conta uma historinha? 1 – Animais" é o primeiro volume de uma encantadora coleção de minicontos rimados, criados para despertar a imaginação e o sorriso das crianças. Com histórias curtas, d

Este compendio pretende mostrar minhas experiencias em sala de aula. Ao lado disso, as reflexes contidas nele vo ao encontro de muitas atitudes adotadas por profissionais que comungam das minhas ideias, enquanto purista da lingua portuguesa com suas nuances. Trata-se de pequenas analises, sem pretenso de exaustividade.

George Ward Price rose to prominence as the leading journalist in the 1930s, thanks to a string of world exclusives on Nazi Germany. He spent an hour alone with Hitler and Goring after the remilitarisation of the Rhineland, stood next to Hitler as he addressed a crowd on the night of the invasion of Austria, and joined him for afternoon tea at the Eagles Nest following his historic first meeting with Neville Chamberlain.These stories made Ward Price world famous, but he often seemed uncomfortable in the glare of the spotlight, hiding his true self behind a carefully cultivated veneer of suave and easy-going charm. It meant that he left unanswered questions: what drove his all-consuming ambition? Was his success down to journalist brilliance, or was there something more sinister that lay behind it? And were there any lengths to which he would not go to make sure that, as one of his colleagues put it, he always got his story?Interviewing Hitler is the first book to explore the real Ward Price and the truth behind his reporting on the Nazis. It is a journey that takes us through a series of century-shaping events and deep into the dark heart of British journalism. As well as being one of the most controversial figures in newspaper history, Ward Prices career serves as a warning for todays world of disinformation and fake news.

On Thursday, 5 April 1877, police charged 30-year-old Annie Besant and her colleague Charles Bradlaugh with breaching the Obscene Publications Act 1857. The reason was the scandalous sale of a slim book called The Fruits of Philosophy a book that advocated for birth control in an era when parents were encouraged to keep their daughters ignorant and fearful. The publication of this guide, which the prosecutor in the trial referred to as a dirty, filthy book, made Annie famous.But this was not Annies first or last battle against Victorian social mores.She was a good Christian wife who became an atheist; a liberal campaigner who became a prominent socialist activist in the strikes and protests of the 1880s; a Theosophical High Priestess who became heavily involved in the Indian nationalist movement. Viewed as a dangerous threat to imperial government and authority, she was a fearless and formidable freedom fighter.Annie Besant lived an extraordinary and inspiring life, and yet because of her complexities and seeming contradictions, she has been sidelined by history.From politics to the occult, from Christianity to Theosophy and from the London suburbs to a pyre on the banks of an Indian river, The Nine Lives of Annie Besant tells the complete story of a woman who broke all the rules.

Cecília Meireles tem sido apresentada como uma autora que se distanciou do contexto social imediato para voltar sua produção poética ao imaginário subjetivo, afastada da vida social brasileira. Por m

Este livro reúne textos esparramados por diversos tempos e espaços. São fragmentos de vida, pensamentos, experimentos, sensações diversas, decorrentes de leituras, filmes e experiências, vivências. A

Questa traduzione e stata realizzata con le allieve del corso di traduzione artistica russo-italiano presso la Civica Scuola Interpreti Traduttori di Milano nellanno accademico 2013-2014.Ecco un brano tratto dalla postfazione (contiene spoiler):Il dizionario di psicoanalisi ci da questa definizione tecnica del Falso Se che, in termini artistici, ?ehov ci da nel racconto. Non a caso il protagonista e un medico, ed e lui a tracciare a grandi linee la case history. La protagonista, come e tipico di questo profilo patologico, deve continuamente tacitare la propria coscienza. In questo e rivelatoria la metafora delluccellino:E sentendo che ognuno distinto lo pensava, sorrideva ancora piu affabile e tentava di somigliare alluccellino.La self-consciousness che non manca alle persone affette da questa sindrome si manifesta esplicitamente anche in questo altro passo:Nel tentativo di sembrare un uccellino, la principessa svolazzo nellequipaggio annuendo da tutte le parti.Nei pazienti affetti da falso Se, ci si crea unimmagine a cui si aspira a identificarsi, e si riesce a vivere come normale la continua alternanza tra la rotaia della realta e la rotaia della forzata coincidenza con luccellino o altre metafore: la personalita diventa un binario.Unaltra dicotomia del binario e quella tra sazieta e fame, tra avidita e miseria. Mentre la servitu fa la fame, la principessa mangia a scrocco in monastero tutte le sue prelibatezze preferite, costringendo i monaci ad acquistare e a preparare cibi tuttaltri che monastici. Sullaltro versante, i cuochi costretti a lavorare in condizioni disumane diventano ciechi e vanno a chiedere la carita. A coronare queste dicotomie ce quella tra fortuna e sfortuna, che costella lintero racconto ed e emblematica del falso Se: il falso Se e sfortunato:Mi fa paura guardarmi indietro: quanti cambiamenti, sfortune varie, quanti errori.Ma il vero Se (nel dialogo autocomunicativo) e fortunato, come nella frase conclusiva:Come sono fortunata!Tutta intenta in questo dialogo interno tra falso Se e vero Se, un dialogo vero e proprio che in certi passi si esplicita con vere battute di discorso diretto:Cosaltro potrei dirgli? penso la principessa.la principessa e totalmente incapace di empatia, cosa che le permette di vivere benissimo sotto la copertura del destino sfortunato. Nel suo narcisismo ottuso si preoccupa unicamente che le sue penne siano lucide e colorate, facendo a gara con luccellino.

The concept of translation of realia is doubly conventional: realia are normally untranslatable (from a dictionary perspective) and, again, are normally not rendered (in context) by means of translation.With respect to dictionary translation, however, "there are no words that could not be translated into another language, at least descriptively, i.e. by means of a widespread combination of words of the given language", and "what is not possible with respect to a single element, is possible with respect to a complex whole", i.e. with respect to a contextual translation.

Le poesie raccolte in questo volume – ideato in vita da Aleksàndr Blok e uscito nel 1905 – sono state scritte nel 1901 e nel 1902, e sono dedicate a Lûbov’ Mendeléeva, sua moglie dal 1903, e figlia d

La scienza ha lo scopo di far progredire la conoscenza nel modo meno indolore possibile, pubblicando congetture e sottoponendole alla comunità mondiale perché le falsifichi. Fino al momento della lor

Ao trocar o céu estrelado do interior pelo silêncio cinza de Brasília, Joana se vê longe das estrelas que sempre lhe fizeram companhia. Em uma noite solitária, faz um pedido simples, mas poderoso: qu

Does your child struggle to understand their feelings? Join Kai and Flicker, a gentle little fox, on a magical journey through the whispering woodswhere children learn that all emotions are normal and every feeling has its place.One morning, Kai feels anger bubbling inside, like a storm ready to burst. Another day, sadness arrives, soft and quiet, like a gentle rain. And sometimes, fear creeps in like a dark shadow in the nightBut Kai is never alone. With Flicker by their side, children will discover how to recognize, accept, and express their emotions safely. This beautifully illustrated eBook gently guides young readers through anger, sadness, fear, and joyhelping them understand that feelings are natural, normal, and always pass, like clouds in the sky. Why Parents and Teachers Love This eBook:Helps children identify and understand their emotionsTeaches empathy, self-awareness, and emotional intelligenceSoothing, poetic storytellingperfect for bedtime reading on tabletsVivid, colorful illustrations optimized for digital screensIncludes a special parent guide with tips to support emotional growth Perfect For:Children aged 5 to 8Bedtime stories and quiet reading timeClassrooms and homeschoolingParents, teachers, and therapists looking for gentle emotional guidance tools eBook Features:Digital format (EPUB)perfect for tablets, eReaders, and smartphonesFull-color illustrations optimized for screensSpecial parent guide includedThemes: emotions, empathy, friendship, emotional regulation"All feelings are like clouds they come and go."

Does your child struggle to understand their feelings? Join Kai and Flicker, a gentle little fox, on a magical journey through the whispering woodswhere children learn that all emotions are normal and every feeling has its place.One morning, Kai feels anger bubbling inside, like a storm ready to burst. Another day, sadness arrives, soft and quiet, like a gentle rain. And sometimes, fear creeps in like a dark shadow in the nightBut Kai is never alone. With Flicker by their side, children will discover how to recognize, accept, and express their emotions safely. This beautifully illustrated eBook gently guides young readers through anger, sadness, fear, and joyhelping them understand that feelings are natural, normal, and always pass, like clouds in the sky. Why Parents and Teachers Love This eBook:Helps children identify and understand their emotionsTeaches empathy, self-awareness, and emotional intelligenceSoothing, poetic storytellingperfect for bedtime reading on tabletsVivid, colorful illustrations optimized for digital screensIncludes a special parent guide with tips to support emotional growth Perfect For:Children aged 5 to 8Bedtime stories and quiet reading timeClassrooms and homeschoolingParents, teachers, and therapists looking for gentle emotional guidance tools eBook Features:Digital format (EPUB)perfect for tablets, eReaders, and smartphonesFull-color illustrations optimized for screensSpecial parent guide includedThemes: emotions, empathy, friendship, emotional regulation"All feelings are like clouds they come and go."

"Azedume" é uma coletânea provocativa de opiniões afiadas, em que Astolfo Pacheco Carvalhosa destila seu humor ácido sobre os absurdos do cotidiano. Com uma abordagem irreverente e desafiadora, o aut

Hardly anyone knows what semiotics is. It is a pity, because it is a discipline that helps us to understand many things in life, not only philosophical, abstract things, but also the everyday things that happen to each of us. I do not want to make the mistake here of immediately trying to say what it is with big difficult words, and in this way gambling on the trust of the reader who is so kindly willing to follow me in these first lines. I will only say that semiotics is about understanding the sense of life, the sense of things.