INGLÉS
NAKED LUNCH: THE RESTORED TEXT
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Sinopsis
A cultural landmark and the most shocking novel in the English language, Naked Lunch is an exhilarating ride into the darkest recesses of the human psyche.
An unnerving tale of an addict unmoored in New York, Tangier, and ultimately a nightmarish wasteland known as Interzone, Naked Lunch''s formal innovation, formerly taboo subject matter, and tour de force execution has exerted its influence authors like Thomas Pynchon and J. G. Ballard; on the relationship of art and obscenity; and on the shape of music, film, and media in general.
An unnerving tale of an addict unmoored in New York, Tangier, and ultimately a nightmarish wasteland known as Interzone, Naked Lunch''s formal innovation, formerly taboo subject matter, and tour de force execution has exerted its influence authors like Thomas Pynchon and J. G. Ballard; on the relationship of art and obscenity; and on the shape of music, film, and media in general.
Ficha Técnica
Editorial: Dk
ISBN: 9780241284636
Idioma: Inglés
Encuadernación: Tapa dura
Fecha de lanzamiento: 01/10/2016
Año de edición: 2016
Plaza de edición: Reino Unido
Especificaciones del producto
Recibe novedades de William S. Burroughs directamente en tu email
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Sinopsis
A cultural landmark and the most shocking novel in the English language, Naked Lunch is an exhilarating ride into the darkest recesses of the human psyche.
An unnerving tale of an addict unmoored in New York, Tangier, and ultimately a nightmarish wasteland known as Interzone, Naked Lunch''s formal innovation, formerly taboo subject matter, and tour de force execution has exerted its influence authors like Thomas Pynchon and J. G. Ballard; on the relationship of art and obscenity; and on the shape of music, film, and media in general.
An unnerving tale of an addict unmoored in New York, Tangier, and ultimately a nightmarish wasteland known as Interzone, Naked Lunch''s formal innovation, formerly taboo subject matter, and tour de force execution has exerted its influence authors like Thomas Pynchon and J. G. Ballard; on the relationship of art and obscenity; and on the shape of music, film, and media in general.