THE PRE-RAPHAELITES

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Sinopsis

The Pre-Raphaelites
An introduction to the great masters of the Pre-Raphaelite Movement.Andrea Rose

One of a series of introductory books on the great masters and movements in art
This volume on the Pre-Raphaelite movement contains an extensive essay, 48 full-page colour plates, and is accompanied by extensive notes and comparative illustrations
Provides incomparable value
Highly regarded for its insight and authority

The Pre-Raphaelite Brotherhood had a dynamic influence upon the Victorian era. The painters, including Dante Gabriel Rossetti, William Holman Hunt and John Everett Millais, fought against an increasing mechanized society to establish the artist as a creative individual, attempting to raise art from the triviality into which it had fallen. This commitment was combined with a love of literature and history, and in particular a passionate interest in the art preceding the period of Raphael and the great Renaissance masters, an art which seemed to mirror their aims. Moreover, their ambitions encouraged artists in all fields to adopt new aesthetics.

Ficha Técnica

Editorial: Phaidon Press Limited

ISBN: 9780714829074

Idioma: Castellano

Encuadernación: Tapa blanda

Fecha de lanzamiento: 01/01/2001

Año de edición: 2009

Plaza de edición: London

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Escrito por ANDREA ROSE

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Sinopsis

The Pre-Raphaelites
An introduction to the great masters of the Pre-Raphaelite Movement.Andrea Rose

One of a series of introductory books on the great masters and movements in art
This volume on the Pre-Raphaelite movement contains an extensive essay, 48 full-page colour plates, and is accompanied by extensive notes and comparative illustrations
Provides incomparable value
Highly regarded for its insight and authority

The Pre-Raphaelite Brotherhood had a dynamic influence upon the Victorian era. The painters, including Dante Gabriel Rossetti, William Holman Hunt and John Everett Millais, fought against an increasing mechanized society to establish the artist as a creative individual, attempting to raise art from the triviality into which it had fallen. This commitment was combined with a love of literature and history, and in particular a passionate interest in the art preceding the period of Raphael and the great Renaissance masters, an art which seemed to mirror their aims. Moreover, their ambitions encouraged artists in all fields to adopt new aesthetics.