Donald Mitchell

Donald Mitchell was born in 1925. Two composers have been central to his writings on music, Gustav Mahler and Benjamin Britten. His three studies of Mahler, 'The Early Years' (1958), 'The Wunderhorn Years' (1975), and 'Songs and Symphonies of Life and Death' (1985), are among the enduring monuments of postwar Mahler literature. He was founder Professor of Music at the University of Sussex (1971-76), was visiting Professor at King's College, London, and is currently a visiting Professor at the Universities of Sussex and York.

Recibe novedades de DONALD MITCHELL directamente en tu email

Del 1 al 6 de 6

EL LENGUAJE DE LA MUSICA MODERNA

DONALD MITCHELL

Acantilado 9788418370274

En este extraordinario ensayo publicado originalmente en 1963, Donald Mitchell examina con gran perspicacia y sensibilidad los valores filosóficos y estéticos que determinaron el lenguaje de la música del siglo xx. Para ello se centra en las figuras de Schoenberg y Stravinski, representantes de dos estilos genuinamente modernos y de una nueva sensibilidad. Mediante la rigurosa aplicacion de tecnica y construccion formal, ambos compositores dotaron a la musica de nuevos vocabularios y transformaron las convenciones de escucha y composicion para siempre. Dado el caracter multidisciplinar de este ensayo, los años lo han elevado al estatus de clasico no solo en el campo de la musicologia, sino tambien de los estudios culturales.

Tapa blanda

(1)

Tapa blanda

GUSTAV MALHER: THE EARLY YEARS

DONALD MITCHELL

BOYDELL PRESS 9781843830023

Available again for a new generation of Mahlerians, Donald Mitchell'sfamous study of the composer's early life and music was greeted as a major advance on its first appearance in 1958. Revised and updated in the early 1980s, this paperback edition includes a new introduction by the author to bring this classic work once again to the forefront of Mahler studies. From his birth in Bohemia, then part of the mighty Austro-Hungarian empire, to a survey of his early works, many now lost, 'Gustav Mahler: The Early Years' forms an indispensable prelude to the period of the great compositions. The conflicts which came to mark Mahler's music and personality had their beginnings in his childhood and youth. Without understanding the territorial, social and familial conflicts of this time one cannot truly appreciate the impulses behind the major symphonies and song cycles of his later years.

Tapa blanda