Edith Wharton, página 5 de 29

Bunner Sisters Edith Wharton - "Bunner Sisters," written in 1892 but not published until 1916 in Xingu and Other Stories, takes place in a shabby neighborhood in New York City. The two Bunner sisters, Ann Eliza the elder, and Evelina the younger, keep a small shop selling artificial flowers and small handsewn articles to Stuyvesant Squares "female population."Ann Eliza gives Evelina a clock for her birthday. The clock leads the sisters to become involved with Herbert Ramy, owner of "the queerest little store you ever laid eyes on." Soon Ramy is a regular guest of the Bunner sisters, who realize that their "treadmill routine," once so comfortable, is now "intolerably monotonous."

The Reef Edith Wharton - Set in and around London, "The Reef" is a story of complex morality and its intricately woven place in society. This narrative primarily follows George Darrow and Anna Leath, a young gentleman and a widowed lady who plan to marry. Both of them experience doubts about their union, with surprising outcomes. Darrow has a brief liaison with the delicate, generous Sophy Viner, a kind woman of the working class. She later meets Annas stepson Owen Leath, who wishes to upset social conventions and marry her. When Annas discovers the intimate history of Darrow and Sophy, she worries about her stepsons affections and feels concerned about the alliance she herself is about to create. Whartons talent for balancing emotional turmoil and all the social manners of her time is blended into this philosophical work that explores the metaphorical reefs in the hearts of women.

Ethan Frome Edith Wharton - Ethan Frome is a 1911 book by American author Edith Wharton. It is set in the fictitious town of Starkfield, Massachusetts. The novel was adapted into a film, Ethan Frome, in 1993.The novel is a framed narrative. The framing story concerns an unnamed male narrator spending a winter in Starkfield while in the area on business. He spots a limping, quiet man around the village, who is somehow compelling in his demeanor and carriage. This is Ethan Frome, who is a lifelong resident and a local fixture of the community. Frome is described by the narrator as "the most striking figure in Starkfield", "the ruin of a man" with a "careless powerful look ... in spite of a lameness checking each step like the jerk of a chain". Curious, the narrator sets out to learn about him. He learns that Fromes limp arose from having been injured in a "smash-up" twenty-four years before, but further details are not forthcoming, and the narrator fails to learn much more from Fromes fellow townspeople other than that Ethans attempt at higher education decades before was thwarted by the sudden illness of his father following an injury, forcing his return to the farm to assist his parents, never to leave again. Because people seem not to wish to speak other than in vague and general terms about Fromes past, the narrators curiosity grows, but he learns little more. Chance circumstances arise that allow the narrator to hire Frome as his driver for a week. A severe snowstorm during one of their journeys forces Frome to allow the narrator to shelter at his home one night. Just as the two are entering Fromes house, the prologue ends and the framed story begins. The narration switches from the first-person narrator of the prologue to a limited third-person narrator. We then embark on the "first" chapter (Chapter I), which takes place twenty-four years prior.

Summer Edith Wharton - Summer is a novel by Edith Wharton published in 1917 by Charles Scribners Sons. The story is one of only two novels by Wharton to be set in New England; Wharton was best known for her portrayals of upper class New York society. The novel details the sexual awakening of its protagonist, Charity Royall, and her cruel treatment by the father of her child, and shares many plot similarities with Whartons better known novel, Ethan Frome. Only moderately well-received when originally published, Summer has had a resurgence in critical popularity since the 1960s.

The Touchstone - Edith Wharton - The Touchstone is a novel, written by Edith Wharton in 1905; it was the first of her many stories describing life in old New York.Stephen Glennard, the novels protagonist, is suddenly impoverished and unable to marry the woman he loves. He sells the private letters a former admirer had written to him, before she had become a famous author. He is later overcome by guilt for betraying one who had loved him.

Las señoras Ballinger, Plinth, Leveret y Roby y las señoritas Van Vluyck y Glyde son las integrantes del Club del Almuerzo, en cuyas reuniones se dedican a debatir sobre libros y los más variados temas culturales. Un día, Osric Dane, una famosa escritora, visita la ciudad, y el Club le cursa una invitación para que asista a una de sus reuniones. Las integrantes del club ven el encuentro con la escritora como una excelente oportunidad para lucir sus mejores galas intelectuales. Sin embargo, la reunión se desarrollará de manera muy diferente a como habían previsto.

In Human Nature, Edith Wharton navigates the intricate landscape of morality, desire, and the societal conventions that shape human behavior. Through a series of interwoven narratives, Wharton masterfully employs a realist literary style, delving into the psychological depths of her characters, exploring their internal and external conflicts within the constraints of early 20th-century American society. This work stands out for its rich character development and keen social commentary, demonstrating Whartons ability to blend narrative elegance with incisive critique of cultural norms. Edith Wharton, an esteemed novelist, was the first woman to win the Pulitzer Prize for Fiction. Her privileged upbringing in New York society endowed her with a unique perspective on the intricacies of upper-class life, profoundly influencing her literary output. Whartons acute observations of social dynamics, coupled with her personal experiencesAiincluding a tumultuous marriageAiinfuse Human Nature with a depth that resonates with her readers not merely as fiction but as profound social inquiry. For those engaged in the study of societal mores and human psychology, Human Nature is an essential read. WhartonAos exploration of the tensions between individual desires and societal expectations offers timeless insights, making this work a valuable addition to both literary and philosophical discourse.

IN the surgical ward of the Hope Hospital at Hanaford, a nurse was bending over a young man whose bandaged right hand and arm lay stretched along the bed.His head stirred uneasily, and slipping her arm behind him she effected a professional readjustment of the pillows. Is that better?As she leaned over, he lifted his anxious bewildered eyes, deep-sunk under ridges of suffering. I dont spose theres any kind of a show for me, is there? he asked, pointing with his free handthe stained seamed hand of the mechanicto the inert bundle on the quilt.Her only immediate answer was to wipe the dampness from his forehead; then she said: Well talk about that tomorrow.Why not now?Because Dr. Disbrow cant tell till the inflammation goes down.Will it go down by tomorrow?

Sit back, relax, and join Edith Wharton on her journey through early 20th century Italy. A seasoned traveller, Italian Backgrounds condenses a decades worth of Edith Whartons journeys through Italy, into one work. A chronicle rather than a novel, Wharton perfectly captures the essence, architecture, countryside, and people she comes across on her sojourn. Her adventure starts in Swiss Splugen, where she and her party must decide which road to take. As the journal unfolds, we are whisked through some famous Italian cities, such as Venice, Rome, and Milan, explore the likes of Lake Como and visit smaller towns and villages.In typical Wharton style, no detail is left undocumented, creating a book that is as rich in historical context as it is in its evocative description. A superb read for Wharton fans and those interested in history and travel.

In the early years of the 20th Century, Edith Wharton took the road trip of a lifetime across France with the celebrated author, Henry James (author of Turn of the Screw, later adapted for TV, featuring Downton Abbey star Michelle Dockery). Accompanied by Ediths husband, their chauffeur, and Whartons two dogs, they travelled the French countryside, stopping wherever inspiration struck.The result, A Motor-Flight Through France, is a chronicle of the French villages, towns, and cities they visited. Wharton, with an innate appreciation for architecture, perfectly captures the beauty of turn-of-the-century France, detailing their stop-offs with evocative descriptions. From the food, they ate to the people they met, A Motor-Flight Through France is an important chronicle of the country at a time when Italy was setting its military sites on it. A superb read for Wharton fans, and those with an interest in history and travel.

The Valley of Decision is Whartons first full-length novel. Set in 18th Century, it follows the rising fortunes of Odo Valsecca who, on becoming a man, inherits a dukedom. With the French Revolution a constant shadow, Valsecca must decide whether to fully assume the responsibilities that come with power or whether to ally himself to his working-class roots. A fascinating read, Wharton peppers the tale with plenty of historical detail and insights into human nature. Romantic, dramatic, and elegantly written, this book is perfect for fans of Julia Quinns Bridgerton series.

Tense and atmospheric, The Touchstone follows the trials and tribulations of New York lawyer, Stephen Glennard. When we meet Glennard, he is unable to afford to marry his girlfriend, Alexa Trent. However, when he reads an advertisement seeking information about the deceased novelist, Margarey Aubyn, he is faced with a moral dilemma. Should he sell the letter she wrote him, even though he spurned her romantic advances? A taut novella, The Touchstone is a fascinating take on the classic ghost story.

Nora Frenway settled down furtively in her corner of the Pullman and, as the express plunged out of the Grand Central Station, wondered at herself for being where she was. The porter came along. "Ticket?""Westover." She had instinctively lowered her voice and glanced about her. But neither the porter nor her nearest neighboursfortunately none of them known to herseemed in the least surprised or interested by the statement that she was travelling to Westover.Yet what an earthshaking announcement it was! Not that she cared, now; not that anything mattered except the one overwhelming fact which had convulsed her life, hurled her out of her easy velvetlined rut, and flung her thus naked to the public scrutiny. Cautiously, again, she glanced about her to make doubly sure that there was no one, absolutely no one, in the Pullman whom she knew by sight.

Years ago I said to myself: "Theres no such thing as old age; there is only sorrow."I have learned with the passing of time that this, though true, is not the whole truth. The other producer of old age is habit: the deathly process of doing the same thing in the same way at the same hour day after day, first from carelessness, then from inclination, at last from cowardice or inertia. Luckily the inconsequent life is not the only alternative; for caprice is as ruinous as routine. Habit is necessary; it is the habit of having habits, of turning a trail into a rut, that must be incessantly fought against if one is to remain alive.

Among the many twentieth century treatises on the art of writing, there were few that attempted to analyze the development of form and style. But Edith Whartons bestselling classic, The Writing of Fiction did just that. Complete with chapters devoted to the invaluable insight on character, pacing, structure, the short story, the novel, and a wide-range of approaches to modern fiction. The book is a window into the mind of one of Americas most important and enduring voices. In 1921, Edith Wharton became the first woman to win a Pulitzer Prize for her 1920 novel The Age of Innocence.

Edith Whartons "The Age of Innocence" offers a meticulous exploration of the constraints of societal norms in Gilded Age New York, deftly illustrating the interplay between individual desires and the rigid expectations of upper-class society. Wharton employs a rich, descriptive prose style that captures the opulence and stagnation of the era, creating a vivid tableau of characters navigating their fates within an intricate web of tradition and propriety. The novels exploration of themes such as love, hypocrisy, and the struggle for authenticity in a conformist society resonates deeply, situating it within the canon of American realism, while also reflecting the authors incisive observations of her own social milieu. Edith Wharton, a Pulitzer Prize-winning novelist, was born into the very society she critiques, providing her an intimate understanding of its mores and artistry. Her own experiences as a member of Old New Yorks elite, coupled with her desire to break free from such restrictive conventions, are the impetus behind this work. Wharton was profoundly interested in the moral conflicts arising from the human experience, which is why she so compellingly illustrates the dualities of aspiration and obligation. Readers seeking a profound and poignant examination of societal expectations and personal sacrifice will find "The Age of Innocence" to be an enlightening engagement with both the historical and the timeless. Whartons masterful storytelling invites reflection on the complexities of love and duty, making it an essential read for anyone interested in the intersection of personal and social identity.

"Xingu" by Edith Wharton offers a sharp, satirical glimpse into the pretensions of high society and intellectual elitism. The story centers on a group of self-proclaimed cultured women belonging to the Lunch Club, who pride themselves on their literary discussions. Their pomposity is hilariously exposed when they invite a celebrated author, only to be flummoxed by the enigmatic term "Xingu." Whartons witty critique underscores the superficiality of social status and the often overlooked value of genuine curiosity and humility.

Selden paused in surprise. In the afternoon rush of the Grand Central Station his eyes had been refreshed by the sight of Miss Lily Bart.It was a Monday in early September, and he was returning to his work from a hurried dip into the country; but what was Miss Bart doing in town at that season? If she had appeared to be catching a train, he might have inferred that he had come on her in the act of transition between one and another of the country-houses which disputed her presence after the close of the Newport season; but her desultory air perplexed him. She stood apart from the crowd, letting it drift by her to the platform or the street, and wearing an air of irresolution which might, as he surmised, be the mask of a very definite purpose. It struck him at once that she was waiting for some one, but he hardly knew why the idea arrested him. There was nothing new about Lily Bart, yet he could never see her without a faint movement of interest: it was characteristic of her that she always roused speculation, that her simplest acts seemed the result of far-reaching intentions.