VALERIE MARTIN

After Edward Day joins fellow actors for a summer weekend on the New Jersey Shore, his life is never the same again. He is saved from drowning by the mysterious Guy Margate, a man with whom he shares both a marked physical resemblance and an implacable attraction to the beautiful, talented, neurotic Madeleine Delavergne. Ever after, in spooky encounters provoked by envy and resentment, Edward is torn between his desire for Madeleine and his indebtedness to the querulous Guy. Professional and personal jealousies come to a head when Edward is cast opposite Madeleine in an acclaimed production of Uncle Vanya, their respective roles painfully mirroring the reality of their personal situations. As the sexual tensions of the play spill over outside the theatre walls, Guy - Edward's reluctant saviour and now Madeleine's husband - makes the ultimate act of protest.

A mystery unsolved to this day A mystic who confounds the cynics A writer looking for the story that will make his name A ghost ship appears in the mist. To the struggling author Arthur Conan Doyle, it is an inspiration. To Violet Petra, the gifted American psychic, it is a cruel reminder. To the death-obsessed Victorian public, it is a fascinating distraction. And to one family, tied to the sea for generations, it is a tragedy. In salons and on rough seas, at seances and in the imagination of a genius, these stories converge in unexpected ways as the mystery of the ghost ship deepens. But will the sea yield its secrets, and to whom? Intricate, atmospheric, and endlessly intriguing, The Ghost of the Mary Celeste is a spellbinding exploration of love, loss and the fictions that pass as truth.

Toby and Salome are a couple living in New York, but their backgrounds are world apart. He is an all-American boy from a family of academics; she is a Croatian refugee raised in New Orleans. When Salome becomes pregnant, they decide to spend their lives together and marry. But finding a way to reconcile their families proves a difficult task. Toby and Salome are a young, modern couple living in New York, but their backgrounds are world apart. He is a middle-class all-American boy from a family of academics; she is a Croatian refugee raised in New Orleans.When Salome unexpectedly becomes pregnant, they decide to spend their lives together and hastily marry. But finding a way to reconcile their families and pasts proves a difficult task. Toby's mother's deep-seated mistrust of Salome causes tension, leaving her unable to accept her new daughter-in-law. But Salome's past, full of dangerous secrets, is more horrifying than any of them could imagine - and the violence that destroyed her homeland is far from over...

In the seamy theatre world of 1970s New York, where rents are cheap and love is free, aspiring actor Edward Day joins his friends for a summer weekend on the New Jersey Shore. But something happens - and Edward's life will never be the same again. He is saved from drowning by the mysterious Guy Margate, a man with whom he shares both a marked physical resemblance and an implacable attraction to the beautiful, talented, neurotic Madeleine. Ever after, in encounters provoked by envy and resentment, Edward is torn between his desire for Madeleine and his indebtedness to the querulous Guy. Professional and personal jealousies come to a head when Edward is cast opposite Madeleine in an acclaimed production of Uncle Vanya, their respective roles painfully mirroring the reality of their personal situations. As the sexual tensions of the play spill over outside the theatre walls, Guy - Edward's reluctant saviour and now Madeleine's husband - makes the ultimate act of protest...

Each of these twelve stories is a complete world, where ordinary lives are transformed, myths bloom into reality and the everyday is haunted by obsession and duplicity. A painter is made insufferable by success; a writer is driven to bury the evidence of his inadequacy. Metamorphosis fragments a marriage and beasts bear the consequences of human failings. Living creatures scratch out hauntings, rumours spread like fire. Fantastical beings are made flesh while mortals are engaged in a struggle that should be honourable but more often corrupts. Lyrical and macabre, Valerie Martin's stories are wry and unexpected too. The question 'Are we animals, or are we something else?' is answered by an ancient proposition both whimsical and disturbing: we are neither and both.

Manon Gaudet is unhappily married to the owner of a Louisiana sugar plantation. She misses her family and longs for the vibrant lifestyle of her native New Orleans, but most of all, she longs to be free of the suffocating domestic situation. The tension revolves around Sarah, a slave girl who may have been given to Manon as a wedding present from her aunt, whose young son Walter is living proof of where Manon's husband's inclinations lie. This private drama is being played out against a brooding atmosphere of slave unrest and bloody uprisings. And if the attacks reach Manon's house, no one can be sure which way Sarah will turn ...Beautifully written, Property is an intricately told tale of both individual stories and of a country in a time of change, where ownership is at once everything and nothing, and where belonging, by contrast, is all.

Luisiana, 1828. Manon Gaudet ha abandonado Nueva Orleáns para casarse con el dueño de una plantación azucarera a quien apenas conoce. Pronto descubre que el matrimonio de conveniencia es un fracaso: su marido, lejos de ser el hombre con el que había soñado, se comporta como un déspota con sus trabajadores, tiene una facilidad peligrosa para endeudarse y siente debilidad por una de sus esclavas, Sarah.