William Makepeace Thackeray

Welcome to the3 Books To Knowseries, our idea is to help readers learn about fascinating topics through three essential and relevant books.These carefully selected works can be fiction, non-fiction, historical documents or even biographies.We will always select for you three great works to instigate your mind, this time the topic is:Victorian Literature.- Heart of Darkness by Joseph Conrad.- Tess of the Durbervilles by Thomas Hardy.- Vanity Fair by William Makepeace Thackeray.Heart of Darkness (1899) is a novella by Polish-British novelist Joseph Conrad about a narrated voyage up the Congo River into the Congo Free State in the so-called Heart of Africa. Charles Marlow, the narrator, tells his story to friends aboard a boat anchored on the River Thames. This setting provides the frame for Marlows story of his obsession with the ivory trader Kurtz, which enables Conrad to create a parallel between what Conrad calls "the greatest town on earth", London, and Africa as places of darkness.Tess of the dUrbervilles: A Pure Woman Faithfully Presented is a novel by Thomas Hardy. It initially appeared in a censored and serialised version, published by the British illustrated newspaper The Graphic in 1891, then in book form in three volumes in 1891, and as a single volume in 1892. Though now considered a major nineteenth-century English novel and possibly Hardys fictional masterpiece, Tess of the dUrbervilles received mixed reviews when it first appeared, in part because it challenged the sexual morals of late Victorian England.Vanity Fair is an English novel by William Makepeace Thackeray, which follows the lives of Becky Sharp and Emmy Sedley amid their friends and families during and after the Napoleonic Wars. It was first published as a 19-volume monthly serial from 1847 to 1848, carrying the subtitle Pen and Pencil Sketches of English Society, reflecting both its satirisation of early 19th-century British society and the many illustrations drawn by Thackeray to accompany the text. It was published as a single volume in 1848 with the subtitle A Novel without a Hero, reflecting Thackerays interest in deconstructing his eras conventions regarding literary heroism. It is sometimes considered the "principal founder" of the Victorian domestic novel.This is one of many books in the series 3 Books To Know. If you liked this book, look for the other titles in the series, we are sure you will like some of the topics.

Editorial Backlist. Una de las secciones de más éxito de la revista satírica Punch fue «The Snobs of England by One of Themselves» («Los snobs de Inglaterra por uno de ellos»), en la que, semana tras semana, William Makepeace Thackeray retrataba a un personaje de la clase media inglesa, anónimo o conocido, con una despiadada ironía que no dejaba títere con cabeza. En 1848, estos artículos se reunieron en El libro de los snobs y supuso el inicio de una brillante carrera literaria que sirvió como base a la famosa novela La feria de las vanidades.

VANITY FAIR, Thackeray's panoramic, satirical saga of corruption at all levels of English society, was published in 1847 but set during the Napoleonic Wars. It chronicles the lives of two women who could not be more different: Becky Sharp, an orphan whose only resources are her vast ambitions, her native wit, and her loose morals; and her schoolmate Amelia Sedley, a typically naive Victorian heroine, the pampered daughter of a wealthy family. Becky's fluctuating fortunes eventually bring her to an affair with Amelia's dissolute husband; when he is killed at Waterloo, Amelia and her child are left penniless, while Becky and her husband Rawdon Crawley rise in the world, managing to lead a high life in London solely on the basis of their shrewdness. (The chapter entitled "How to Live on Nothing" is a classic.) Thackeray's subtitle, "A Novel Without a Hero," is understating the case; his view of humanity in this novel is distinctly bleak and deliberately antiheroic. Critics of the time misunderstood the book, decrying it as (among other things) vicious, vile, and odious. But VANITY FAIR has endured as one of the great comic novels of all time, and a landmark in the history of realism in fiction.

A Novel Without a Hero is an unparalleled satire of 19th Century British Society, written by William Makepeace Thackeray and originally published in serial format from 1847 to 1848. Meet the charming and cunning Becky Sharp, insinuating upward through the social ranks with the fervor of Napoleon plowing through Europe, and the subtlety of a butterfly. More so than any other picaresque character, Becky Sharp's name has become synonymous with a gold-digging, amoral, opportunistic social charmer who is also shrewd and strong - a portrait of a complex woman of her time. She is the anti-heroine you love to hate, and yet at the same time cannot help but secretly admire her methods.

With a specially commissioned afterword, the "Collector's Library" series includes a brief biography of the author, and a further reading list. This edition contains an afterwor

Una obra maestra de la literatura del siglo XIX con ilustraciones originales del autor.William Thackeray es uno de los escritores satíricos ingleses más populares de todos los tiempos. Heredero de Dickens, supo como nadie retratar las contradiccionesd e su tiempo. Ahora Lumen publica una edición de lujo de su obra maestra, La feria de las vanidades, una de las lecturas más deliciosas de todos los tiempos.

El período de la monarquía británica que cubre la novela -del destronamiento de Jacobo II en 1690 hasta la coronación de Jorge I en 1714- es una época de conspiraciones dinásticas y de encarnizadas luchas -como la Guerra de Sucesion española- contra la hegemonia francesa en Europa. La implicacion personal y la critica cercania del autor de estas memorias convierten, sin embargo, su experiencia en algo mas que un testimonio: en la ironica historia de un hombre que, puesto al servicio de la Historia, habra de deponer una a una sus primeras lealtades -al catolicismo, a los Estuardo, a los tories, a la hermosa Beatrix que guia sus actos y sus sueños- en su camino hacia una especie de desesperada serenidad.

A deliciously satirical attack on a money-mad society, Vanity Fair, which first appeared in 1847, is an immensely moral novel, and an immensely witty one. Called in its subtitle "A Novel Without a Hero," Vanity Fair has instead two heroines: the faithful, loyal Amelia Sedley and the beautiful and scheming social climber Becky Sharp. It also engages a huge cast of wonderful supporting characters as the novel spins from Miss Pinkerton's academy for young ladies to affairs of love and war on the Continent to liaisons in the dazzling ballrooms of London. Thackeray's forte is the bon mot and it is amply exercised in a novel filled with memorably wicked lines. Lengthy and leisurely in pace, the novel follows the adventures of Becky and Amelia as their fortunes rise and fall, creating a tale of both picaresque and risqué. Thackery mercilessly skewers his society, especially the upper class, poking fun at their shallow values and pointedly jabbing at their hypocritical "morals." His weapons, however, are not fire and brimstone but an unerring eye for the absurd and a genius for observation of the foibles of his age. An enduring classic, this great novel is a brilliant study in duplicity and hypocrisy…and a mirror with which to view our own times.

No one is better equipped in the struggle for wealth and worldly success than the alluring and ruthless Becky Sharp, who defies her impoverished background to clamber up the class ladder. Her sentimental companion Amelia, however, longs only for caddish soldier George. As the two heroines make their way through the tawdry glamour of Regency society, battles - military and domestic - are fought, fortunes made and lost. The one steadfast and honourable figure in this corrupt world is Dobbin with his devotion to Amelia, bringing pathos and depth to Thackeray's gloriously satirical epic of love and social adventure.

Il s'agit de l'un des plus grands classiques du roman anglais. Le XIXe siècle britannique est divisé entre Dickens et Thackeray comme le nôtre entre Balzac et Stendhal. Thackeray (1811-1863) est l'égal de Stendhal et La Foire aux Vanités (1848), son chef-d'œuvre. Il y utilise un style humoristique ou ironiquement épique pour donner l'un des plus grands romans de satire sociale en langue anglaise. La thèse fondamentale du livre est que, dans la société occidentale, le seul moyen d'arriver, si l'on est sans naissance ni fortune, est de violer tous les principes moraux que la société fait semblant de respecter. La question qu'il pose donc est : qui faut-il blâmer, ces aventuriers, ou le système qui les rend nécessaires ? Le personnage principal est une femme hypocrite, ambitieuse et sans scrupules : on assiste à son ascension au sommet de la société et à sa chute. Autour d'elle s'agite, dans une immense fresque, la « Foire aux Vanités ».

A marvelous, incisive social satire that gleefully exposes the greed and corruption raging in England during the turmoil of the Napoleonic wars through its tracing of the changing fortunes of two unforgettable women. It is a comic masterpiece that still resonates today. "Re-reading "Vanity Fair," one realises what a brilliant innovation this was in the English novel," remarked V. S. Pritchett. "Thackeray is like the modern novelists who derive from James and Proust, in his power of dissecting (and of desiccating!) character." Generally considered to be his masterpiece, "Vanity Fair" is Thackeray's resplendent social satire that exposes the greed and corruption raging in England during the turmoil of the Napoleonic wars. Subtitled "A Novel Without a Hero," it traces the changing fortunes of two unforgettable women: the scheming opportunist Becky Sharp--one of literature's most resourceful, engaging, and amoral heroines--and her foil, the faithful, naive Amelia Sedley. Thackeray's subversive, comic attack on the hypocrisy and "dismal roguery" of an avaricious world resonates 150 years later with implications for our own times. "Thackeray is an urbane nineteenth-century guide and commentator in a portrait gallery that is for all time," observed Louis Auchincloss. "He is the restless inhabitant of a prudish age, nostalgic, discursive, anecdotal, sentimental, worldly-wise, now warning us, now making fun of us, now reproving us .... Thackeray's harshest criticism of humanity is simply the point where ours commences. His perception of self-interest in every act is the ABC of modem psychology."