William Makepeace Thackeray, página 2 de 11

It tells the story of Henry Esmonds twin grandsons, George and Henry Warrington. Henrys romantic entanglements with an older woman lead up to his taking a commission in the British army and fighting under the command of General Wolfe at the capture of Quebec. On the outbreak of the American War of Independence he takes the revolutionary side. George, who is also a British officer, thereupon resigns his commission rather than take up arms against his brother.

The History of Pendennis: His Fortunes and Misfortunes, His Friends and His Greatest Enemy (18481850) is a novel by the English author William Makepeace Thackeray. It is set in 19th-century England, particularly in London. The main hero is a young English gentleman Arthur Pendennis, who is born in the country and sets out for London to seek his place in life and society. In line with other Thackerays works, most notably Vanity Fair, Pendennis offers an insightful and satiric picture of human character and aristocratic society. The characters include the snobbish social hanger-on Major Pendennis and the tipsy Captain Costigan. Miss Amory and Sir Francis Clavering are somewhat reminiscent of Becky Sharp and Sir Pitt from Vanity Fair.

If this kind of composition, of which the two years product is now laid before the public, fail in art, as it constantly does and must, it at least has the advantage of a certain truth and honesty, which a work more elaborate might lose. In his constant communication with the reader, the writer is forced into frankness of expression, and to speak out his own mind and feelings as they urge him. Many a slip of the pen and the printer, many a word spoken in haste, he sees and would recall as he looks over his volume. It is a sort of confidential talk between writer and reader, which must often be dull, must often flag. In the course of his volubility, the perpetual speaker must of necessity lay bare his own weaknesses, vanities, peculiarities. And as we judge of a mans character, after long frequenting his society, not by one speech, or by one mood or opinion, or by one days talk, but by the tenor of his general bearing and conversation; so of a writer, who delivers himself up to you perforce unreservedly, you say, Is he honest? Does he tell the truth in the main? Does he seem actuated by a desire to find out and speak it? Is he a quack, who shams sentiment, or mouths for effect? Does he seek popularity by claptraps or other arts? I can no more ignore good fortune than any other chance which has befallen me. I have found many thousands more readers than I ever looked for. I have no right to say to these, You shall not find fault with my art, or fall asleep over my pages; but I ask you to believe that this person writing strives to tell the truth. If there is not that, there is nothing.Perhaps the lovers of excitement may care to know, that this book began with a very precise plan, which was entirely put aside. Ladies and gentlemen, you were to have been treated, and the writers and the publishers pocket benefited, by the recital of the most active horrors. What more exciting than a ruffian (with many admirable virtues) in St.

William Makepeace Thackeray was an English novelist of the 19th century. He is famous for his satirical works and panoramic portraits of English society.

As the manager of the Performance sits before the curtain on the boards and looks into the Fair, a feeling of profound melancholy comes over him in his survey of the bustling place. There is a great quantity of eating and drinking, making love and jilting, laughing and the contrary, smoking, cheating, fighting, dancing and fiddling; there are bullies pushing about, bucks ogling the women, knaves picking pockets, policemen on the look-out, quacks (OTHER quacks, plague take them!) bawling in front of their booths, and yokels looking up at the tinselled dancers and poor old rouged tumblers, while the light-fingered folk are operating upon their pockets behind. Yes, this is VANITY FAIR; not a moral place certainly; nor a merry one, though very noisy. Look at the faces of the actors and buffoons when they come off from their business; and Tom Fool washing the paint off his cheeks before he sits down to dinner with his wife and the little Jack Puddings behind the canvas. The curtain will be up presently, and he will be turning over head and heels, and crying, "How are you?"

Barry Lyndonfar from the best known, but by some critics acclaimed as the finest, of Thackerays worksappeared originally as a serial a few years before VANITY FAIR was written; yet it was not published in book form, and then not by itself, until after the publication of VANITY FAIR, PENDENNIS, ESMOND and THE NEWCOMES had placed its author in the forefront of the literary men of the day. So many years after the event we cannot help wondering why the story was not earlier put in book form; for in its delineation of the character of an adventurer it is as great as VANITY FAIR, while for the local colour of history, if I may put it so, it is no undistinguished precursor of ESMOND.