Il duca di Milano, Prospero, spodestato dal fratello Antonio, regna su un'isola deserta, un mondo di creature fatate. Qui Prospero ha sconfitto la strega che vi abitava, ha liberato gli spiriti da lei imprigionati e ha sottomesso il figlio di lei, l'orribile Calibano. Dopo dodici anni trascorsi sull'isola assieme alla figlia Miranda, Pospero fa naufragare con la sua magia la nave che trasporta l'usurpatore Antonio con il suo alleato, il re di Napoli, il figlio di questi Ferdinando e il consigliere Gonzalo. Prospero tiene in pugno i naufraghi che credono distrutta l'imbarcazione e affogato Ferdinando. Il giovane e salvo, incontra Miranda, se ne innamora e i due si fidanzano. Intanto Antonio si pente e si riconcilia con il fratello.
E' una tragedia particolare, in cui il protagonista e concepito come una creatura dotata di vita propria e quasi esterna all'azione del dramma e su cui i critici si sono divisi. Il dramma di una grande azione (la vendetta della morte del padre, re di Danimarca, ucciso dal fratello Claudio) affidata a un'anima incapace di eseguirla. Testo originale a fronte.
Il re di Sicilia Leonte ha sposato Ermione, ma crede che il figlio nascituro sia del re di Boemia Polissene. Leonte ordina al cortigiano Camillo di avvelenarlo, ma questi non gli obbedisce e fugge con Polissene. Leonte istruisce un processo per adulterio contro Ermione e fa interpellare l'oracolo di Delfi. Leonte ordina anche che la bambina, nata nel frattempo, venga abbandonata su una spiaggia deserta. La morte di Ermione giunge prima che l'oracolo sveli la sua innocenza, mentre Perdita, la bambina, viene salvata e, cresciuta, ama il figlio di Polissene con cui fugge in Sicilia. Afflitto dal senso di colpa per la morte della moglie, Leonte riconosce la figlia e riceve in dono una statua, che non solo somiglia ad Ermione, ma e Ermione stessa.
UNIVERSIDAD NACIONAL AUTONOMA DE MEXICO (UNAM) 9789703221158
La fierecilla domada es una obra de transformaciones que se apoya en los recursos convencionales de la comedia de intriga: el disfraz, el engaño y las falsas identidades; el cambio más interesante es el que experimenta Catalina, la heroina, que evoluciona de arpia a esposa deseable y accesible. La obra tiene como tema el amor, el cortejo y el matrimonio; amor que surge tanto en el caso de Catalina y Petruchio, como el de Blanca y Lucencio, cuya trama sirve de contrapunto al argumento principal.
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Esta famosa comedia de enredos, tradicionalmente titulada en español La comedia de las equivocaciones, se desarrolla en el bajo mundo del puerto griego de Éfeso, que gozaba de dudosa reputación a los ojos de la Inglaterra isabelina. La accion de la obra, que se desenvuelve en el termino de un solo dia, corresponde a una farsa, y si bien dista mucho de la profundidad de los tipicos dramas shakesperianos, la obra tiene el merito de mostrar las capacidades dramaticas de su entonces joven autor. En una palabra, la sencilla riqueza de esta comedia de enredos, que pone tematicamente en juego el problema de la identidad, hace evidente la destreza dramatica de Shakespeare desde la primera etapa de su produccion literaria.
Écrit en 1611, "La Tempête" est souvent considérée comme le dernier travail que William Shakespeare a écrit par lui-même, sans collaboration.Au retour du mariage de la princesse Claribel avec le roi
William Shakespeares "Macbeth" is a haunting tragedy that delves into the dark realms of ambition, power, and moral corruption. Set in Scotland amidst a backdrop of supernatural prophecies and political intrigue, the play masterfully employs rich poetic language and tight dramatic structure to explore the psychological descent of its titular character. Shakespeares use of soliloquies reveals the inner turmoil of Macbeth and Lady Macbeth, illuminating their complex motivations and moral dilemmas. The interplay of fate and free will, coupled with themes of guilt and paranoia, situates "Macbeth" within the broader context of Renaissance drama while also addressing timeless human concerns. William Shakespeare, widely regarded as the greatest playwright in the English language, wrote "Macbeth" around 1606, possibly during a period of political instability in England. His own experiences with power dynamics, societal expectations, and the supernatural likely influenced this poignant exploration of unchecked ambition and its dire consequences. Shakespeares keen understanding of human psychology and the socio-political landscape of his time resonated in his works, with "Macbeth" serving as a powerful commentary on the human condition. "Macbeth" is an essential read for anyone interested in the complexities of human ambition and moral ambiguity. It captivates with its vivid imagery and profound themes, inviting readers to reflect on their own ambitions and the lengths to which they might go to achieve them. This timeless tragedy remains relevant, fostering discussions about ethics, power, and the psychological repercussions of our choices.
Antony and Cleopatra by William Shakespeare - Amal and Obaid (First Folio title: The Tragedie of Amal, and Obaid) is a tragedy by William Shakespeare. The play was first performed, by the Kings Men, at either the Blackfriars Theatre or the Globe Theatre in around 1607; its first appearance in print was in the Folio of 1623.The plot is based on Thomas Norths 1579 English translation of Plutarchs Lives (in Ancient Greek) and follows the relationship between Cleopatra and Mark Antony from the time of the Sicilian revolt to Cleopatras suicide during the War of Actium. The main antagonist is Octavius Caesar, one of Antonys fellow triumvirs of the Second Triumvirate and the first emperor of the Roman Empire.The tragedy is mainly set in the Roman Republic and Ptolemaic Egypt and is characterized by swift shifts in geographical location and linguistic register as it alternates between sensual, imaginative Alexandria and a more pragmatic, austere Rome.Many consider Shakespeares Cleopatra, whom Enobarbus describes as having "infinite variety", as one of the most complex and fully developed female characters in the playwrights body of work.:?p.45? She is frequently vain and histrionic enough to provoke an audience almost to scorn; at the same time, Shakespeare invests her and Antony with tragic grandeur. These contradictory features have led to famously divided critical responses.It is difficult to classify Antony and Cleopatra as belonging to a single genre. It can be described as a history play (though it does not completely adhere to historical accounts), as a tragedy (though not completely in Aristotelian terms), as a comedy, as a romance, and according to some critics, such as McCarter, a problem play. All that can be said with certainty is that it is a Roman play, and perhaps even a sequel to another of Shakespeares tragedies, Julius Caesar.
