Libros de Cerámica y porcelana, página 10 de 49

Satire has been used in ceramic production for centuries. Historically, it occurred as a slogan or proverb written into the ceramic surface; as pictorial surface imagery; or as a satirical figurine. The use of satire in contemporary ceramics is a rapidly evolving trend, with many artists subverting or otherwise rethinking familiar historic forms to make a political point.Claudia Clare examines the relationship between ceramics, social politics, and political movements and the way both organisations and individual artists have used pots - predominantly domestic objects - to agitate among the masses or simply express their ideas. Ninety colour illustrations of various subversive, satirical and campaigning works illustrate her arguments and enliven debate.Claudia Clare explores work by artists from twenty-one different countries, from 500 BC to the present day. These range range from the French artist Honore Daumier and the enslaved African-American potter David Drake to contemporary artists including Lubaina Himid, Virgil Ortiz and Shlomit Bauman,whose work and the means of its production has addressed or commented upon issues such as disputed homelands, identify, race, gender and colonialism

Dry glazes, also known as matte glazes, provide ceramic artists with an alternative to conventional glossy and transparent finishes. Potters such as Lucie Rie and Hans Coper frequently used matte and opaque coatings in their work. Contemporary sculptors employ dry glazes to add texture and depth to the surface of their pieces. Still, little information has been published on matte glaze techniques until now.In Dry Glazes, artist and educator Jeremy Jernegan covers everything ceramicists need to know to create and manipulate a range of matte glazes, from satin to cratered. This compact yet complete guide contains more than 270 formulas and recipes for slips, sigillatas, vitreous englobes, oxides, and stains. Jernegan gives clear and thorough instruction on application and firing methods, including raku. He also explains safe and environmentally responsible ways to handle the chemicals involved. Dry Glazes not only contains step-by-step color photographs of test tiles and procedures; it features illustrations of works by contemporary makers who have used matte glazes to great effect.With over one hundred illustrations and an in-depth treatment of techniques, materials, and creative approaches, Dry Glazes is a smart addition to any clay worker''s library. It is a practical and inspirational resource for ceramics practitioners, instructors, and students who want to make or alter their own glazes.

This extensive how-to book puts you in touch with all the creative potential of the extruder.With more than 50% new material, this book features new works by artists, up-to-date information on extruders, and sixteen great step-by-step demonstrations, making it a must for anyone with an extruder in their studio.

When it comes to innovation, ceramic artists rank at the top. What is it about clay that brings out the creative spirit in us? Unlike a canvas to be painted or a stone to be carved, clay presents unlimited possibilities. You can shape it, throw it, pour it, carve it, stamp it, paint itanything. Its the most versatile of mediums. For creative artists choosing clay, theres no telling what the results will be. In this collection of techniques, profiles and projects, more than 25 innovative artists explore some of the vast possibilities clay has to offer. From Amy Santoferraros Plate-O-Matic and Shuji Ikedas elegant woven baskets to using clay as a canvas, theres no end to the possibilities.Ceramic Art: Innovative Techniques touches on the many creative things you can do with clay. During any stage of forming, decorating or firing, infinite variables allow you to explore and expand the many creative opportunities clay has to offer. Discover some of the things that thousands of potters around the world do in this wonderful medium.

For thousands of years, the special properties of porcelain - its delicacy, translucency and remarkable strength - have fascinated and inspired, and these qualities continue to have an enduring appeal for ceramic artists. However, porcelain is also a notoriously demanding medium that presents unique challenges for the maker.In this inspiring practical guide, porcelain artist Vivienne Foley introduces ceramicists to the material she has been working with for more than forty years. The book takes a comprehensive look at all aspects of porcelain, and covers everything from its composition and workability, to decorating and glazing. Methods of throwing and building are thoroughly covered, with a focus on techniques and faults specific to porcelain. Drying and firing is also discussed, and there is a useful troubleshooting section on all the most likely problems and faults along with suggested remedies.Beginning with the fascinating history of making in porcelain, from the Imperial kilns of China to the Meissen factory of Germany and beyond, this book offers an insight into the way porcelain has been used in the past and how it has been adapted and developed for contemporary work, by current artists who are constantly looking to push the boundaries of possiblity.Illustrated throughout with helpful how-to images, as well as the beautiful works of current artists, Porcelain is the essential handbook for any ceramic student or artist seeking to understand and work with this extraordinary material.

Oriental Glazes offers a complete overview of the art of high fire reduction glazing, which can be notoriously difficult to master. Michael Bailey has provided in-depth research to bring a wide variety of Oriental glazes to the reader with explanations, notes, and direction where needed. He discusses recipes, chemical make-up, and troubleshooting, and examines current artists'' use of these unique glazes. A wide variety of techniques and glazes are presented, from celadons and tekmokus to the more specialized tea dust and hare''s fur.Oriental Glazes is an instructive guide that emphasizes firing in a flame kiln (using gas, oil, propane, or wood), with the oxygen supply restricted at the top end of the firing. This creates the reducing effect that brings about the changes, especially to the metallic coloring oxides copper and iron, that produce the subtle and beautiful qualities associated with the classic Far Eastern glazes.This clear and practical volume offers a starting point for beginners and a rich source of recipes and approaches to the established potter. With his logical, organized format and encouraging tone, Bailey''s handbook is a clear and comprehensive guide on how to produce these striking glazes today.Michael Bailey is a partner at Bath Potters Supplies. Both a scientist and a studio potter, he is a frequent contributor to pottery journals such as Ceramic Review.

Best known as one of the most widely used industrial ceramic techniques, slipcasting has become increasingly attractive to individual artists and craftspersons. Slip, a water and clay solution, is poured into porous molds. As the mold absorbs water from the slip, a layer of clay forms a cast. The excess slip is removed from the mold and the cast is stiffened, removed, dried, and fired in a kiln. Since the molds can be based on anything from delicate sculpture to found objects, slipcasting frees artists from the constraints of other ceramic techniques while allowing them to create multiples of their works.Sasha Wardell''s Slipcasting is a straightforward, practical guide for those interested in the boundless possibilities of the technique. The book contains more than one hundred color illustrations, diagrams, and slip formulas. An inspiring "Individual Approaches" chapter discusses the slipcast work of a variety of contemporary ceramicists from around the world.Award-winning ceramicist Sasha Wardell is a fellow of the Craft Potters Association and the author of Porcelain and Bone China.

Ceramic jewellery is an ever-growing area of the ceramic world.Although ceramic beads have been around for as long as pots have, the idea of ceramic jewellery has been making a comeback in a much more glamorous and professional form than ever before.This book shows how ceramic can be combined with other materials such as silver, gold, feathers, leather, textiles or stone to create some unique and innovative pieces. The book looks at how to source or create your own fittings and findings, the problems of design and the practicalities of joining the various elements to create a successful piece.The book is well illustrated both with practical images and beautiful photos of finished work from an international range of artists.

The Kiln Book is a well-established classic in the field of kiln building.This 4th edition is a fully revised and updated version, bursting with colour images of kilns in all their various stages of construction. The most comprehensive book on kiln building available, all the essential information is provided on important basics such as all types of bricks, ceramic fiber, angle iron and other building materials, chimneys, kiln design and draft and fuel choice. It covers all kiln types including gas, wood, oil, electric and various combinations, as well as being packed with plans, drawings and advice. It gives you the details and the finer points which are crucial for those building more ambitious kilns.There are many other kiln books but none so comprehensive.

"• Por primera vez en tapa blanda a un precio inmejorable, The Pot Book (El ABC de la cerámica), la guía más completa y accesible sobre cerámicas de todo el mundo y de todos los períodos • 300 cerámi

CERAMICA DE CHINA. FANG LILI