Libros de Historia general del arte, página 45 de 351

Drawing on the growing interdisciplinary activity and burgeoning scholarship in the field, the essays in this book shed new light on the circumstances underlying the creation of early Netherlandish paintings. The contributors, all leading scholars of Netherlandish art, emphasize the importance of socioeconomic factors, especially the impact of art markets in the late fifteenth and early sixteenth centuries on the production of altarpieces. They also focus on information gleaned from the technical investigation of works of art, demonstrating that their meaning often lies in their method of manufacture as well as in the function they originally served for their intended audience. Other topics addressed in this volume include the relationship of text and image, archival work, and economic/art market developments. Each topic is considered in two parts: the first summarizes the history of the approach so far, along with suggested guidelines for current research, and the second charts new territory for future investigations. The Metropolitan Museum of Art Symposia Maryan W. Ainsworth is Senior Research Fellow in the Sherman Fairchild Paintings Conservation Center at The Metropolitan Museum of Art. Other contributors include Reindert Falkenburg, Molly Faries, Noel Geirnaert, Maximiliaan P. J. Martens, John Michael Montias, Peter Parshall, and Filip Vermeylen. The Metropolitan Museum of Art Symposia

Centrat en l'àmbit de la Corona d'Aragó, aquest llibre estudia l'evolució, a partir de les seves diverses formulacions en la plàstica gòtica, de les concepcions sobre la retribució de les accions mor

The collection of the Gold Museum of the Banco de la Republica de Colombia--one of the most impressive gold collections in the world--is explored in this anthropological commemoration of the goldwork mastery of indigenous peoples. An essential part of the pre-Colombian world, gold was considered by natives to be a sacred element and was used by artisans to create offerings presented by Shamans to the Gods as both prayerful sacrifices and symbols of gratitude. La coleccion del Museo del Oro del Banco de la Republica de Colombia--una de las colecciones de oro mas importantes del mundo--esta explorada en esta conmemoracion antropologica de la maestria indigena para dominar las artes de la orfebreria. Una parte esencial del mundo precolombino, el oro era considerado un elemento sagrado y se usaba para crear las ofrendas ritualistas que el chaman presentaria a los dioses con miras a halagarlos y atraer sus favores.

Durante siglos, los pintores se han inspirado en temas literarios para realizar sus composiciones, y los poetas han intentado conjurar ante los ojos de sus lectores imágenes que sólo las artes figurativas podian transmitir de forma adecuada. Basta una ojeada a la vieja tradicion que se inicia en Homero para convencernos de que la poesia y la pintura han marchado siempre codo con codo, en fraternal emulacion de metas y medios de expresion. Este paralelismo puede verse tanto en las descripciones plasticas de La Divina Comedia de Dante y del Orlando Furioso, como en Milton o Picasso. A partir de estos y muchos otros ejemplos de pintores y escritores, de cuyas obras Praz incluye numerosas reproducciones, este libro presenta la historia comun de la pintura y de la literatura, la estrecha relacion entre ambas artes. Y, al indagar en esas misteriosas relaciones, el autor nos acerca a la raiz misma de la inspiracion artistica.

Como escribió Jean-Paul Clébert: «Un diccionario de símbolos es una empresa demente y digna sólo de un personaje de Borges». La dificultad al abordar una tarea semejante viene dada en primer lugar po

El presente DICCIONARIO DE ARTE es una versión revisada, reducida y puesta al día de su hermano mayor homónimo, publicado en la colección «Alianza Diccionarios». No obstante, la reducción de contenid

Este libro sigue el programa de la asignatura de Historia del Arte Moderno que se imparte en la Facultad de Historia de la UNED. Se ha pretendido que también pueda ser útil para los alumnos de otras universidades. El libro cuenta con gran cantidad de reproducciones de obras de arte para establecer la relacion entre el texto y las imagenes.

L''esposizione, di cui questo libro rappresenta il catalogo, ha come obiettivo quello di ricostruire un quadro iconografico completo della ricezione dell''antichita classica del secondo Ottocento. Le suggestive scoperte archeologiche di Pompei e dell''area vesuviana, oggetto di scavi approfonditi nel corso dell''Ottocento, hanno esercitato un influsso fortissimo sull''immaginario di pittori e scrittori nel corso del secolo, restituendo un''immagine vivida e vitale del mondo antico, con la sua realta sociale e politica. Il pittore Lawrence Alma-Tadema rappresenta uno tra i piu noti e illustri interpreti del genere neopompeiano.

Giovanni Volpato - Les Loges de Raphaël et la Galerie du Palais Farnèse

A guide to over 800 museums, art galleries, churches and palaces in 33 countries. Practical information provided includes: opening hours, addresses, telephone and fax numbers, Internet and email. It features: a star rating system to highlight unmissable masterpieces; foreign language vocabulary; A-Z index of over 600 major artists and sculptors; and a glossary of art terms. Guidebook, directory, reference work: this pocket companion to the art of the Western world is aimed at all art-lovers. Helen Langdon not only takes us to the world's greatest museums, but also introduces a vast selection of lesser known galleries, churches, palaces and villas. She points us to the outstanding paintings and sculptures, and draws attention to the strengths of each collection. Arranged alphabetically by country, with introductory essays on each country's art and biographical index of over 600 major painters and sculptors, the book covers the whole range of Western art from the Early Renaissance to the present day. The new generation of art galleries, from Tate Modern to the Guggenheim Bilbao, is fully discussed, while special attention is given to particular treasures, such as the Venetian scuole, Titians in the Prado, or Pre-Raphaelite paintings in England. Among more that 200 colour illustrations are many unexpected pictures, tempting the reader to seek out less familiar collections.