Libros de Teoría y crítica de arte, página 35 de 207

Unique in its approach by applying the different theories used in art history to one painting Picasso s Les Demoiselles d Avignon An ideal text for teaching it provides a lively and stimulating introduction to methodological debates within the subject Offers a lucid account of approaches from Hegel to post colonialism by

L'art est la pointe tranchante de l'esprit, l'extension perpétuelle de la pensée vers l'inconnu, l'acte par lequel la pensée se pose éternellement un nouveau problème. L'art est cette attitude qui co

Catálogo razonado de la renovada colecciónpermanente del Museo Picasso Málaga, con losfondos del propio museo y de la FundaciónAlmine y Bernard Ruiz Picasso.Este libro es un exhaustivo recorrido por los diversos periodoscreativos de Picasso, desde sus juveniles retratos familiares,realizados en Galicia, hasta las iconicas cabezas de toroconformadas a partir del sillin de una bicicleta o las esculturassurgidas de ensamblar distintos materiales. A lo largo de masde 200 obras que incluyen pintura, grabado, escultura ocollage, el genio creativo de Picasso queda una vez mas demanifiesto en este volumen, a la vez que los detallados textosde Michael Fitzgerald y Ross Finocchio, entre otros autores,dejan patente por que el malagueño sigue siendo uno de losartistas mas sobresaliente de todos los tiempos.

En este libro se pretende dar un paso más en la historia del coleccionismo, pasando de una "reconstrucción del poseer" a una "arqueología del mirar", con el convencimiento de que a través del estudio de los hábitos visuales y de las convenciones culturales -distintos en cada uno de los niveles de público a que iban destinadas estas obras- que entraban en juego a la hora de apreciar la pintura del Siglo de Oro, se enriquecen las perspectivas actuales para lograr un conocimiento -y un disfrute- más profundo de ella.

We live within a spectacle of empty clothes and unworn masks In this series of remarkable pieces from across his career John Berger celebrates and dissects the close links between art and society and the individual Few writers give a more vivid and moving sense of how we make art and how art makes us One of twenty new books in the bestselling Penguin Great Ideas series This new selection showcases a diverse list of thinkers who have helped shape our world today from anarchists to stoics feminists to prophets satirists to Zen Buddhists

A varied selection of content including excerpts new translations interviews with curators and artists and art criticism The Reader is contextualised under key themes and ideas that underpin the notion of a global art history that spans from the 1400s to present day

Written as a series of linked essays interwoven with a reflection on affinity itself Affinities completes a trilogy with Essayism and Suppose a Sentence about the intimate and abstract pleasures

Discusses works by great painters such as Delacroix and Ingres This title features writings on Poe Flaubert and Gautier

Cuando en 1983 Jaime Riestra y Patricia Ortiz Monasterio fundaron una galería de arte en su casa en la Ciudad de México, poco imaginaban que en unos años la galería OMR se convertiría en una de las principales influencias de las artes en Mexico y en Latinoamerica. Desde 1984, y ya en su sede de la colonia Roma, la OMR ha sido pionera en exhibir e internacionalizar el arte contemporaneo mexicano, presentando propuestas de artistas de vanguardia que en la actualidad se han convertido en algunos de los puntos de referencia de la escena artistica contemporanea nacional e internacional. El libro refleja una historia de mas de treinta años tejida a traves de narraciones biograficas, textos academicos, documentos de archivo, sugerente material visual y los testimonios de muchas de las personas que han compartido experiencias con la galeria: artistas, coleccionistas, curadores, galeristas, responsables de instituciones, etcetera. Se incluyen textos de Osvaldo Sanchez, Guillermo Santamarina, Teresa Eckmann, Daniel Garza Usabiaga, Victor Palacios, Patricia Ortiz Monasterio y Jaime Riestra, entre otros.

Irreverent and inspiring advice for awakening your creative potential from the Pulitzer Prize winning art critic

An entertaining and lively guide to rediscovering the pleasure in art

Covering various aspects of the visual arts this book includes more than 1 000 images of art It is suitable for the art enthusiasts

Those who write history determine its narrative whether through written text or through the visual language of art and public monuments Power Image and Memory examines a wide variety of artistic traditions showing how art commemorating historical events can shape collective memory and with it the identities of social groups and nations From the Mesopotamians to the present day leaders and societies have used art to frame and memorialize important events This account establishes a dialogue among traditions in a series of case studies ranging from the reliefs at Ramses temple at Abu Simbel and the ancient Greek Alexander Mosaic to the Heian Period Japanese scroll of the Night Attack on the Sanjo Palace the Benin Bronzes Diego Velazquez s Surrender at Breda and Picasso s Guernica Weaving together meticulous historic detail theory and visual analysis this volume offers a complex picture of the power of art and memory as well as of the life of these monuments and messages over time distanced from their original cultures and context With insights relevant to contemporary debates reexamining historic monuments Power Image and Memory sheds new light on the power of art to shape social memory and identity

What stands behind the propensity to remember victims of mass atrocities by their personal names Grounded in ethnographic and archival research with Last Address and Memorial one of the oldest independent archives of Soviet political repressions in Moscow and a winner of the Nobel Peace Prize the book examines a version of archival activism that is centred on various practices of documentation and commemoration of many dead victims of historical violence in Russia to understand what kind of historicity is produced when a single name is added to an endless list What do acts of accumulation of names of the dead affirm when they are concretised in monuments and performance events The key premise is that multimodal inscriptions of names of the dead entail a political aesthetic and conceptual movement between singularity and multitude that honours each dead name yet conveys the scale of a mass atrocity without reducing it to a number Drawing on anthropology history philosophy and aesthetic theory the book yields a new perspective on the politics of archival and historical justice while it critically engages with the debates on relations and distinctions between names and numbers of the dead monumental art and its political effects law and history image and tex

The widely acclaimed and beautifully illustrated Understanding Architecture is now revised and expanded in its fourth edition vividly examining the structure function history and meaning of architecture from prehistory to the present in ways that are both accessible and engaging Significant features of the fourth edition include Expanded global essays outlining the encounters and interchanges conflicts and accommodations between disparate global communities A brand new final chapter addressing the twenty first century during which Western and global architectural developments have increasingly become one broad interwoven expression This chapter includes sections on CAD Contemporary Architecture of the Twenty First Century Starchitects Contemporary Architectural Prizes Architecture and Energy Consumption and Architecture Integrated with Nature New sections on Frank Lloyd Wright and Late Twentieth Century Expressionism Thoroughly revised and expanded illustration including over 700 images over half of which are in full color and 120 original line art drawings Understanding Architecture continues to be the only text in the field to examine architecture as a cultural phenomenon as well as an artistic and technological achievement with its straightforwar

This book explores the cultural exchange between Italy and Spain in the seventeenth century examining Spanish collectors predilection for Italian painting and its influence on Spanish painters Focused on collecting and using a novel methodology this volume studies how the painters of the Sevillian school including Francisco Pacheco Diego Velazquez Alonso Cano and Bartolome Esteban Murillo perceived and were influenced by Italian painting Through many examples it is shown how the presence in Andalusia of various works and copies of works by artists such as Michelangelo Caravaggio and Guido Reni inspired famous compositions by these Spanish artists In addition the book delves into the historical political and social context of this period The book will be of interest to scholars working in art history Renaissance studies and Italian and Spanish history

“Una génesis de la teoría y crítica de arte feminista en España” is a choral volume that traces a genealogy of women writers in the artistic field from the 19th century to the present. This book – a