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The Mysterious Affair at Styles is a detective novel by British writer Agatha Christie. It was written in the middle of the First World War, in 1916, and in the United States in 1920 and in the United Kingdom in 1921. Styles was Christies first published novel. It introduced Hercule Poirot, Inspector (later, Chief Inspector) Japp, and Arthur Hastings. Poirot, a Belgian refugee of the Great War, is settling in England near the home of Emily Inglethorp, who helped him to his new life. His friend Hastings arrives as a guest at her home. When the woman is killed, Poirot uses his detective skills to solve the mystery.The book includes maps of the house, the murder scene, and a drawing of a fragment of a will. The true first publication of the novel was as a weekly serial in The Times, including the maps of the house and other illustrations included in the book. This novel was one of the first ten books published by Penguin Books when it began in 1935. This first mystery novel by Agatha Christie was well received by reviewers. An analysis in 1990 was positive about the plot, considered the novel one of the few by Christie that is well-anchored in time and place.

This exceptional collection of essays explores the persistence of misogyny: how it is woven into the fabric of our culture, our institutions, and our psyches. Building on her first book, Misogyny in Psychoanalysis, Michaela Chamberlain moves on from a conversation to a demand for action. Drawing on her experiences as a psychotherapist, mother, and researcher, she uses psychoanalytic theory to examine what causes misogyny and how misogyny is internalised, enacted, and justified. Revisiting Freuds case of Dora and Winnicotts concept of the "good enough mother", she explores how these foundational psychoanalytic ideas continue to echo in contemporary expectations placed on women - particularly around sexuality, care, and emotional labour. These essays bridge past and present, theory and lived experience, to ask what has really changed and include a much-needed update to Winnicotts list of reasons why a mother hates her baby. From online discussion forums to classical literature, from consulting room dynamics to cultural narratives, Chamberlain investigates how misogyny hides in plain sight, often disguised as common sense, tradition, or even progressive thinking. Her work questions who benefits from patriarchy, who is harmed, and how all of us - regardless of gender - are shaped by its assumptions. Accessible yet deeply informed, On Resisting Women invites readers into a debate about how we think, how we feel, and how we might begin to loosen misogynys grip - not only on our systems, but on our inner worlds.

Our relationship with home includes many psychosomatic realms: perception, imagination, fantasy, projection, separateness, boundaries, smells, and sounds. Our very first home is our mothers womb; our very last, an urn or coffin. In between, we have our childhood home, deeply incorporated into our psyche, which persists, throughout life, as (hopefully) a fond prototype, an object of nostalgia, and a source of ego-replenishment, college dorms, shared housing, apartments, marital and family homes, downsized residences of late middle age, retirement homes, nursing homes, and hospices. Far apart from a world of linear progression are traumatizing homes, foster homes, and orphanages where searingly painful as well as defiantly triumphant scenarios of growth and development may unfold. Also, monasteries, which embody the human desire for detachment, silence, and contemplation, away from earthly relations to seek spirituality and transcendence. The contributions from Aisha Abbasi, Salman Akhtar, Rajiv Gulati, M. Nasir Ilahi, Gurmeet S. Kanwal, Murad Khan, Milan Patel, Sarita Singh, and Nidhi Tewari seek to demonstrate that at each step in the life span, our dwellings both impact upon and reflect our intrapsychic goings-on. As well as examinations of the kinds of home mentioned above, the abstract nature of home is also explored, looking at its function, the search for a sense of home, homesickness, absence, nostalgia, and the development of a stable internalized home. Theres no place like home and Attics and Basements shows us why.

Our relationship with home includes many psychosomatic realms: perception, imagination, fantasy, projection, separateness, boundaries, smells, and sounds. Our very first home is our mothers womb; our very last, an urn or coffin. In between, we have our childhood home, deeply incorporated into our psyche, which persists, throughout life, as (hopefully) a fond prototype, an object of nostalgia, and a source of ego-replenishment, college dorms, shared housing, apartments, marital and family homes, downsized residences of late middle age, retirement homes, nursing homes, and hospices. Far apart from a world of linear progression are traumatizing homes, foster homes, and orphanages where searingly painful as well as defiantly triumphant scenarios of growth and development may unfold. Also, monasteries, which embody the human desire for detachment, silence, and contemplation, away from earthly relations to seek spirituality and transcendence. The contributions from Aisha Abbasi, Salman Akhtar, Rajiv Gulati, M. Nasir Ilahi, Gurmeet S. Kanwal, Murad Khan, Milan Patel, Sarita Singh, and Nidhi Tewari seek to demonstrate that at each step in the life span, our dwellings both impact upon and reflect our intrapsychic goings-on. As well as examinations of the kinds of home mentioned above, the abstract nature of home is also explored, looking at its function, the search for a sense of home, homesickness, absence, nostalgia, and the development of a stable internalized home. Theres no place like home and Attics and Basements shows us why.

The Man in the Brown Suit is a work of detective fiction by British writer Agatha Christie, first published in the UK. The character Colonel Race is introduced in this novel.Anne Beddingfeld is on her own and ready for adventures when one comes her way. She sees a man die in a tube station and picks up a piece of paper dropped nearby. The message on the paper leads her to South Africa as she fits more pieces of the puzzle together about the death she witnessed. There is a murder in England the next day, and the murderer attempts to kill her on the ship en route to Cape Town.Nadina, a dancer in Paris, receives a visit from Count Sergius Paulovitch. Both are in the service of "the Colonel", an international agent provocateur and criminal. "The Colonel" is retiring, leaving his agents high and dry. Nadina has a plan to blackmail the Colonel.Anne Beddingfeld is an orphan after the sudden death of her archaeologist father. Longing for adventure, she jumps at the chance live in London. Returning from an unsuccessful job interview, Anne is at Hyde Park Corner tube station when a man falls onto the live track, dying instantly. A doctor examines the man, pronounces him dead.

The Land That Time Forgot is a fantasy novel by American writer Edgar Rice Burroughs, the first of his Caspak trilogy. His working title for the story was "The Lost U-Boat." The sequence was first published in Blue Book Magazine as a three-part serial in the issues for September, October and November 1918. The complete trilogy was later combined for publication in book form under the title of the first part by A. C. McClurg in June 1924. Beginning with the Ace Books editions of the 1960s, the three segments have usually been issued as separate short novels.Starting out as a harrowing wartime sea adventure, Burroughss story ultimately develops into a lost world story reminiscent of such novels as Sir Arthur Conan Doyles The Lost World (1912) and Jules Vernes The Mysterious Island (1874) and Journey to the Center of the Earth (1864). Burroughs adds his own twist by postulating a unique biological system for his lost world, in which the slow progress of evolution in the world outside is recapitulated as a matter of individual metamorphosis. This system is only hinted at in The Land That Time Forgot; presented as a mystery whose explication is gradually worked out over the cours

This exceptional collection of essays explores the persistence of misogyny: how it is woven into the fabric of our culture, our institutions, and our psyches. Building on her first book, Misogyny in Psychoanalysis, Michaela Chamberlain moves on from a conversation to a demand for action. Drawing on her experiences as a psychotherapist, mother, and researcher, she uses psychoanalytic theory to examine what causes misogyny and how misogyny is internalised, enacted, and justified. Revisiting Freuds case of Dora and Winnicotts concept of the "good enough mother", she explores how these foundational psychoanalytic ideas continue to echo in contemporary expectations placed on women - particularly around sexuality, care, and emotional labour. These essays bridge past and present, theory and lived experience, to ask what has really changed and include a much-needed update to Winnicotts list of reasons why a mother hates her baby. From online discussion forums to classical literature, from consulting room dynamics to cultural narratives, Chamberlain investigates how misogyny hides in plain sight, often disguised as common sense, tradition, or even progressive thinking. Her work questions who benefits from patriarchy, who is harmed, and how all of us - regardless of gender - are shaped by its assumptions. Accessible yet deeply informed, On Resisting Women invites readers into a debate about how we think, how we feel, and how we might begin to loosen misogynys grip - not only on our systems, but on our inner worlds.

Você já se deparou com a pergunta: Como manter um casamento saudável e duradouro? Em meio às pressões e desafios da vida moderna, muitos casais enfrentam momentos difíceis em seus relacionamentos. No

Este livro é uma revolução para transformar qualquer nação do mundo em um país cujo Deus é o Senhor. A transformação da nação começa com a transformação mental do seu povo transformando-se lhe a cons

Uma obra libertadora. Jesus Cristo disse: conhecereis a verdade e a verdade vos libertará . Com toda certeza esta obra vai impactar a sua vida. Você jamais viu algo uma obra que trate deste assunto d

Sophia Wright é famosa por ser amargurada, resmungona e muito solitária. O que é compreensível já que ninguém consegue encontrar a felicidade em plena Segunda Guerra Mundial, principalmente, logo após sua cidade natal, Londres, ser bombardeada. Por consequencia do destino, nossa protagonista e forçada a se mudar com sua me para um lugar mais seguro e isolado do mundo exterior: Cabo de Nagel. Contudo, a vida de Sophia Wright ainda esta longe da normalidade, pois a cidade esconde segredos sombrios em seus escombros, desde cumplices de assassinatos, crianças desaparecidas ate uma figura noturna misteriosa e lunatica que oferece dor de cabeça para os moradores da regio. Agora, cabe a jovem pessimista solucionar o caso e garantir um lugar seguro para que sua familia possa viver em paz.

Artigos escritos pela autora e publicados em site espírita contendo textos em prosa, histórias infantis para crianças e adultos, poesia caipira( duas delas receberam o prêmio Menção Honrosa em concur

Em pleno esplendor da Inglaterra vitoriana, Kate Wilcott leva uma vida aparentemente tranquila, até que, após um baile desastroso, tudo muda. Raptada por Aaron, um enigmático feérico, ela é levada para um reino encantado e acusada de roubar um artefacto poderoso. Agora, Kate precisa provar a sua inocencia enquanto enfrenta criaturas fantasticas, desafios mortais e a dificil deciso de confiar ou no no seu sequestrador. Ao longo dessa perigosa jornada, Kate encontra aliados improvaveis e desvenda segredos que testam a sua coragem e determinaço. Mas, com o tempo a esgotar-se e os riscos a aumentarem, ela precisara lutar no so para limpar o seu nome, mas tambem para salvar a propria vida e encontrar o caminho de volta a Inglaterra antes que seja tarde demais.

Did Henry VIII really plan to have Anne Boleyns beloved dog thrown out the window?Was Elizabeth I secretly a man?Who were the Grey sisters, and why is theirs one of the saddest Tudor stories of all?From Henry VII to Elizabeth I, Bloody, Brilliant Tudors answers all these questions and more. Come with us as we delve into the people and places behind the world-famous Tudor myths and legends.Through various tales exploring the whole of the glittering dynasty, well learn about the lesser-known facts and figures behind these myths. Each reign serves up a wealth of fascinating historical stories to reveal the Tudor world in a new light.

O Projeto Político-Pedagógico (PPP) é muito mais que um documento: é a identidade viva da escola. No entanto, em muitos contextos, sua elaboração acaba reduzida a um exercício burocrático, distante d

Entre o que ficou para trás e o que ainda está por vir, existe um momento único: o agora. Futuro e Presente conta a história de recomeços que surgem quando menos se espera, revelando que as maiores descobertas acontecem no caminho, no apenas no destino. Com uma narrativa sensivel e reflexiva, este livro convida voce a olhar para dentro de si, ressignificar experiencias e encontrar força para seguir em frente.

Hot, smart, funny and charming as hell ... much like the Hellions themselves. - Alix E. HarrowEverything you want a historical romance to be - Jessica JoyceDelightful, truly scrumptious - Mazey Eddings--------Secret identities. Salacious engravings. And a scandalous Regency road trip...From the day of their debut, when Matilda smoked a cigar and Margo tied a cherry stem in a knot with her tongue, the Halifax twins have flouted convention at every turn. But when Matilda runs off with the dangerous Marquess of Ashford she may finally have gone too far.Determined to stop her sisters inexplicable elopement, Margo turns to her oldest friend for help: because if anyone can get her to Scotland in time, its starchy solicitor Henry Mortimer. Beneath his buttoned-up exterior, Henry is ardently, wildly, miserably in love with Margo. And Matilda and Ashfords relationship, too, may not be quite what it seems...With the Halifax Hellions at the reins of this carriage, what could possibly go wrong?_______________For the first time ever in print, The Halifax Hellions brings together Margo and Matildas novellas, along with a swoony new epilogue.Praise for Alexandra VastiVasti has a gift for mixing mayhem and genuine emotion - Oprah DailySuperbly written and sensationally funny - India HoltonForever in awe of Alexandra Vastis talent - Sarah AdlerReaders LOVE The Halifax HellionsHilarious, heartfelt, and deliciously spicy *****Had my heart in a vice grip *****Will have Vasti fans swooning *****Witty banter, yearning, and great spice *****Vasti has quickly become one of my favourite authors! *****Absolutely unputdownable *****

Esta série foi desenvolvida com o objetivo de oferecer uma abordagem prática, direta e tecnicamente fundamentada para a resolução de questões específicas aplicadas em concursos públicos nas áreas de

O livro é bem objetivo e pratico quanto a vida dedicada a Deus. Fornece um passo a passo para uma rotina saudável do ponto de vista espiritual. Levanta a questão de confiarmos demasiadamente em homen

This clear and comprehensive manual contains everything you need to know in order to create and portray armed stage fights with the rapier and dagger (or just a rapier) that are dramatically effective, and, above all, safe.Starting with the essential concepts, including footwork, eye contact, targeting and distance, it then takes you step by step through all the key techniques:Performing attack moves including slashing and slicing, thrusting, and cutting Parrying moves and defending yourself against attacks using a single weapon or two weapons together Counterattacks such as taking control of your partners blade and ripostes Each technique is clearly described and extensively illustrated, with accompanying online videos demonstrating every move. Also included are sections on how to put together your own fight sequences, make them dramatically compelling and realistic, and convey your characters pain, wound or death.Whether you are an actor preparing for a role with a sword fight, or a student learning your craft, this book will help you execute the techniques with precision and control, build your confidence and keep you safe. It also helps you to recognise when you may need to call upon the services of a qualified professional. For those already trained in stage combat, it will serve as an invaluable refresher as well as supplementing your ongoing training.Whatever your current level of experience, Stage Combat: Armed is a vital resource for directors, actors, students and teachers, or indeed anyone looking to incorporate safe, effective sword fights into their stage productions.Roger Bartlett is a professional fight director and Master Teacher for the British Academy of Stage & Screen Combat (BASSC), the UKs leading provider of stage-combat training. He is also the author of Stage Combat: Unarmed.