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Stopgap Measures presents an exciting selection of essays, interviews and shorter pieces on the work of American artist Mike Kelley (19542012) written over more than three decades by the noted art historian and cultural critic John C. Welchman. Kelleys provocative career gave rise to some of the most conceptually and materially diverse work of recent times in performance, writing, painting, drawing, sculpture, banners, multimedia installation, appropriated objects and images and video, as well as numereous collaborations. This volume includes reflections on specific works, and features a signature series of pathbreaking essays on Kelleys innovations in photography and writing as well as explorations of major themes in his practice, research and thinking: physical comedy and verbal humor; memory; popular culture, dress-up and Americana; the uncanny; imaginative projection and dark fantasy; appropriation and giving; authorship and self-construction; and the artists littleremarked upon negotiation with the histories of and ideas about Asia. The book concludes with new essays on Kelleys engagement with animals and the nonhuman; and on the refrain disappearances that punctuate Kelleys career set in relation to specters of social catastrophe and nuclear annihilation.

Stopgap Measures presents an exciting selection of essays, interviews and shorter pieces on the work of American artist Mike Kelley (19542012) written over more than three decades by the noted art historian and cultural critic John C. Welchman. Kelleys provocative career gave rise to some of the most conceptually and materially diverse work of recent times in performance, writing, painting, drawing, sculpture, banners, multimedia installation, appropriated objects and images and video, as well as numereous collaborations. This volume includes reflections on specific works, and features a signature series of pathbreaking essays on Kelleys innovations in photography and writing as well as explorations of major themes in his practice, research and thinking: physical comedy and verbal humor; memory; popular culture, dress-up and Americana; the uncanny; imaginative projection and dark fantasy; appropriation and giving; authorship and self-construction; and the artists littleremarked upon negotiation with the histories of and ideas about Asia. The book concludes with new essays on Kelleys engagement with animals and the nonhuman; and on the refrain disappearances that punctuate Kelleys career set in relation to specters of social catastrophe and nuclear annihilation.

A common misconception of woodworking is that it requires a spacious workshop filled with expensive tools and machines. However, with the right approach, you can set up a fully functional woodworking studio in your home, even with limited space and resources.Whether you are a beginner or an experienced woodworker looking to adapt to a smaller space, Woodworking in Small Spaces proves that woodworking in a small apartment or dwelling is practical, rewarding and easier than you think.