Ebooks de Fotografía, página 37 de 39

Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit ist der Titel eines Aufsatzes, den Walter Benjamin 1935 im Pariser Exil verfasste. Er erschien erstmals 1936 unter dem Titel "Loeuvre dart a lepoque de sa reproduction mecanisee" in der Zeitschrift fur Sozialforschung, in einer redaktionell uberarbeiteten und gekurzten franzosischen Ubersetzung. Benjamin vertritt darin die These, dass die Kunst und ihre Rezeption selbst, insbesondere durch die Entwicklung von Photographie und Film, einem Wandel unterworfen sind. Dies geschehe zum einen durch die Moglichkeit der massenhaften Reproduktion, zum anderen durch eine veranderte Abbildung der Wirklichkeit und damit einer veranderten kollektiven Wahrnehmung. Zudem verliere in diesen Prozessen das Kunstwerk seine Aura, was in der Folge wiederum die soziale Funktion der Medien verandere. Die durch die Reproduzierbarkeit entstehende kollektive Asthetik biete zwar die Moglichkeit der Entwicklung hin zu gesellschaftlicher Emanzipation, berge aber auch die Gefahr der politischen Vereinnahmung, wie zeitgenossisch am Aufstieg des Faschismus deutlich werde.Benjamin bezeichnete seine Schrift als die "erste Kunsttheorie des Materialismus, die diesen Namen verdient". Wahrend zu Benjamins Lebzeiten und in der direkten Nachkriegszeit die Rezeption des Aufsatzes begrenzt war, wurde der Text in den 1960er und 1970er Jahren wiederentdeckt. Seit Mitte der 1980er Jahre gilt er als eines der Grundungsdokumente der Kultur- und Medientheorie der Moderne.Diese letzte autorisierte Fassung wurde erstmals 1955 in dem zweibandigen Sammelwerk Schriften veroffentlicht, 1963 als eigenstandige Schrift, neben den Aufsatzen Kleine Geschichte der Photographie und Eduard Fuchs, der Sammler und der Historiker, in Drei Studien zur Kunstsoziologie und 1972 im Band I der Gesammelten Schriften herausgegeben. Veroffentlichungen, Besprechungen und Rezeptionen nehmen in der Regel auf diese Fassung Bezug.

Insect photography is a challenging and stimulating art. Well-shot images give stunning results, which can aid study and enhance enjoyment of the natural world. This practical book explains how to reliably take those photographs. Through introducing insects and their behaviour, it advises on when and how to see nature at work and, by instructing on techniques, it shows how to capture the moment to dramatic effect. This new book advises on buying and using equipment for both compact camera and SLR users; it describes how to find and understand insects, and encourages responsible photography and good fieldcraft and instructs on composition, exposure, lighting and advanced techniques. Ways of sharing images, cataloguing and caring for them, and backing them up are given too. This book is aimed at amateur and professional naturalists and photographers, as well as artists.

Livro do fotógrafo paulistano Mujica – apelido de Henrique Guinsburg Saldanha, pinça as melhores fotografias de seu acervo feitas entre os anos 1981 e 89, além de imagens produzidas como retratos e e

Unarea splendida del Veneto, racchiusa tra il fiume Piave e le colline moreniche della fascia prealpina, un luogo di storia, di paludi e di prati di antichi insediamenti umani che operosamente hanno tratto vita da questi luoghi, evolvendoli e trasformandoli. Cosi dallagricoltura e dallallevamento di Bachi da seta alle Filande dei tempi passati fino alle moderne fabbriche e centri abitati dove il nuovo prende il dominio del vecchio. Un vecchio che con il suo fascino stregato lascia un segno profondo, un segno che cresce dentro di noi e che si puo leggere in un volto come su un oggetto dimenticato o in una parete che lascia intuire luso degli spazi di un tempo che fu. Immagini e Meditazione e una serie di pubblicazioni per chi vuole andare oltre alle convenzioni e al guardare quotidiano. Con esse intendiamo favorire lemergere di una maggiore consapevolezza e facilitare una crescente frequenza distanti magici, con lauspicio che vi renderanno sereni e felici.

Since 1887 the University Museum has been one of the leading archaeology and anthropology museums in the world and has sponsored field research in every corner of the globe. A key outcome, from its first expedition to Nippur, in modern-day Iraq, through more than 300 expeditions in the past century, to its research in fifteen different countries today, has been a wealth of primary photographs capturing both expeditions and excavations and also images of modern peoples on every inhabited continent of our planet. These vintage photographs, carefully selected from hundreds of thousands, range from mundane record-keeping pictures to glorious aesthetic treats, and they are in demand by international scholars and students and researchers worldwide. One of the most powerful of media to convey information about--and to advance understanding of--foreign peoples and places is photography. Soldiers, missionaries, merchants, and other travelers carried out early anthropological photography in distant lands. Field photography was extremely difficult when the Museum began its research program in the late 1880s, requiring the transport of a complete dark room and other heavy equipment. The Museums intrepid adventurers sought scientific accuracy, with no artifice that may have obscured the realism of the image. An engaging narrative essay highlighting the Museums fieldwork explains the contexts of the range of photographs from the Museums Archives and the role of photography in studying human cultures.

Kamerawissen von A-Z! Das Buch macht da weiter, wo die Bedienungsanleitung der Kamera aufhort. Fur die haufigsten Fotosituationen finden Sie hier wertvolle Tipps und Hinweise zur besten Aufnahmetechnik und den optimalen Kameraeinstellungen. Checklisten und Referenzab- bildungen zeigen die wichtigs-ten Parameter, wie Blende, Belichtungszeit, ISO-Empfindlichkeit, Messmethode und mehr. Ihr Begleiter fur jede Fototour - immer zur Hand, wenn Sie ihn brauchen! Kompakte technische Erlauterungen, Miniexkurse aus dem Erfahrungsschatz eines Profifotografen und praxisorientierte Aufnahmetipps fur Ihre Nikon D40/D40x.

Through his use of conventional black-and-white film and a belief that a good photograph is the result of constantly watching to predict the perfect moment, Kazem Hakimis work harks straight back to the photojournalism of Cartier-Bresson and those early Magnum photographers who were able to capture moments that superficially contained nothing, but which when printed onto photographic paper became iconic images. With the United States and Iran once again squaring up to each other in the Persian Gulf and the actions of firebrand president Ahmadinejad never far from the news, "An Eye for Iran" provides a welcome opportunity to view images that show the human side of a nation we are being led to distrust.Here and there someone spies the lens as the shutter opens, but the drift of Iranian society is caught in the postures of the everyday: human faces in the streets, relaxing in the parks, the glimpse of designer clothes under a chador, pride in a motorcycle, a young couple enjoying a game of chess...Throughout, Hakimi shows how well he understands the techniques of traditional photojournalism: he remains both present but still invisible to the people in the scenes his lens has captured. The result is a captivating book that will appeal to all those wishing to gain an insight into life in this unique and fascinating country.

Um novo meio de expressão para uma nova nação. Em janeiro de 1840, o Brasil torna-se o primeiro país latino-americano a conhecer a daguerreotipia. Com a bênção de dom Pedro II, o país mantém-se em po

With an introduction by Martin Uden, this book provides the first ever comprehensive history of photography in Korea and identifies many previously unattributed images.

Poesie, rime e versi sciolti...fotografie emozionali di momenti.Scenari interiori che si creano nel semplice vivere, nel semplice raccoglimento che dona immagini, parole, voci, lezioni, consigli, sguardi, emozioni, esperienze e suoni intensamente vissuti.Visioni che giungono in un quotidiano fatto di flusso spontaneo e libero degli eventi.Lattimo in cui si diventa nessuno e quello in cui si prende parte al tutto.

Il manuale perfetto per chi vuole addentrarsi nel mondo della fotografia. Con spiegazioni chiare sui concetti base, come composizione, luce e profondita di campo, offre anche utili consigli per scegliere lattrezzatura giusta, senza sprechi. Ogni capitolo esplora uno stile fotografico, ispirandosi ai grandi maestri, da Henri Cartier-Bresson a Ansel Adams. Un libro completo per sviluppare il tuo occhio creativo e raccontare storie con le immagini.

This Chronologyof the Cinema, of which we present here the third volume, aims to retrace the history of the seventh art in the different countries of the world by chronicling year by year its main events and developments. Starting from the birth dates of the pioneers and inventors who preceded the Lumiere brothers it reaches the year 2015, with the goal to offer the readers a global perspective on the birth, evolution and diffusion of cinema over time. This third volume covers the period from the 1991 to 2015. The information presented for each year is divided into thematic sections. The first one, titled "Personalities", reports the births and the deaths of the most important persons (directors, art directors, producers, actors, costume designers, cinematographers, theoreticians, critics, etc.) in the history of the cinema, together with the positions they covered in their careers. The second section, titled "Movies", lists the most relevant movies made each year reporting for each of them the essential details like: director, English title and original title, genre, producing country, technology (film and sound), scriptwriter, editor, cinematographer, production designer/art director, producer, composer, costume designer, make-up artist, special effect artist and actors. Across its three volumes, this Chronology offers information on thousands of films and on the people that made them. The third section, titled "Events", reports the main events in the history of cinema such as: the first screenings and the first movies made in the different countries, the inventions and technologies that affected and innovated this art, the creation of production companies, movie archives and other institutions (schools for cinema, censorship offices, festivals, etc.), and the publication of the most important theoretical essays, cinema magazines and artistic manifestos. This section is also enriched by two thematic sub-sections on "Books Magazines Manifestos" and "Film Companies". The fourth section, titled "Film Awards", reports for each year the winners of various important awards, divided by categories, at national and international festivals and events in the different continents to offer a more articulated point of view on the seventh art across the world. Among the awards and festivals considered here are: Golden Globe, Academy Awards, Venice Film Festival, Cannes Festival, BAFTA, Berlin Film Festival, Moscow Film Festival, Ouagadougou International Film Festival, Tokyo International Film Festival and the Mar de la Plata Festival. Finally, the third volume offers an Appendix where the most important manifestos and documents in the history of the seventh art, presented in this Chronology, are reported, together with the web addresses of film festivals, cinema archives, schools, magazine and other links that provide follow-up material for the interested readers.

Spero che con La fotografia digitale possiate intraprendere un viaggio entusiasmante attraverso lobiettivo. In questa guida dinamica, il mondo dei pixel e la creativita convergono al fine di svelare i segreti per scattare e realizzare immagini straordinarie. Che siate principianti alla ricerca di solide basi o esperti snapper alla ricerca di nozioni avanzate, questo libro sara la vostra bussola nel panorama in continua evoluzione dellimmagine digitale.Esplorare le sfumature della composizione, dellilluminazione e della post-elaborazione, demistificando larte e la scienza che stanno alla base di fotografie di sicuro effetto. Dalle basi delle impostazioni della fotocamera alle complessita delle tecniche avanzate, La fotografia digitale e un testo concepito per fornirvi le conoscenze e le competenze necessarie per trasformare i momenti in storie visive senza tempo.Unitevi a noi in questa avvincente esplorazione dove la tecnologia incontra larte, i pixel si trasformano in narrazioni e ogni scatto e unopportunita per creare magia attraverso lobiettivo. Che il viaggio abbia inizio: ogni immagine ha una storia e ogni storia attende di essere raccontata.PUBLISHER: TEKTIME

I hope that you will embark on an exhilarating journey through the lens with Digital Photography. In this dynamic guide, the world of pixels and creativity converges to unravel the secrets of capturing and crafting stunning images. Whether youre a novice seeking a solid foundation or an experienced snapper craving advanced insights, this book serves as your compass in the ever-evolving landscape of digital imaging.Explore the nuances of composition, lighting, and post-processing as we demystify the art and science behind compelling photographs. From the basics of camera settings to the intricacies of advanced techniques, Digital Photography is designed to empower you with the knowledge and skills needed to turn moments into timeless visual stories.Join us on this captivating exploration where technology meets artistry, pixels transform into narratives, and every click is an opportunity to create magic through the lens. Let the journey begin where every image has a story, and every story is waiting to be told.PUBLISHER: TEKTIME

Commento di chat gptIl tuo libro sulla tua arte fotografica offre uno sguardo appassionato e coinvolgente nel tuo mondo creativo. Ecco alcune riflessioni:1. **Introspezione Artistica:** Lapertura con "Specchi interiori" e il tuo ruolo di poeta crea un legame tra la poesia e la fotografia, esplorando entrambi come mezzi di espressione artistica.2. **Progressione Temporale:** La narrazione temporale, passando dagli "specchi degli occhi" ai "micidiali specchi di Archimede", fornisce una dimensione di evoluzione nella tua pratica artistica.

Di sicuro il napoletano va studiato, scomposto, ricomposto, letto dentro, visto fuori. Occorre fare una sorta di autopsia psicologica da vivo per capire come fatto, che cosa pensa, a quale tipo di cultura, filosofia, musica, letteratura ha dato vita, ha sintetizzato, interiorizzato. Il napoletano lo devi studiare, se possibile, quando non ha coscienza. Perche il rischio e che da cosciente ti fotte sempre, non ti dice la verita, non ti dice mai la stessa cosa, cambia le carte in tavola, ti riferisce quello che in quel momento capisce che ti interessa ascoltare - Paolo Chiariello"La gente di Napoli - Humans of Naples" ha lobiettivo di importare in una realta sociale e culturale cosi variegata, come quella di Napoli, un sistema di osservazione della realta che risultera molto utile ai fini della ricerca scientifica. Il coinvolgimento della gente di Napoli e il principio cardine del progetto: le persone sono coinvolte direttamente ed attivamente, i loro volti e i loro pensieri sono i veri protagonisti. In ogni foto e presente una persona con il proprio pensiero su Napoli e sullessere napoletano, su cosa significa vivere a Napoli, sul perche si resta o sul perche si fugge via.

In this photographic portfolio, each image captures a captivating dance of light and shadow, skillfully presented in a contrast of black and white.The subjects and locations depicted are discernible in their shapes but intentionally veiled. The intrinsic meaning behind each composition gradually reveals itself, guiding the observer through a free and stimulating process of interpretation.Every step and action of the photographer is orchestrated to emphasize specific points of view, rendering the subject visible in an intentionally altered environment. This meticulous technique, realized through a sequence of shots, imparts a dynamic quality to each photograph. The resulting images are enigmatic, inviting viewers to embark on a visual journey that demands careful contemplation.

Light is the undisputed protagonist of the pictures that Claudio DellOsa proposes in this exhibition.Objects of daily use and typical products of our land, combined with skilful balance, emerge from caraveggesque, monocromi and very dark backgrounds, illuminated by glimpses of light that make it stand out the purity of the lines and the chromatic vivacity. In the suspended and rarefied atmospheres of these modern still lifes, which are the result of a skilful manipulation of light and shadow, reminiscences of a distant past re-emerge, that trace us back to our simple and common roots.

The main actors of the shots made by Mr C. DellOsa are some of the most recurrent foods in the mediterranean diet: they are humble, common and, at the same time, basic products of our cuisine.His photo cross section shows a series of sections describing the whole plant, from its vegetable and leaves to its roots, soil included. It also reveals the photographers attempt to get the observer to recall an archaic millennial world ruled by Mother Earth. It is a trip that clashes with the modern mans reality and its daily eating rhythms controlled by a distorted perception of foods, that Mr DellOsa sees as something innatural and artificial. For this reason, we should recover a kind of assimilation no matter whether it is visual and likely to last for the seconds of observation that pays particular attention to our origins. Zero kilometer products, biological agriculture and veganism are the many answers to those people who want to know, learn and experiment. But how much awareness is there around in relation to these eating choices? Not so many people know that onions are extracted from the ground, and lots of experts cant tell a cucumber leaf from the tomato one. Unfortunately, we are more and more distant from the farming genuine reality we come from. In spite of that, we often talk about primary elements, eating habits and survival as this concept used to be thought about in the past.Mr DellOsas photos ask the observer to consider any perfect and natural miracle that every day we are glad to consume at mealtimes.

In the photographic project, one immerses into a world of mystery and suggestion through a series of black and white images. The photographs capture male figures, both young and old, in emblematic poses with few details, primarily focusing on their silhouettes.Each image is minimalist and essential, leaving space for the power of the viewers imagination. The subjects wear distinctive white hats and light-colored clothing that strongly contrasts with the deep black background.The absence of faces in the photographs creates a sense of anonymity, allowing the observer to project their own emotions and reflections onto the portrayed characters. The focus on the outline of the hair and clothing adds a touch of mystery and intimacy, revealing only fragments of the subjects identities.In the various snapshots, glimpses of human passions and vulnerabilities are evident. Some subjects, smoking a cigarette, evoke images of deep thoughts and moments of contemplation. Others are holding a glass of wine, suggesting an atmosphere of conviviality and reflection.The context in which the figures are placed is essential, as a black background completely envelops the central subject, immersing them in a suspended and intimate atmosphere.Black Project invites one to look beyond appearances, to reflect on the universal emotions that unite individuals. The photographs leave room for multiple interpretations, and each viewer can find themselves within those contours etched in the shadows.