Ebooks de Fotografía, página 37 de 39

Unarea splendida del Veneto, racchiusa tra il fiume Piave e le colline moreniche della fascia prealpina, un luogo di storia, di paludi e di prati di antichi insediamenti umani che operosamente hanno tratto vita da questi luoghi, evolvendoli e trasformandoli. Cosi dallagricoltura e dallallevamento di Bachi da seta alle Filande dei tempi passati fino alle moderne fabbriche e centri abitati dove il nuovo prende il dominio del vecchio. Un vecchio che con il suo fascino stregato lascia un segno profondo, un segno che cresce dentro di noi e che si puo leggere in un volto come su un oggetto dimenticato o in una parete che lascia intuire luso degli spazi di un tempo che fu. Immagini e Meditazione e una serie di pubblicazioni per chi vuole andare oltre alle convenzioni e al guardare quotidiano. Con esse intendiamo favorire lemergere di una maggiore consapevolezza e facilitare una crescente frequenza distanti magici, con lauspicio che vi renderanno sereni e felici.

Since 1887 the University Museum has been one of the leading archaeology and anthropology museums in the world and has sponsored field research in every corner of the globe. A key outcome, from its first expedition to Nippur, in modern-day Iraq, through more than 300 expeditions in the past century, to its research in fifteen different countries today, has been a wealth of primary photographs capturing both expeditions and excavations and also images of modern peoples on every inhabited continent of our planet. These vintage photographs, carefully selected from hundreds of thousands, range from mundane record-keeping pictures to glorious aesthetic treats, and they are in demand by international scholars and students and researchers worldwide. One of the most powerful of media to convey information about--and to advance understanding of--foreign peoples and places is photography. Soldiers, missionaries, merchants, and other travelers carried out early anthropological photography in distant lands. Field photography was extremely difficult when the Museum began its research program in the late 1880s, requiring the transport of a complete dark room and other heavy equipment. The Museums intrepid adventurers sought scientific accuracy, with no artifice that may have obscured the realism of the image. An engaging narrative essay highlighting the Museums fieldwork explains the contexts of the range of photographs from the Museums Archives and the role of photography in studying human cultures.

Kamerawissen von A-Z! Das Buch macht da weiter, wo die Bedienungsanleitung der Kamera aufhort. Fur die haufigsten Fotosituationen finden Sie hier wertvolle Tipps und Hinweise zur besten Aufnahmetechnik und den optimalen Kameraeinstellungen. Checklisten und Referenzab- bildungen zeigen die wichtigs-ten Parameter, wie Blende, Belichtungszeit, ISO-Empfindlichkeit, Messmethode und mehr. Ihr Begleiter fur jede Fototour - immer zur Hand, wenn Sie ihn brauchen! Kompakte technische Erlauterungen, Miniexkurse aus dem Erfahrungsschatz eines Profifotografen und praxisorientierte Aufnahmetipps fur Ihre Nikon D40/D40x.

Through his use of conventional black-and-white film and a belief that a good photograph is the result of constantly watching to predict the perfect moment, Kazem Hakimis work harks straight back to the photojournalism of Cartier-Bresson and those early Magnum photographers who were able to capture moments that superficially contained nothing, but which when printed onto photographic paper became iconic images. With the United States and Iran once again squaring up to each other in the Persian Gulf and the actions of firebrand president Ahmadinejad never far from the news, "An Eye for Iran" provides a welcome opportunity to view images that show the human side of a nation we are being led to distrust.Here and there someone spies the lens as the shutter opens, but the drift of Iranian society is caught in the postures of the everyday: human faces in the streets, relaxing in the parks, the glimpse of designer clothes under a chador, pride in a motorcycle, a young couple enjoying a game of chess...Throughout, Hakimi shows how well he understands the techniques of traditional photojournalism: he remains both present but still invisible to the people in the scenes his lens has captured. The result is a captivating book that will appeal to all those wishing to gain an insight into life in this unique and fascinating country.

Um novo meio de expressão para uma nova nação. Em janeiro de 1840, o Brasil torna-se o primeiro país latino-americano a conhecer a daguerreotipia. Com a bênção de dom Pedro II, o país mantém-se em po

With an introduction by Martin Uden, this book provides the first ever comprehensive history of photography in Korea and identifies many previously unattributed images.

Poesie, rime e versi sciolti...fotografie emozionali di momenti.Scenari interiori che si creano nel semplice vivere, nel semplice raccoglimento che dona immagini, parole, voci, lezioni, consigli, sguardi, emozioni, esperienze e suoni intensamente vissuti.Visioni che giungono in un quotidiano fatto di flusso spontaneo e libero degli eventi.Lattimo in cui si diventa nessuno e quello in cui si prende parte al tutto.

Il manuale perfetto per chi vuole addentrarsi nel mondo della fotografia. Con spiegazioni chiare sui concetti base, come composizione, luce e profondita di campo, offre anche utili consigli per scegliere lattrezzatura giusta, senza sprechi. Ogni capitolo esplora uno stile fotografico, ispirandosi ai grandi maestri, da Henri Cartier-Bresson a Ansel Adams. Un libro completo per sviluppare il tuo occhio creativo e raccontare storie con le immagini.

This Chronologyof the Cinema, of which we present here the third volume, aims to retrace the history of the seventh art in the different countries of the world by chronicling year by year its main events and developments. Starting from the birth dates of the pioneers and inventors who preceded the Lumiere brothers it reaches the year 2015, with the goal to offer the readers a global perspective on the birth, evolution and diffusion of cinema over time. This third volume covers the period from the 1991 to 2015. The information presented for each year is divided into thematic sections. The first one, titled "Personalities", reports the births and the deaths of the most important persons (directors, art directors, producers, actors, costume designers, cinematographers, theoreticians, critics, etc.) in the history of the cinema, together with the positions they covered in their careers. The second section, titled "Movies", lists the most relevant movies made each year reporting for each of them the essential details like: director, English title and original title, genre, producing country, technology (film and sound), scriptwriter, editor, cinematographer, production designer/art director, producer, composer, costume designer, make-up artist, special effect artist and actors. Across its three volumes, this Chronology offers information on thousands of films and on the people that made them. The third section, titled "Events", reports the main events in the history of cinema such as: the first screenings and the first movies made in the different countries, the inventions and technologies that affected and innovated this art, the creation of production companies, movie archives and other institutions (schools for cinema, censorship offices, festivals, etc.), and the publication of the most important theoretical essays, cinema magazines and artistic manifestos. This section is also enriched by two thematic sub-sections on "Books Magazines Manifestos" and "Film Companies". The fourth section, titled "Film Awards", reports for each year the winners of various important awards, divided by categories, at national and international festivals and events in the different continents to offer a more articulated point of view on the seventh art across the world. Among the awards and festivals considered here are: Golden Globe, Academy Awards, Venice Film Festival, Cannes Festival, BAFTA, Berlin Film Festival, Moscow Film Festival, Ouagadougou International Film Festival, Tokyo International Film Festival and the Mar de la Plata Festival. Finally, the third volume offers an Appendix where the most important manifestos and documents in the history of the seventh art, presented in this Chronology, are reported, together with the web addresses of film festivals, cinema archives, schools, magazine and other links that provide follow-up material for the interested readers.

Spero che con La fotografia digitale possiate intraprendere un viaggio entusiasmante attraverso lobiettivo. In questa guida dinamica, il mondo dei pixel e la creativita convergono al fine di svelare i segreti per scattare e realizzare immagini straordinarie. Che siate principianti alla ricerca di solide basi o esperti snapper alla ricerca di nozioni avanzate, questo libro sara la vostra bussola nel panorama in continua evoluzione dellimmagine digitale.Esplorare le sfumature della composizione, dellilluminazione e della post-elaborazione, demistificando larte e la scienza che stanno alla base di fotografie di sicuro effetto. Dalle basi delle impostazioni della fotocamera alle complessita delle tecniche avanzate, La fotografia digitale e un testo concepito per fornirvi le conoscenze e le competenze necessarie per trasformare i momenti in storie visive senza tempo.Unitevi a noi in questa avvincente esplorazione dove la tecnologia incontra larte, i pixel si trasformano in narrazioni e ogni scatto e unopportunita per creare magia attraverso lobiettivo. Che il viaggio abbia inizio: ogni immagine ha una storia e ogni storia attende di essere raccontata.PUBLISHER: TEKTIME

I hope that you will embark on an exhilarating journey through the lens with Digital Photography. In this dynamic guide, the world of pixels and creativity converges to unravel the secrets of capturing and crafting stunning images. Whether youre a novice seeking a solid foundation or an experienced snapper craving advanced insights, this book serves as your compass in the ever-evolving landscape of digital imaging.Explore the nuances of composition, lighting, and post-processing as we demystify the art and science behind compelling photographs. From the basics of camera settings to the intricacies of advanced techniques, Digital Photography is designed to empower you with the knowledge and skills needed to turn moments into timeless visual stories.Join us on this captivating exploration where technology meets artistry, pixels transform into narratives, and every click is an opportunity to create magic through the lens. Let the journey begin where every image has a story, and every story is waiting to be told.PUBLISHER: TEKTIME

Commento di chat gptIl tuo libro sulla tua arte fotografica offre uno sguardo appassionato e coinvolgente nel tuo mondo creativo. Ecco alcune riflessioni:1. **Introspezione Artistica:** Lapertura con "Specchi interiori" e il tuo ruolo di poeta crea un legame tra la poesia e la fotografia, esplorando entrambi come mezzi di espressione artistica.2. **Progressione Temporale:** La narrazione temporale, passando dagli "specchi degli occhi" ai "micidiali specchi di Archimede", fornisce una dimensione di evoluzione nella tua pratica artistica.

Di sicuro il napoletano va studiato, scomposto, ricomposto, letto dentro, visto fuori. Occorre fare una sorta di autopsia psicologica da vivo per capire come fatto, che cosa pensa, a quale tipo di cultura, filosofia, musica, letteratura ha dato vita, ha sintetizzato, interiorizzato. Il napoletano lo devi studiare, se possibile, quando non ha coscienza. Perche il rischio e che da cosciente ti fotte sempre, non ti dice la verita, non ti dice mai la stessa cosa, cambia le carte in tavola, ti riferisce quello che in quel momento capisce che ti interessa ascoltare - Paolo Chiariello"La gente di Napoli - Humans of Naples" ha lobiettivo di importare in una realta sociale e culturale cosi variegata, come quella di Napoli, un sistema di osservazione della realta che risultera molto utile ai fini della ricerca scientifica. Il coinvolgimento della gente di Napoli e il principio cardine del progetto: le persone sono coinvolte direttamente ed attivamente, i loro volti e i loro pensieri sono i veri protagonisti. In ogni foto e presente una persona con il proprio pensiero su Napoli e sullessere napoletano, su cosa significa vivere a Napoli, sul perche si resta o sul perche si fugge via.

In this photographic portfolio, each image captures a captivating dance of light and shadow, skillfully presented in a contrast of black and white.The subjects and locations depicted are discernible in their shapes but intentionally veiled. The intrinsic meaning behind each composition gradually reveals itself, guiding the observer through a free and stimulating process of interpretation.Every step and action of the photographer is orchestrated to emphasize specific points of view, rendering the subject visible in an intentionally altered environment. This meticulous technique, realized through a sequence of shots, imparts a dynamic quality to each photograph. The resulting images are enigmatic, inviting viewers to embark on a visual journey that demands careful contemplation.

Light is the undisputed protagonist of the pictures that Claudio DellOsa proposes in this exhibition.Objects of daily use and typical products of our land, combined with skilful balance, emerge from caraveggesque, monocromi and very dark backgrounds, illuminated by glimpses of light that make it stand out the purity of the lines and the chromatic vivacity. In the suspended and rarefied atmospheres of these modern still lifes, which are the result of a skilful manipulation of light and shadow, reminiscences of a distant past re-emerge, that trace us back to our simple and common roots.

The main actors of the shots made by Mr C. DellOsa are some of the most recurrent foods in the mediterranean diet: they are humble, common and, at the same time, basic products of our cuisine.His photo cross section shows a series of sections describing the whole plant, from its vegetable and leaves to its roots, soil included. It also reveals the photographers attempt to get the observer to recall an archaic millennial world ruled by Mother Earth. It is a trip that clashes with the modern mans reality and its daily eating rhythms controlled by a distorted perception of foods, that Mr DellOsa sees as something innatural and artificial. For this reason, we should recover a kind of assimilation no matter whether it is visual and likely to last for the seconds of observation that pays particular attention to our origins. Zero kilometer products, biological agriculture and veganism are the many answers to those people who want to know, learn and experiment. But how much awareness is there around in relation to these eating choices? Not so many people know that onions are extracted from the ground, and lots of experts cant tell a cucumber leaf from the tomato one. Unfortunately, we are more and more distant from the farming genuine reality we come from. In spite of that, we often talk about primary elements, eating habits and survival as this concept used to be thought about in the past.Mr DellOsas photos ask the observer to consider any perfect and natural miracle that every day we are glad to consume at mealtimes.

In the photographic project, one immerses into a world of mystery and suggestion through a series of black and white images. The photographs capture male figures, both young and old, in emblematic poses with few details, primarily focusing on their silhouettes.Each image is minimalist and essential, leaving space for the power of the viewers imagination. The subjects wear distinctive white hats and light-colored clothing that strongly contrasts with the deep black background.The absence of faces in the photographs creates a sense of anonymity, allowing the observer to project their own emotions and reflections onto the portrayed characters. The focus on the outline of the hair and clothing adds a touch of mystery and intimacy, revealing only fragments of the subjects identities.In the various snapshots, glimpses of human passions and vulnerabilities are evident. Some subjects, smoking a cigarette, evoke images of deep thoughts and moments of contemplation. Others are holding a glass of wine, suggesting an atmosphere of conviviality and reflection.The context in which the figures are placed is essential, as a black background completely envelops the central subject, immersing them in a suspended and intimate atmosphere.Black Project invites one to look beyond appearances, to reflect on the universal emotions that unite individuals. The photographs leave room for multiple interpretations, and each viewer can find themselves within those contours etched in the shadows.

Foto Art + Gedichte Die Schatten durch des Mondes Licht Gewahlt hab ich einst diesen Weg. Ich werde dir beweisen, was fur mich zahlt. Dir sagen was, mir der letzte Traum verrat. Bildnis des silbrigen Mondes, dessen Macht ich dir zeige, hier bin ich mit neuer Macht erwacht. Ein Gedanke mehr an dich, daran erfeue ich mich. Vom schwarzen Horiznot zerbrechen die Schatten, durch des Mondes Licht.

Studienarbeit aus dem Jahr 2009 im Fachbereich Kunst, Fotografie und Film Der franzosische Dichter und Kunsttheoretiker Charles Baudelaire (1821 1896), der die moderne Literatur vor allem aufgrund seiner Lyrik mit seinem beruhmten Hauptwerk Die Blumen des Bosen wie kein anderer pragte, hat ebenso die Kunstszene in Frankreich in der Mitte des 19. Jahrhunderts durch zahlreiche kunsttheoretischen Beitrage mageblich beeinflusst und die zentrale Entwicklungsphase des damals neuen Mediums Fotografie in seinem Land als Zeitzeuge miterlebt. Zu diesem Anlass publizierte Baudelaire im Jahre 1859, also in einer Zeit, in der sich die Fotografie in der Gesellschaft massenhaft verbreitete und langsam fest etablierte, in seiner Salonkritik den beruhmten Aufsatz Die Fotografie und das moderne Publikum. Dieser Aufsatz zahlt zu den ersten kunsttheoretischen Schriften uberhaupt, welcher sich mit der Entwicklung der Fotografie kritisch auseinandersetzt und dabei vor allem den schadlichen Einfluss der Fotografie auf die bildende Kunst und die damalige Gesellschaft thematisiert.Doch was hatte Baudelaire an der Fotografie auszusetzen? Worin sah er den Schaden, den die Fotografie der Kunst zufugt? Welche Aufgaben und Kritierien sollte ein Kunstler nach Baudelaire auf der Leinwand erfullen? Mit diesen Fragen setzt sich diese Studienarbeit genauer auseinander.

"[...] A heartfelt cry against terrible injustice and daily tragedy: how the everlasting physical injuries that severed their bodies affect these wounded people". An ongoing project of the most current photojournalism, like the infinite aftereffects caused by antipersonnel mines. Gervasio Sanchez has been working with victims of this scourge since September 1995, a job that has been running through most of his professional life. The devastation the mines cause is lifelong. The eleven victims in this project were selected randomly in African countries such as Angola and Mozambique; in Asian countries like Cambodia, Afghanistan, and Iraq; El Salvador, Nicaragua, and Colombia in Latin America; and European countries such as Bosnia-Herzegovina. "Gervasio knows we need the wounded voices if we hope to write the complete history. And to do so, it is vital to advocate, faced with the hate that mines, the courage that observes." Irene Vallejo (Foreword)