eBooks de Historias de la música, página 42 de 130

This eBook presents the French Horn in F part of La gazza ladra (The Thieving Magpie), the energetic and theatrical overture by Gioachino Rossini, transcribed for woodwind quintet by Enrico Zullino. Designed for intermediate to advanced players, this part is a key component of a chamber adaptation featuring: Flute Oboe Bb Clarinet French Horn in F Bassoon The transcription is in concert key F and has an approximate performance length of 9 minutes. Carefully arranged to retain the charm and brilliance of the orchestral version, this adaptation assigns the horn an essential harmonic and supportive role, often contributing to fanfare-like textures and reinforcing dramatic shifts.Included is a multilingual informational sheet in English, Italian, French, German, Spanish, Portuguese, and Polish, offering insights into the historical and musical context of the work.This publication is part of a complete edition that includes all individual parts and the full score, available separately for those looking to perform or study the piece as a full ensemble.Ideal for musicians, educators, and chamber groups exploring the operatic repertoire in a wind quintet setting.

This eBook provides the Bb Bass Clarinet part of La gazza ladra (The Thieving Magpie), the dynamic overture by Gioachino Rossini, as transcribed for woodwind quintet by Enrico Zullino. This edition is intended as an alternative to the original bassoon part, expanding instrumentation options for intermediate to advanced players.The complete arrangement includes: Flute Oboe Bb Clarinet French Horn in F Bass Clarinet (substitute for Bassoon) With a performance duration of approximately 9 minutes, the transcription stays faithful to Rossinis original spirit while adapting it for the unique timbral qualities of the bass clarinet. This version allows for flexibility in ensemble makeup while preserving harmonic depth and rhythmic clarity.The edition includes an informational sheet in seven languages (English, Italian, French, German, Spanish, Portuguese, and Polish), offering cultural context and interpretative suggestions to enhance study and performance.This publication is part of a comprehensive series that also includes all individual parts and the full score, available separately. Ideal for school programs, community ensembles, and chamber groups looking to substitute bassoon with bass clarinet.

This eBook contains the Violin II part of La gazza ladra (The Thieving Magpie), one of Gioachino Rossinis most iconic overtures, transcribed for string quartet by Enrico Zullino. Now recognized as part of the Italian opera tradition designated a UNESCO Intangible Cultural Heritage in 2024, this work represents a unique intersection of musical excellence and historical legacy.The arrangement is crafted for intermediate to advanced performers and is scored for: Violin I Violin II Viola Cello Set in E major and lasting approximately 9 minutes, the transcription offers a vibrant and stylistically faithful adaptation of Rossinis orchestral original. The Violin II part plays a crucial harmonic and contrapuntal role, complementing the outer voices while contributing to the rhythmic vitality that defines the piece.Included in this edition are in-depth informational sheets, providing historical, cultural, and theoretical insights. These materials are available in seven languages (English, Italian, French, German, Spanish, Portuguese, and Polish), supporting global engagement with this repertoire and enhancing musical interpretation.This part is available as part of a modular series, with all other parts and the full score offered separately. This flexible format is ideal for educators, students, and professional musicians, whether engaging with the piece individually or in ensemble, and supports a comprehensive appreciation of Rossinis contribution to world musical heritage.

This eBook features the Viola part of La gazza ladra (The Thieving Magpie), one of the most celebrated overtures by Gioachino Rossini, transcribed with precision and stylistic awareness by Enrico Zullino for string quartet. Intended for intermediate to advanced musicians, the arrangement offers a chamber music experience rich in texture and dynamic contrast.The complete quartet includes: Violin I Violin II Viola Cello Set in the key of E major and with a duration of approximately 9 minutes, the transcription preserves the rhythmic energy and expressive character of the original orchestral score. The viola part plays a vital role in supporting harmonic transitions, counterpoint, and rhythmic interplay between upper and lower voices.This edition includes informational pages in seven languages (English, Italian, French, German, Spanish, Portuguese, and Polish), offering historical and theoretical insights that enhance performance and interpretation. The material is suitable for academic use as well as for concert preparation.The full score and other instrumental parts are available separately, allowing a modular approach to ensemble building. This flexibility is ideal for educators, students, and chamber musicians working individually or in ensemble settings, and supports a deeper understanding of Rossinis compositional craft.

This eBook presents the Cello part of La gazza ladra (The Thieving Magpie), the acclaimed overture by Gioachino Rossini, transcribed with precision for string quartet by Enrico Zullino. Designed for intermediate to advanced players, this version allows cellists to explore the structural and expressive core of one of the most vibrant works of the Italian operatic repertoire.The full quartet includes: Violin I Violin II Viola Cello Set in the key of E major, with a duration of approximately 9 minutes, this transcription captures Rossinis dramatic flair and lively rhythmic contrasts. The cello part serves as the harmonic and rhythmic foundation of the ensemble, contributing both drive and depth throughout the work.Included are informational sheets in seven languages (English, Italian, French, German, Spanish, Portuguese, and Polish), providing scholarly background on the overtures historical, musical, and interpretative dimensions. These insights enhance both rehearsal and performance, making this edition suitable for concert use, private study, and academic programs.The other parts and full score are available separately, supporting a modular approach to chamber ensemble performance. This flexibility is ideal for teachers, students, and professionals who wish to engage with Rossinis music either individually or as part of a complete quartet.

Bruna Ramos da Fonte conseguiu com este livro produzir uma espécie incomum de romance de formação, pois focaliza a um só tempo tanto a sua própria trajetória quanto a da canção engajada na América La

Non esiste genio senza una vena di follia, sentenziava Seneca. E anche la musica rock ne sa qualcosa, potendo vantare una lunga lista di folli e follie passate alla storia, di cui si e sempre nutrita per creare opere immortali, performance eccezionali ed emozioni contrastanti non senza gli eccessi che lhanno resa cosi celebre e seguita. Da chi ha lasciato piccoli e grandi capolavori prima di una fine tragica o evitabile, a chi per tutta la carriera ha convissuto con i propri demoni piu o meno nascosti, non di rado il processo creativo del rock e stato indotto ed esasperato da un uso spregiudicato di sostanze stupefacenti e alcol, oltre che da inquietudini, angosce e traumi irrisolti. Molti musicisti, per questo, hanno gettato la spugna perche perseguitati dalle proprie ossessioni; tanti altri invece hanno proseguito tra alti e bassi in precario equilibrio, continuando a regalarci preziosi segni della loro arte. Dal fondatore dei Pink Floyd, Syd Barrett, al genio dei Beach Boys, Brian Wilson, dalle sregolatezze di Amy Winehouse ai traumi di Sinead OConnor, dalle fobie di Mike Patton alle follie estreme di GG Allin, la lista e lunga e suggestiva, e nasconde la parte piu intima e tormentata della musica rock. Quella che lha resa unica.

Este livro é, na verdade, uma viagem de volta no tempo, mais precisamente uma visita aos séculos XIX e XX, época de surgimento do blues, estilo musical que, mais tarde, viria a ser a origem do rock n roll que, por sua vez, e um dos, seno o mais controverso, estilo musical existente, cujo objetivo final e revelar a verdade que ha por tras do mito de que e definido como "a musica do diabo" hoje, no seculo XXI.

Ich bin Gerd Steinkoenig (Bj 1959, Sudpfalzer) und schrieb mein 60. Buch. Mit den Schwerpunkten: meine Musik, meine Fotos, meine Eltern, meine Politik! Inkl. Eine Reise aus meinem eigenen Gehirn, Best Music mit Genesis/Pink Floyd/The Beatles/Rita Coolidge etc, Collagen mit Life-Momentums, Zukunft (2 Szenarien), Lebenszettel, die Seelenverwandten Kate Bush und Neil Young etc...Ich schrieb seit Januar 2017 viele Bucher mit Erinnerungen, Momentums, Musik, Fotos, Philosophien, Lyrics, Gedanken etc.Inkl. Blood On The Rooftops, Danach, Die Story von popularer Musik, Spater ohne Buch, Zeit ist los, Mitte des Menschen etc.C 25. Februar 2024 Gerd Steinkoenig

Roberto Carnevale (Catania, 1966). Italian composer, pianist and conductor. He obtained Diploma in the piano and he took a Degree in Arts at the Catania University. He attended the Academia Musicale Chigiana summer courses. Editor of musicological series for Neopoiesis publishing, in 1996 he was the editor of CD Classica and Orfeo - Il mensile di musica barocca magazines. In 1994 he was appointed Professor of History of Music at the Catania Musical Institute "Vincenzo Bellini". In 2001 was appointed Assistant Headmaster at the Catania Musical Institute "V. Bellini", and in 2003 Headmaster at the CEU. In 2004 he was appointed Professor of History and Aesthetics of Music and History and Analysis at the Catania Musical Institute "V. Bellini". He composed about 200 works played all over the world. He worked together with prestigious musicians and orchestras (Clementi, Donatoni, Benigni, Brendel, Petrassi, Milella, Menotti, Pennisi, Sanzogno, Antonelli, Sollima, Betta, Battista, Risaliti, Bennici, Beths, Guittart, Magnanensi, Schweitzer, Logos Ensemble, Ensemble Octandre, LOfferta Musicale Ensemble, Soloists of "Santa Cecilia Academy", Soloists of "Teatro La Fenice", Soloists of ORT, London Chamber Group, Ensemble Foriani, Ensemble Belliniano, West Chester University Orchestra, Amadeus Chamber Orchestra, Filarmonica of Ploesti, Orchestra di Stato di Vilnius, etc.). His works was published by LIM, Verlag Neue Musik (Berlin), Suvini-Zerboni, Nuove Edizioni Neopoiesis, Maimone Editore, CULC and he recorded with Carrara (Bergamo), Pongo Records (Paris), Suvini-Zerboni (Milan), CIMS (Palermo), Pagano (Naples), Union-Records (New York), NEN-CD Classica (Florence), etc. In 1988 Roberto Carnevale was awarded the international prize "Council of Europe" (Rome).

Carmelo Mafali, detto Melo (Messina, 6 febbraio 1958 Ajka, 30 novembre 2021), e stato un pianista e compositore italiano.Dopo aver compiuto gli studi classici nella sua citta si trasferisce a Colonia. Nei primi anni del 2000 torna a Messina, citta nella quale risiedera per il resto della sua vita. Tra i suoi lavori importanti si ricordano Babylons Acumen (1992), Aida presents Mythos (1995), El Libro de la Luna (1993).Ha composto anche musica per ensemble e strumenti tradizionali, oltre che composizioni elettroniche tra cui LEcole du Libertinage del 2002. Tra le sue composizioni classiche si ricordano Minimal Bride (2000) per due xilofoni e orchestra darchi, il Concerto n.1 per pianoforte e orchestra (1995), Suite Antiqua per piccola orchestra darchi, Suite per due chitarre e quartetto darchi, Trittico di Vulcano, e numerosi brani per ensemble orchestrali, pianoforte solo o per due pianoforti, per chitarra sola e per duo di chitarre, per chitarra e piano, per trii e quartetti.Ha collaborato dal 1996 al 2003 al progetto per due pianoforti, The Piano Duo, con il quale ha registrato tre CD per letichetta tedesca Greenhouse. Alcune delle sue composizioni per pianoforte sono state incise dalla pianista di origine coreana Jennifer Lim. Tra le sue collaborazioni come arrangiatore e compositore spiccano quelle con il bluesman Rufus Thomas, e Bobby Kimball del gruppo Toto.Nel 2006 ha avviato il progetto The Spell Trio con il fratello Pippo Mafali, bassista e compositore, e la cantante e violinista Maria Fausta Rizzo. La band si sciogliera nel 2012 con la morte di Pippo Mafali.Nel 2008 ha composto, insieme a Bruno Venturo, le musiche per il film Un amore di Gide diretto da Diego Ronsisvalle con la produzione di Lastrada.Nel 2014 fonda la Societa Cooperativa Sinfonietta Messina per la quale ha composto arrangiamenti e composizioni originali. Fra tutte le opere composte per lOrchestra Sinfonietta si ricorda lOpera/Balletto dedicata alla vita di Giovanni Falcone dal titolo La manna, andata in scena a Messina il 26 febbraio 2016, scritta per orchestra darchi e fiati e rock band.

Dive into the vibrant legacy of early jazz with "Chattanooga Stomp" by the legendary Joe "King" Oliver, now masterfully arranged for Brass Quintet. This intermediate-level arrangement brings to life the infectious rhythms and spirited melodies of Dixieland jazz, offering a fantastic ensemble experience that bridges the past with the present.The package comes complete with a score and a set of 10 parts, crafted to cater to a range of brass instruments. The core ensemble consists of 2 B? Trumpets, Horn in F, Trombone, and Tuba, laying the foundation for a rich and dynamic sound. To ensure maximum flexibility and adaptability, optional parts are included: Eb Horn, B? Tenor Horn (III T.C.), B? Trombone (IV T.C.), Eb Tuba (T.C.), and B? Tuba (T.C.). This thoughtful inclusion allows ensembles to customize their performance to fit their unique sound or to accommodate the instruments available, ensuring that "Chattanooga Stomp" can be enjoyed by as wide an audience as possible.To support musicians and educators around the world, informative pages are available in multiple languages: English, French, German, Spanish, Italian, and Portuguese. This multilingual approach ensures that the rich history and performance notes of "Chattanooga Stomp" are accessible to a global audience, fostering a deeper understanding and appreciation of this jazz classic.An audio demo is also available on www.glissato.it, providing an invaluable resource for ensembles to acquaint themselves with the arrangement. This demo serves not only as a rehearsal tool but also as inspiration, showcasing the potential of "Chattanooga Stomp" to enliven any concert or gathering with the timeless spirit of Dixieland jazz."Chattanooga Stomp" is more than just a piece of music; its an invitation to explore the roots of jazz and to bring its joyous, lively essence to life through the brass quintet. Whether youre performing in a concert hall, at a jazz festival, or for an educational event, this arrangement promises to captivate audiences and inspire musicians with its engaging rhythms and memorable melodies.

Immerse yourself in the jubilant spirit of Dixieland with "Chattanooga Stomp" by the iconic Joe "King" Oliver, now brilliantly arranged for Saxophone Quartet SATB / AATB. Perfect for intermediate level musicians, this arrangement captures the lively essence and rhythmic bounce of Dixieland jazz, offering a richly rewarding challenge for saxophonists eager to delve into one of the most vibrant eras of American music.This comprehensive package includes both the score and a set of parts for Soprano, Alto, Tenor, and Baritone saxophones, with an additional Alto part to provide versatility in ensemble configuration. Whether you aim to recreate the authentic sound of the roaring twenties or infuse your contemporary performance with the timeless joy of Dixieland, this arrangement offers the perfect blend of historical fidelity and musical adaptability.To accommodate a global audience of musicians and enthusiasts, weve included informative pages in a wide array of languages: English, French, German, Spanish, Italian, Portuguese, Korean, Japanese, and Chinese. This multilingual support ensures that you have all the essential information you need to fully engage with and appreciate the music, no matter where you are in the world.For those eager to hear "Chattanooga Stomp" come to life, an audio demo is readily available on www.glissato.it. This resource is invaluable for familiarizing yourself with the arrangement and for rehearsal purposes, allowing you to capture the authentic Dixieland sound in your performance."Chattanooga Stomp" stands as a lively homage to the enduring legacy of Joe "King" Oliver and the exuberant world of Dixieland jazz. This arrangement invites saxophone quartets to experience and share the infectious energy and spirited rhythms of one of jazzs most celebrated genres. Whether performed in a concert hall, at a jazz festival, or as part of an educational program, this piece promises to enchant audiences and inspire musicians with its dynamic vibrancy and historical richness.

Ascensão e Queda do Lendário Estúdio na Ilha de Montserrat.-

Il Canto degli Italiani, conosciuto anche come Fratelli dItalia, Inno di Mameli, Canto nazionale o Inno dItalia, e un canto risorgimentale scritto da Goffredo Mameli e musicato da Michele Novaro nel 1847, inno nazionale della Repubblica Italiana. Il testo si compone di sei strofe e un ritornello, che si alterna alle stesse; linno e musicato in tempo di 4/4 nella tonalita di si bemolle maggiore. La sesta strofa riprende, con poche variazioni, il testo della prima.Il canto fu molto popolare durante il Risorgimento e nei decenni seguenti, sebbene dopo lunita dItalia (1861) come inno del Regno dItalia fosse stata scelta la Marcia reale, brano ufficiale di Casa Savoia. Il Canto degli Italiani era infatti considerato inadatto alla situazione politica dellepoca: Fratelli dItalia, di chiara connotazione repubblicana e giacobina, mal si conciliava con lesito del Risorgimento, che fu di stampo monarchico.Dopo la seconda guerra mondiale lItalia divento una repubblica e il Canto degli Italiani fu scelto, il 12 ottobre 1946, come inno nazionale provvisorio, ruolo che ha conservato anche in seguito rimanendo inno de facto della Repubblica Italiana. Nei decenni si sono susseguite varie iniziative parlamentari per renderlo inno nazionale ufficiale, fino a giungere alla legge nº 181 del 4 dicembre 2017, che ha dato al Canto degli Italiani lo status di inno nazionale de iure.

... Da janela do quarto não muito distante, vejo todos os dias o meu grande amor. Na verdade, não é meu, mas só neste instante... Minhas poesias falam de amor e algo mais. São rimas que acima de tudo

Throwing Muses frontwoman and critically acclaimed solo artist Kristin Hersh meditates on the future of her craft in this wry, existential and passionate addition to Melville House UKs new FUTURES series.Over a long, hot Christmas in Australia, Kristin Hersh considers her future as a songwriter. Is it possible to create music and not show off about it? How can artists establish and refine a following without becoming part of the commercial problem? And just how many times is it healthy to watch Its a Wonderful Life in three weeks?In The Future of Songwriting, Hersh chooses to interrogate these questions through dialogue. From in-depth conversations with a comedian friend about the similarities between songs and jokes, via a fruitful visit to Sydneys bone museums, to a revelation from a herbal healer in New Orleans, she delivers a fierce, funny and existential meditation on the art of the song and its future.

LAndante cantabile con alcuna licenza e il secondo movimento della Sinfonia n. 5 in mi minore op. 64 composto da P. I. Tchaikovsky. È uno dei movimenti piu famosi e amati di tutta la musica classica.Il movimento e caratterizzato dalle sue bellissime melodie, ricche armonie e unorchestrazione rigogliosa. È un brano musicale commovente ed emozionante che e stato interpretato in molti modi diversi. Alcune persone la sentono come una canzone damore, mentre altri la sentono come una marcia funebre.LAndante cantabile con alcuna licenza e un capolavoro della musica classica. È un brano musicale bellissimo e commovente che ha resistito alla prova del tempo.Questo brano e stato arrangiato per Brass Ensemble, composto da 10 strumenti: Corno Solista in Fa 3 trombe in DO 2 Corni in FA 2 Tromboni Trombone Basso Tuba

Lapproccio allorigine e alle caratteristiche di questo genere musicale dovrebbe avvenire gia durante gli anni di studio, durante gli anni di conservatorio, dove invece si tende a privilegiare maggiormente un repertorio di tradizione. È indispensabile invece scardinare la consuetudine, purtroppo molto diffusa tra coloro che studiano musica, di dedicarsi solo ed esclusivamente a un determinato genere, a un solo linguaggio musicale.Lidea che ha dato vita a questo libro e principalmente quella di offrire agli studenti, ai professionisti che operano in vari settori e agli appassionati, qualche informazione utile sulle musiche pop-rock per clarinetto.Oggi nessun clarinettista dovrebbe ignorare la musica pop-rock, la musica da film, la musica klezmer o il jazz perche il suo profilo professionale nellottica di una formazione globale e soprattutto aggiornata sarebbe povero e limitante.

Poesias Avulsas é um amotinado de palavras que demonstram as condolências do autor em correlação ao atual momento vívido. Demonstra através de dezenas de linhas inúmeras canções e poesias compostas a